{"id":1758,"date":"2026-11-03T15:23:53","date_gmt":"2026-11-03T15:23:53","guid":{"rendered":"https:\/\/atolyer10.com\/?p=1758"},"modified":"2026-11-03T15:24:01","modified_gmt":"2026-11-03T15:24:01","slug":"babaziz-ruhunu-seyreden-prens","status":"publish","type":"post","link":"https:\/\/atolyer10.com\/?p=1758","title":{"rendered":"Bab\u2019Aziz: Ruhunu Seyreden Prens"},"content":{"rendered":"\n

Baban\u0131z yere d\u00fc\u015fse ve y\u00fcz\u00fc \u00e7amura bulansa ne yapard\u0131n\u0131z?<\/strong><\/p>\n\n\n

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\"BABAZIZ-AFIS-1-725x1024<\/figure>\n<\/div>\n\n\n

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Tunuslu y\u00f6netmen Nacer Khemir, Bab\u2019Aziz<\/em> filmini anlat\u0131rken bu soruyla ba\u015flar. 2006 y\u0131l\u0131nda \u0130stanbul Film Festivali kapsam\u0131nda da g\u00fcndeme gelen bu benzetmede y\u00f6netmen, babas\u0131n\u0131n y\u00fcz\u00fcn\u00fc \u0130slam’la \u00f6zde\u015fle\u015ftirir. Ona g\u00f6re babas\u0131n\u0131n y\u00fcz\u00fcne bula\u015fan \u00e7amuru temizlemek, \u0130slam’\u0131n yanl\u0131\u015f ve eksik temsillerine kar\u015f\u0131, Bat\u0131’n\u0131n oryantalist bak\u0131\u015f a\u00e7\u0131s\u0131ndan kurtararak \u015eark masallar\u0131n\u0131 mistisizm ile anlatmakt\u0131r. Khemir, Bab\u2019Aziz<\/em> ile Bat\u0131 medyas\u0131nda yayg\u0131nla\u015fan \u0130slam imgesinin \u00f6tesine ge\u00e7erek sevgi, ho\u015fg\u00f6r\u00fc ve bilgeli\u011fe dayanan ba\u015fka bir anlat\u0131 sunmak istedi\u011fini belirtir. <\/p>\n\n\n\n


Olivier Barlet, \u201cNous n\u2019avons pas droit \u00e0 la fiction\u201d, Africultures<\/em>, 17 Nisan 2006. Nacer Khemir ile Bab\u2019Aziz<\/em> \u00fczerine r\u00f6portaj.
https:\/\/africultures.com\/nous-navons-pas-droit-a-la-fiction-4383\/<\/a><\/p>\n\n\n\n

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\"ISTHAR-VE-BAB-AZIZ-1024x768<\/figure>\n<\/div>\n\n\n

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2005 yap\u0131m\u0131 Bab\u2019Aziz: Ruhunu Seyreden Prens<\/em>, y\u00f6netmenin \u00e7\u00f6l \u00fc\u00e7lemesinin son filmidir. Filmde, g\u00f6zleri g\u00f6rmeyen ya\u015fl\u0131 bir dervi\u015f olan Bab\u2019Aziz ve torunu \u0130\u015ftar, yerini ve zaman\u0131n\u0131 tam olarak bilmedikleri bir dervi\u015fler bulu\u015fmas\u0131na ula\u015fmak i\u00e7in \u00e7\u00f6lde yolculu\u011fa \u00e7\u0131kar. \u0130\u015ftar, dedesine rehberlik etti\u011fini d\u00fc\u015f\u00fcn\u00fcr. Ancak yol boyunca kar\u015f\u0131la\u015ft\u0131klar\u0131 insanlar ve anlat\u0131lan hik\u00e2yeler, bu ili\u015fkinin farkl\u0131 bir y\u00f6n\u00fcn\u00fc ortaya \u00e7\u0131kar\u0131r. Bab\u2019Aziz’in fiziksel olarak g\u00f6rememesi, onun yolunu kaybetti\u011fi anlam\u0131na gelmez. Aksine, torununa e\u015flik eden ve yolculu\u011fun anlam\u0131n\u0131 kavramas\u0131na yard\u0131mc\u0131 olan ki\u015fi odur.<\/p>\n\n\n\n

