{"id":1594,"date":"2026-11-03T14:41:39","date_gmt":"2026-11-03T14:41:39","guid":{"rendered":"https:\/\/atolyer10.com\/?p=1594"},"modified":"2026-11-03T14:41:40","modified_gmt":"2026-11-03T14:41:40","slug":"ruzgardan-kalan-caner-kaya","status":"publish","type":"post","link":"https:\/\/atolyer10.com\/?p=1594","title":{"rendered":"R\u00fczg\u00e2rdan Kalan, Caner Kaya"},"content":{"rendered":"\n

Balat\u2019ta y\u0131llarca metruk halde kald\u0131ktan sonra \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi\u2019nin k\u00fclt\u00fcrel miras\u0131 koruma vizyonuyla restore edilen ve Hali\u00e7 Sanat 1-2-3 adlar\u0131yla yeni ya\u015fam alanlar\u0131 olarak \u0130stanbullulara a\u00e7\u0131lan Fener Evleri\u2019nde yeni sergiler sanatseverlerle bulu\u015fuyor.
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Caner Kaya\u2019n\u0131n R\u00fczg\u00e2rdan Kalan adl\u0131 sergisi, g\u00f6r\u00fcnmeyen ancak etkileri hissedilen r\u00fczg\u00e2r kavram\u0131 \u00fczerinden bizlere haf\u0131za, zaman ve ge\u00e7mi\u015fin bug\u00fcnle kurdu\u011fu ili\u015fkiyi anlat\u0131yor. Hali\u00e7 Sanat 3\u2019te izleyiciyle bulu\u015fan sergi, r\u00fczg\u00e2r\u0131n geride b\u0131rakt\u0131\u011f\u0131 izlerden hareketle an\u0131lar\u0131n ve ya\u015fant\u0131lar\u0131n insan \u00fczerindeki kal\u0131c\u0131 etkisine odaklan\u0131yor.

Baz\u0131 \u015feyler ge\u00e7ip gider, baz\u0131lar\u0131 ise ge\u00e7erken iz b\u0131rak\u0131r.
R\u00fczg\u00e2rdan Kalan, r\u00fczg\u00e2r\u0131n yaln\u0131zca fiziksel varl\u0131\u011f\u0131n\u0131 de\u011fil, onun duygusunu ve haf\u0131zada b\u0131rakt\u0131\u011f\u0131 izleri bi\u00e7imlendirme \u00e7abas\u0131ndan do\u011far. G\u00f6r\u00fcnmeyen fakat hissedilen r\u00fczg\u00e2r, ge\u00e7mi\u015f ile \u015fimdiki zaman aras\u0131nda hareket eden bir ta\u015f\u0131y\u0131c\u0131ya d\u00f6n\u00fc\u015f\u00fcr. Bir esinti gibi an\u0131lar da beklenmedik bir anda belirir; tan\u0131d\u0131k bir duyguyu, unutulmu\u015f bir g\u00f6r\u00fcnt\u00fcy\u00fc ya da ge\u00e7mi\u015ften k\u00fc\u00e7\u00fck bir par\u00e7ay\u0131 yeniden bug\u00fcne ta\u015f\u0131r.


