Moritz Geiger (1880\u20131937), estetik ve felsefe alan\u0131ndaki \u00e7al\u0131\u015fmalar\u0131yla tan\u0131nan Alman d\u00fc\u015f\u00fcn\u00fcrlerden biridir. \u00d6zellikle sanat eserinin nas\u0131l alg\u0131land\u0131\u011f\u0131 ve insanda nas\u0131l bir etki b\u0131rakt\u0131\u011f\u0131 \u00fczerine d\u00fc\u015f\u00fcnm\u00fc\u015ft\u00fcr. Geiger\u2019in esteti\u011fe yakla\u015f\u0131m\u0131nda, bir eseri yaln\u0131zca g\u00fczel bulmak ya da ki\u015fisel be\u011feniye g\u00f6re de\u011ferlendirmek yeterli de\u011fildir. Eserin kendisine odaklanmak ve onda ortaya \u00e7\u0131kan \u00f6zellikleri anlamaya \u00e7al\u0131\u015fmak \u00f6nemlidir. Bu yakla\u015f\u0131m, sanat eserini de\u011ferlendirirken ki\u015finin kendi d\u00fc\u015f\u00fcncelerinin yan\u0131 s\u0131ra eserin sundu\u011fu \u00f6zellikleri de dikkate almas\u0131n\u0131 gerektirir. Geiger\u2019in \u00e7al\u0131\u015fmalar\u0131, estetik deneyimin yaln\u0131zca g\u00fczellik duygusundan ibaret olmad\u0131\u011f\u0131n\u0131, sanat eseriyle kurulan ili\u015fkinin daha farkl\u0131 boyutlar\u0131 da bulundu\u011funu g\u00f6stermektedir. Bu nedenle d\u00fc\u015f\u00fcnceleri, esteti\u011fin felsefi a\u00e7\u0131dan ele al\u0131nmas\u0131nda ve sanat\u0131n nas\u0131l deneyimlendi\u011finin anla\u015f\u0131lmas\u0131nda \u00f6nemli bir yere sahiptir.<\/p>\n\n\n\n
Moritz Geiger\u2019in Estetik Anlay\u0131\u015f adl\u0131 kitab\u0131, sanat eserinin nas\u0131l de\u011ferlendirilmesi gerekti\u011fi ve estetik deneyimin nas\u0131l olu\u015ftu\u011fu \u00fczerine d\u00fc\u015f\u00fcnd\u00fcren bir \u00e7al\u0131\u015fmad\u0131r. Yazar, esteti\u011fi yaln\u0131zca g\u00fczel olan\u0131 belirlemek ya da bir eserin be\u011fenilip be\u011fenilmedi\u011fini a\u00e7\u0131klamak \u00fczerinden ele almaz. Bunun yerine, sanat eserinin kendi \u00f6zelliklerine ve izleyicide olu\u015fturdu\u011fu etkiye odaklan\u0131r.<\/p>\n\n\n\n
Kitapta dikkat \u00e7eken konulardan biri, sanat eserine yakla\u015f\u0131rken ki\u015fisel beklentilerin ve sanat d\u0131\u015f\u0131 d\u00fc\u015f\u00fcncelerin de\u011ferlendirmeyi nas\u0131l etkileyebildi\u011fidir. Bir eseri yaln\u0131zca sanat\u00e7\u0131n\u0131n ya\u015fam \u00f6yk\u00fcs\u00fc, eserin yap\u0131ld\u0131\u011f\u0131 d\u00f6nem veya izleyicide uyand\u0131rd\u0131\u011f\u0131 ilk duygu \u00fczerinden de\u011ferlendirmek, eserin kendisini anlamay\u0131 zorla\u015ft\u0131rabilir. Geiger\u2019in yakla\u015f\u0131m\u0131, esere daha dikkatli bakmay\u0131 ve onun bi\u00e7imsel \u00f6zelliklerini, anlam\u0131n\u0131 ve estetik de\u011ferini kendi b\u00fct\u00fcnl\u00fc\u011f\u00fc i\u00e7inde ele almay\u0131 gerektirir. Bu noktada yazar\u0131n fenomenolojik yakla\u015f\u0131m\u0131 \u00f6nem kazan\u0131r. Sanat eserini \u00f6nceden belirlenmi\u015f yarg\u0131larla a\u00e7\u0131klamak yerine, eserin nas\u0131l bir deneyim olu\u015fturdu\u011funu anlamaya \u00e7al\u0131\u015fmak temel bir y\u00f6ntem olarak \u00f6ne \u00e7\u0131kar.<\/p>\n\n\n\n