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\"babaziz-ruhunu-seyreden-prens<\/figure>\n<\/div>\n\n\n

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Film, bu yolculu\u011fu farkl\u0131 karakterlerin hik\u00e2yeleriyle geni\u015fletir. Bir prensin kendi ruhunu seyretmesi, Hasan’\u0131n intikam aray\u0131\u015f\u0131 ve di\u011fer yolcular\u0131n kar\u015f\u0131la\u015fmalar\u0131, ana anlat\u0131n\u0131n i\u00e7ine yerle\u015fir. B\u00f6ylece \u00e7\u00f6l, yaln\u0131zca karakterlerin y\u00fcr\u00fcd\u00fc\u011f\u00fc bir mek\u00e2n olmaktan \u00e7\u0131kar; farkl\u0131 hayatlar\u0131n ve aray\u0131\u015flar\u0131n kesi\u015fti\u011fi bir alana d\u00f6n\u00fc\u015f\u00fcr. Filmde a\u015fk, sahip olmak de\u011fil; kaybolmay\u0131 g\u00f6ze almak olarak g\u00f6r\u00fcl\u00fcr. Karakterler sevdiklerine ula\u015fmaya \u00e7al\u0131\u015f\u0131rken asl\u0131nda kendi i\u00e7 d\u00fcnyalar\u0131na yakla\u015f\u0131rlar. \u00c7\u00f6l\u00fcn sonsuzlu\u011fu i\u00e7inde herkes birini arar ama sonunda aranan \u015feyin insan\u0131n kendi ruhu oldu\u011fu hissedilir.<\/p>\n\n\n\n

Khemir’in sinemas\u0131nda tasavvuf, yaln\u0131zca diyaloglarda yer alan bir d\u00fc\u015f\u00fcnce sistemi de\u011fildir. \u00c7\u00f6l, su, yolculuk ve dervi\u015f fig\u00fcr\u00fc arac\u0131l\u0131\u011f\u0131yla g\u00f6rsel anlat\u0131n\u0131n da par\u00e7as\u0131 h\u00e2line gelir. Filmin alt ba\u015fl\u0131\u011f\u0131ndaki prens imgesi de bu a\u00e7\u0131dan \u00f6nemlidir. Y\u00f6netmenin anlatt\u0131\u011f\u0131na g\u00f6re, suya e\u011filmi\u015f bir prensi g\u00f6steren tarih\u00ee bir \u0130ran taba\u011f\u0131, bu karakterin \u00e7\u0131k\u0131\u015f noktalar\u0131ndan biridir. Prensin suya bak\u0131\u015f\u0131, Narkissos’un kendi yans\u0131mas\u0131na hayranl\u0131\u011f\u0131ndan farkl\u0131 olarak, ruhunu seyretmesi d\u00fc\u015f\u00fcncesiyle ili\u015fkilendirilir. A\u015fa\u011f\u0131daki g\u00f6rsel, ayn\u0131 d\u00f6nemin \u0130ran seramik sanat\u0131ndan benzer bir \u00f6rnektir; ancak y\u00f6netmenin s\u00f6z\u00fcn\u00fc etti\u011fi tabak oldu\u011fu do\u011frulanm\u0131\u015f de\u011fildir.<\/p>\n\n\n\n

\u201cBab\u2019Aziz\u201d, Around the World in 14 Films<\/em>, 2006 film ar\u015fivi. Filmin sinopsisi ve anlat\u0131 yap\u0131s\u0131.
https:\/\/www.14films.de\/en\/das-festival\/archiv\/2006\/bab-aziz<\/a><\/p>\n\n\n