\"ruzgarinbellegi \"ruzgar-bellekk<\/sub>


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Sanat\u00e7\u0131n\u0131n metal malzemeyle olu\u015fturdu\u011fu amorf ve dinamik formlar, hareketin ve ak\u0131\u015f\u0131n izlerini ta\u015f\u0131yor. R\u00fczg\u00e2r\u0131n ge\u00e7ici ve de\u011fi\u015fken do\u011fas\u0131 ile metalin a\u011f\u0131r ve kal\u0131c\u0131 yap\u0131s\u0131 aras\u0131nda kurulan kar\u015f\u0131t ili\u015fki, serginin kavramsal \u00e7er\u00e7evesini g\u00fc\u00e7lendiriyor. Sanat\u00e7\u0131 r\u00fczg\u00e2r\u0131 do\u011frudan betimlemek yerine onun geride b\u0131rakt\u0131\u011f\u0131 etkiyi g\u00f6r\u00fcn\u00fcr k\u0131lmaya \u00e7al\u0131\u015f\u0131yor. B\u00f6ylece eserler, fiziksel olarak g\u00f6remedi\u011fimiz r\u00fczg\u00e2r\u0131 bir hareket olarak maddesel bi\u00e7imler arac\u0131l\u0131\u011f\u0131yla nas\u0131l ifade edilebilece\u011fi \u00fczerine d\u00fc\u015f\u00fcnd\u00fcr\u00fcyor.
Sergi, ge\u00e7mi\u015fin bir b\u00fct\u00fcn olarak geride kalmad\u0131\u011f\u0131n\u0131; an\u0131lar\u0131n, duygular\u0131n ve ya\u015fant\u0131lar\u0131n zaman zaman yeniden ortaya \u00e7\u0131karak bug\u00fcn\u00fcm\u00fcz\u00fc etkiledi\u011fini anlat\u0131yor. Bu a\u00e7\u0131dan R\u00fczg\u00e2rdan Kalan, yaln\u0131zca do\u011fadaki bir hareketin de\u011fil, insan\u0131n belle\u011finde biriken izlerin de anlat\u0131s\u0131 olarak de\u011ferlendirilebilir. \u0130zleyiciyi g\u00f6r\u00fcnmeyenle g\u00f6r\u00fcnen, ge\u00e7icilikle kal\u0131c\u0131l\u0131k ve ge\u00e7mi\u015fle \u015fimdi aras\u0131ndaki ili\u015fkiyi sorgulamaya davet eden sergi, geride kalanlar\u0131n her zaman yok olmad\u0131\u011f\u0131, bazen farkl\u0131 bi\u00e7imlerde varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrebildi\u011fi d\u00fc\u015f\u00fcncesini \u00f6ne \u00e7\u0131kar\u0131yor.




\"mobius<\/p>\n\n\n\n






Henri Bergson, Madde ve Bellek’te ge\u00e7mi\u015fin iki farkl\u0131 bi\u00e7imde ya\u015famaya devam etti\u011finden s\u00f6z eder: bedensel al\u0131\u015fkanl\u0131klarda ve ba\u011f\u0131ms\u0131z an\u0131larda. Onun d\u00fc\u015f\u00fcncesinde ge\u00e7mi\u015f, b\u00fct\u00fcn\u00fcyle geride b\u0131rak\u0131lm\u0131\u015f de\u011fildir; an\u0131, \u015fimdiki zamana dokundu\u011fu anda yeniden hareket kazan\u0131r. Bu anlamda hat\u0131rlamak, ge\u00e7mi\u015fe d\u00f6nmekten \u00e7ok, ge\u00e7mi\u015fin \u015fimdi i\u00e7inde yeniden belirmesidir.







\"ruzgarinbellegi23 \"ruzgarbellegi00<\/p>\n\n\n\n

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R\u00fczg\u00e2rdan Kalan da tam olarak bu belirme h\u00e2linin izini s\u00fcrer. Sergideki amorf ve dinamik formlar, r\u00fczg\u00e2r\u0131n belirli bir bi\u00e7ime sahip olmadan \u00e7evresindeki d\u00fcnyay\u0131 d\u00f6n\u00fc\u015ft\u00fcren hareketinden beslenir.
R\u00fczg\u00e2r\u0131n kendisini g\u00f6remeyiz; onu ancak dokundu\u011fu \u015feylerde, de\u011fi\u015ftirdi\u011fi y\u00fczeylerde ve geride b\u0131rakt\u0131\u011f\u0131 izlerde fark ederiz. An\u0131 da benzer bi\u00e7imde g\u00f6r\u00fcnmezdir. Varl\u0131\u011f\u0131n\u0131, i\u00e7imizde harekete ge\u00e7irdi\u011fi duygu ve imgeler arac\u0131l\u0131\u011f\u0131yla duyurur.<\/p>\n\n\n\n