Eserde sanat\u0131n y\u00fczeysel ve derin etkileri aras\u0131ndaki ili\u015fki de ele al\u0131nmaktad\u0131r. Bir sanat eserinin ilk bak\u0131\u015fta ho\u015f g\u00f6r\u00fcnmesi, onun b\u00fct\u00fcn estetik de\u011ferini a\u00e7\u0131klamak i\u00e7in yeterli de\u011fildir. Baz\u0131 eserler ilk anda g\u00fc\u00e7l\u00fc bir etki b\u0131rak\u0131rken baz\u0131lar\u0131 zamanla, tekrar incelendik\u00e7e farkl\u0131 anlamlar kazanabilir. Bu durum, sanatla kurulan ili\u015fkinin yaln\u0131zca anl\u0131k be\u011feniden ibaret olmad\u0131\u011f\u0131n\u0131 g\u00f6stermektedir.<\/p>\n\n\n\n
Sonu\u00e7 olarak Geiger\u2019in Estetik Anlay\u0131\u015f adl\u0131 kitab\u0131, sanat eserlerine nas\u0131l yakla\u015f\u0131lmas\u0131 ve bir eserin hangi y\u00f6nlerden de\u011ferlendirilebilece\u011fi \u00fczerine d\u00fc\u015f\u00fcnme f\u0131rsat\u0131 sunmaktad\u0131r. Kitap, bir eseri yaln\u0131zca g\u00fczel bulman\u0131n onu anlamak i\u00e7in yeterli olmad\u0131\u011f\u0131n\u0131, eserin \u00f6zelliklerine dikkat etmenin ve farkl\u0131 y\u00f6nlerini incelemenin \u00f6nemli oldu\u011funu g\u00f6stermektedir. Bu a\u00e7\u0131dan Geiger\u2019in d\u00fc\u015f\u00fcnceleri, estetik deneyimin ki\u015fisel be\u011feniden daha geni\u015f bir anlam ta\u015f\u0131d\u0131\u011f\u0131n\u0131 ortaya koymaktad\u0131r. Eser, sanat\u0131n nas\u0131l alg\u0131land\u0131\u011f\u0131 ve de\u011ferlendirildi\u011fi \u00fczerine daha bilin\u00e7li d\u00fc\u015f\u00fcnmek isteyenler i\u00e7in yol g\u00f6sterici bir \u00e7al\u0131\u015fma olarak de\u011ferlendirilebilir.<\/p>\n\n\n\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Moritz Geiger (1880\u20131937), estetik ve felsefe alan\u0131ndaki \u00e7al\u0131\u015fmalar\u0131yla tan\u0131nan Alman d\u00fc\u015f\u00fcn\u00fcrlerden biridir. \u00d6zellikle sanat eserinin nas\u0131l alg\u0131land\u0131\u011f\u0131 ve insanda nas\u0131l bir etki b\u0131rakt\u0131\u011f\u0131 \u00fczerine d\u00fc\u015f\u00fcnm\u00fc\u015ft\u00fcr. Geiger\u2019in esteti\u011fe yakla\u015f\u0131m\u0131nda, bir eseri yaln\u0131zca g\u00fczel bulmak ya da ki\u015fisel be\u011feniye g\u00f6re de\u011ferlendirmek yeterli de\u011fildir. Eserin kendisine odaklanmak ve onda ortaya \u00e7\u0131kan \u00f6zellikleri anlamaya \u00e7al\u0131\u015fmak \u00f6nemlidir. Bu yakla\u015f\u0131m, sanat […]<\/p>\n","protected":false},"author":11,"featured_media":1416,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[211],"tags":[76,98],"class_list":["post-1415","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kitap","tag-kitap","tag-sanat"],"_links":{"self":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1415"}],"version-history":[{"count":4,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1415\/revisions"}],"predecessor-version":[{"id":1424,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1415\/revisions\/1424"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/media\/1416"}],"wp:attachment":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1415"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1415"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}