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\"ruhunu-seyreden-prens-ilhami-iran-seramigi-1024x925<\/figure>\n<\/div>\n\n\n

L\u00fcster tekni\u011fiyle s\u00fcslenmi\u015f, prens fig\u00fcrl\u00fc \u0130ran serami\u011fi, yakla\u015f\u0131k 12. y\u00fczy\u0131l sonu\u201313. y\u00fczy\u0131l ba\u015f\u0131. Cleveland Museum of Art. https:\/\/www.clevelandart.org\/art\/1951.289?utm_source=chatgpt.com<\/a><\/p>\n\n\n

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\"bab-aziz-prens-1024x683<\/figure>\n<\/div>\n\n\n

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Filmin sonlar\u0131na do\u011fru Bab\u2019Aziz ile Hasan aras\u0131nda ge\u00e7en \u00f6l\u00fcm diyalo\u011fu, bu d\u00fc\u015f\u00fcnce d\u00fcnyas\u0131n\u0131n \u00e7arp\u0131c\u0131 \u00f6rneklerinden biridir. \u0130ntikam aray\u0131\u015f\u0131yla yolculuk eden Hasan, \u00f6l\u00fcmden korktu\u011funu s\u00f6yledi\u011finde Bab\u2019Aziz ona anne karn\u0131ndaki bir \u00e7ocu\u011fu anlat\u0131r:<\/p>\n\n\n\n

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\u201cHasan\u2026 Seni bekliyordum.\u201d<\/p>\n\n\n\n

\u201cBeni mi bekliyordun?\u201d<\/p>\n\n\n\n

\u201c\u00d6l\u00fcm\u00fcme \u015fahit olman i\u00e7in.\u201d<\/p>\n\n\n\n

\u201cNeden ben? Ben \u00f6l\u00fcmden \u00e7ok korkar\u0131m.\u201d<\/p>\n\n\n\n

\u201cBiliyorum. Anne karn\u0131nda karanl\u0131ktaki bebe\u011fe denseydi ki: D\u0131\u015far\u0131da ayd\u0131nl\u0131k bir d\u00fcnya var; y\u00fcksek da\u011flar\u0131, b\u00fcy\u00fck denizleri, \u00e7i\u00e7ek a\u00e7m\u0131\u015f bah\u00e7eleri, dereleri, y\u0131ld\u0131zlarla dolu g\u00f6ky\u00fcz\u00fc ve parlayan g\u00fcne\u015fi var\u2026 Ve sen, b\u00fct\u00fcn bu mucizelerle y\u00fczle\u015fmek yerine karanl\u0131kla \u00e7evrili oturuyorsun. Do\u011fmam\u0131\u015f \u00e7ocuk, bu mucizeler hakk\u0131nda hi\u00e7bir \u015fey bilmedi\u011fi i\u00e7in hi\u00e7birine inanmayacakt\u0131r. T\u0131pk\u0131 bizim \u00f6l\u00fcmle kar\u015f\u0131la\u015fmam\u0131z gibi. \u0130\u015fte bu y\u00fczden korkar\u0131z.\u201d<\/p>\n\n\n\n

\u201c\u00d6l\u00fcm nas\u0131l olur da ba\u015flang\u0131c\u0131 olmayan bir \u015feyin sonu olur? Hasan o\u011flum, benim d\u00fc\u011f\u00fcn gecemde mutsuz olma. Sonsuzlukla olan evlili\u011fimin art\u0131k zaman\u0131 geldi.\u201d <\/p>\n<\/blockquote>\n\n\n\n