Bu ge\u00e7ici ve ak\u0131\u015fkan h\u00e2lin metal arac\u0131l\u0131\u011f\u0131yla bi\u00e7im kazanmas\u0131 ise serginin temel kar\u015f\u0131tl\u0131klar\u0131ndan birini olu\u015fturur. Metal sert, a\u011f\u0131r ve kal\u0131c\u0131d\u0131r; r\u00fczg\u00e2r ise hareketli, ge\u00e7ici ve tutulamaz. D\u00f6k\u00fcmle \u015fekillenen y\u00fczeylerde bu iki kar\u015f\u0131t nitelik bir araya gelir. Sert malzemenin i\u00e7inde ak\u0131\u015f, dura\u011fan formun i\u00e7inde hareket, kal\u0131c\u0131l\u0131\u011f\u0131n i\u00e7inde ge\u00e7icilik aran\u0131r. T\u0131pk\u0131 belle\u011fin ge\u00e7mi\u015ften kalan par\u00e7alar\u0131 bug\u00fcn\u00fcn i\u00e7inde yeniden bi\u00e7imlendirmesi gibi, metal de ge\u00e7ici bir hareketin kal\u0131c\u0131 izine d\u00f6n\u00fc\u015f\u00fcr. B\u00f6ylece eserler r\u00fczg\u00e2r\u0131 temsil etmekten \u00e7ok, r\u00fczg\u00e2rdan geriye kalabilecek \u015feyi arar.


\"ruzgarinbellegi5 \"ruzgarinbellegi100


Bir hareketin izi.
Bir duygunun tortusu.
Bir an\u0131n\u0131n yeniden belirtisi. <\/em><\/p>\n\n\n\n

R\u00fczg\u00e2rdan Kalan, gelip ge\u00e7en \u015feyleri durdurmaya \u00e7al\u0131\u015fmaz. Onlar\u0131n ge\u00e7tikten sonra bizde b\u0131rakt\u0131klar\u0131yla ilgilenir. \u00c7\u00fcnk\u00fc bazen geriye kalan, \u015feyin kendisi de\u011fil; i\u00e7imizde de\u011fi\u015ftirdi\u011fi yerdir.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Balat\u2019ta y\u0131llarca metruk halde kald\u0131ktan sonra \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi\u2019nin k\u00fclt\u00fcrel miras\u0131 koruma vizyonuyla restore edilen ve Hali\u00e7 Sanat 1-2-3 adlar\u0131yla yeni ya\u015fam alanlar\u0131 olarak \u0130stanbullulara a\u00e7\u0131lan Fener Evleri\u2019nde yeni sergiler sanatseverlerle bulu\u015fuyor. Caner Kaya\u2019n\u0131n R\u00fczg\u00e2rdan Kalan adl\u0131 sergisi, g\u00f6r\u00fcnmeyen ancak etkileri hissedilen r\u00fczg\u00e2r kavram\u0131 \u00fczerinden bizlere haf\u0131za, zaman ve ge\u00e7mi\u015fin bug\u00fcnle kurdu\u011fu ili\u015fkiyi anlat\u0131yor. Hali\u00e7 […]<\/p>\n","protected":false},"author":17,"featured_media":1595,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[84,9],"tags":[224,174,22,98,6],"class_list":["post-1594","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gorsel-sanatlar","category-sergiler","tag-bellek","tag-heykel","tag-istanbul","tag-sanat","tag-sergi"],"_links":{"self":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1594"}],"version-history":[{"count":4,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1594\/revisions"}],"predecessor-version":[{"id":1610,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1594\/revisions\/1610"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/media\/1595"}],"wp:attachment":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}