Bab\u2019Aziz’in bu s\u00f6zlerinde \u00f6l\u00fcm, yaln\u0131zca ya\u015fam\u0131n sona ermesi olarak de\u011fil, hen\u00fcz bilinmeyen bir e\u015fi\u011fe ge\u00e7i\u015f olarak ele al\u0131n\u0131r. Anne karn\u0131ndaki \u00e7ocu\u011fun do\u011fumdan sonra kar\u015f\u0131la\u015faca\u011f\u0131 d\u00fcnyay\u0131 kavrayamamas\u0131 ile insan\u0131n \u00f6l\u00fcmden sonras\u0131n\u0131 bilememesi aras\u0131nda bir benzerlik kurulur. Film, bu benzetmeyle \u00f6l\u00fcm korkusunu ortadan kald\u0131rmaya \u00e7al\u0131\u015fmaktan \u00e7ok, insan\u0131n bilmedi\u011fi \u015fey kar\u015f\u0131s\u0131ndaki tutumunu sorgular.<\/p>\n\n\n\n

Bab\u2019Aziz: \u00c7\u00f6lde hakikat aray\u0131\u015f\u0131 ve teslimiyet\u201d, GZT<\/em>. Filmdeki \u00f6l\u00fcm diyalo\u011funun T\u00fcrk\u00e7e aktar\u0131m\u0131.
https:\/\/www.gzt.com\/hayat\/babaziz-colde-hakikat-arayisi-ve-teslimiyet-4026122<\/a><\/p>\n\n\n\n

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Nacer Khemir’in sinemas\u0131, s\u00f6zl\u00fc hik\u00e2yeleri, tasavvufi d\u00fc\u015f\u00fcnceyi ve g\u00f6rsel anlat\u0131m\u0131 bir araya getirerek izleyiciyi farkl\u0131 hayatlar\u0131n aras\u0131nda dola\u015ft\u0131r\u0131r. Bab\u2019Aziz<\/em>, b\u00fct\u00fcn sorulara kesin cevaplar veren bir film de\u011fildir. Anlat\u0131lan hik\u00e2yeler, kar\u015f\u0131la\u015fmalar ve g\u00f6r\u00fcnt\u00fcler, izleyicinin kendi anlam\u0131n\u0131 kurmas\u0131na alan a\u00e7ar. \u00c7\u00f6lde ba\u015flayan yolculuk, b\u00f6ylece bir yere ula\u015fmaktan \u00e7ok, insan\u0131n bilmedi\u011fiyle kurdu\u011fu ili\u015fki \u00fczerine d\u00fc\u015f\u00fcnmeye d\u00f6n\u00fc\u015f\u00fcr.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Baban\u0131z yere d\u00fc\u015fse ve y\u00fcz\u00fc \u00e7amura bulansa ne yapard\u0131n\u0131z? Tunuslu y\u00f6netmen Nacer Khemir, Bab\u2019Aziz filmini anlat\u0131rken bu soruyla ba\u015flar. 2006 y\u0131l\u0131nda \u0130stanbul Film Festivali kapsam\u0131nda da g\u00fcndeme gelen bu benzetmede y\u00f6netmen, babas\u0131n\u0131n y\u00fcz\u00fcn\u00fc \u0130slam’la \u00f6zde\u015fle\u015ftirir. Ona g\u00f6re babas\u0131n\u0131n y\u00fcz\u00fcne bula\u015fan \u00e7amuru temizlemek, \u0130slam’\u0131n yanl\u0131\u015f ve eksik temsillerine kar\u015f\u0131, Bat\u0131’n\u0131n oryantalist bak\u0131\u015f a\u00e7\u0131s\u0131ndan kurtararak \u015eark masallar\u0131n\u0131 […]<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[252,254,253,98],"class_list":["post-1758","post","type-post","status-publish","format-standard","hentry","category-sinema","tag-babi-aziz","tag-iran-sinemasi","tag-nacer-khemir","tag-sanat"],"_links":{"self":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1758"}],"version-history":[{"count":5,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1758\/revisions"}],"predecessor-version":[{"id":1773,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1758\/revisions\/1773"}],"wp:attachment":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1758"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1758"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}