{"id":1783,"date":"2026-11-02T00:07:36","date_gmt":"2026-11-02T00:07:36","guid":{"rendered":"https:\/\/atolyer10.com\/?p=1783"},"modified":"2026-11-02T00:07:37","modified_gmt":"2026-11-02T00:07:37","slug":"casa-botterde-mimari-miras-ve-ihsan-cemal-karaburcakin-resim-anlayisi","status":"publish","type":"post","link":"https:\/\/atolyer10.com\/?p=1783","title":{"rendered":"Casa Botter\u2019de Mimari Miras ve \u0130hsan Cemal Karabur\u00e7ak\u2019\u0131n Resim Anlay\u0131\u015f\u0131"},"content":{"rendered":"\n

Beyo\u011flu \u0130stiklal Caddesi \u00fczerinde bulunan Casa Botter Sanat ve Tasar\u0131m Merkezi, tarih\u00ee bir yap\u0131n\u0131n k\u00fclt\u00fcrel i\u015flevlerle yeniden kullan\u0131m\u0131na \u00f6rnek olu\u015fturmaktad\u0131r. Mek\u00e2ndaki bilgilendirme panolar\u0131na g\u00f6re Botter Apartman\u0131, 1900\u20131901 y\u0131llar\u0131nda saray terzisi Jean Botter i\u00e7in mimar Raimondo D\u2019Aronco taraf\u0131ndan tasarlanm\u0131\u015ft\u0131r. \u0130stanbul\u2019da Art Nouveau mimarisinin \u00f6nc\u00fc \u00f6rnekleri aras\u0131nda de\u011ferlendirilen yap\u0131; cephe bezemeleri, demir i\u015fleri ve vitrayl\u0131 pencereleriyle d\u00f6nemin mimari \u00f6zelliklerini yans\u0131tmaktad\u0131r. Ba\u015flang\u0131\u00e7ta moda evi, at\u00f6lye ve konut i\u015flevlerini bir araya getiren apartman, restorasyon \u00e7al\u0131\u015fmalar\u0131yla yeniden k\u00fclt\u00fcrel kullan\u0131ma a\u00e7\u0131lm\u0131\u015ft\u0131r.<\/p>\n\n\n

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\"107522-4-768x1024-1
Casa Botter’in sergi salonu ve mekan i\u00e7indeki yerle\u015fimi<\/figcaption><\/figure>\n<\/div>\n\n\n

Sergi giri\u015f metninde Karabur\u00e7ak, akademik sanat e\u011fitimi d\u0131\u015f\u0131nda kendi resim dilini geli\u015ftiren bir sanat\u00e7\u0131 olarak tan\u0131mlanmaktad\u0131r. Karabur\u00e7ak Ailesi koleksiyonundan olu\u015fturulan se\u00e7ki; do\u011fa ve kent g\u00f6r\u00fcn\u00fcmlerini, fig\u00fcrl\u00fc d\u00fczenlemeleri ve soyut kompozisyonlar\u0131 kapsamaktad\u0131r. Sanat\u00e7\u0131n\u0131n sergi duvar\u0131nda aktar\u0131lan a\u00e7\u0131klamalar\u0131, koyu tonlara ve d\u00fc\u015f\u00fck \u0131\u015f\u0131k ko\u015fullar\u0131nda belirginle\u015fen renklere duydu\u011fu ilgiyi ortaya koymaktad\u0131r. Bu ba\u011flamda renk, nesnelerin betimlenmesinin yan\u0131nda resmin atmosferini ve b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fc kuran temel bir unsur olarak de\u011ferlendirilebilir.<\/p>\n\n\n

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\"109910-1024x576<\/figure>\n<\/div>\n\n\n

Soyut \u00e7al\u0131\u015fmalar\u0131n birlikte sergilendi\u011fi b\u00f6l\u00fcmde ise geometrik ve organik bi\u00e7imlerin farkl\u0131 yo\u011funluklarda kullan\u0131ld\u0131\u011f\u0131 g\u00f6r\u00fclmektedir. A\u015fa\u011f\u0131daki foto\u011fraf\u0131n sol \u00fcst\u00fcndeki mor zeminli kompozisyonda daireler, k\u00f6\u015feli i\u015faretler ve e\u011frisel bir bi\u00e7im geni\u015f aral\u0131klarla yerle\u015ftirilmi\u015ftir. Sa\u011f \u00fcstteki sar\u0131-ye\u015fil a\u011f\u0131rl\u0131kl\u0131 resimde dairesel ve d\u00f6rtgen bi\u00e7imler, k\u00fc\u00e7\u00fck \u00e7izgisel \u00f6gelerle birlikte daha yo\u011fun bir y\u00fczey d\u00fczeni olu\u015fturmaktad\u0131r. \u0130ki \u00e7al\u0131\u015fma, bo\u015fluk kullan\u0131m\u0131 ve bi\u00e7imlerin da\u011f\u0131l\u0131m\u0131 bak\u0131m\u0131ndan farkl\u0131la\u015f\u0131rken renk kar\u015f\u0131tl\u0131klar\u0131 her iki kompozisyonun da g\u00f6rsel ritmini belirlemektedir<\/p>\n\n\n

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\"107515-1024x768
\u0130simsiz,Duralitler \u00fczerine ya\u011fl\u0131boya,1952-1970<\/figcaption><\/figure>\n<\/div>\n\n\n

Karabur\u00e7ak\u2019\u0131n Fig\u00fcrl\u00fc Resimlerinde Renk ve Bi\u00e7im<\/h2>\n\n\n\n

Serginin fig\u00fcrl\u00fc \u00e7al\u0131\u015fmalar\u0131n yer ald\u0131\u011f\u0131 b\u00f6l\u00fcm\u00fcnde kad\u0131n portreleri, i\u00e7 mek\u00e2n betimlemeleri ve kent g\u00f6r\u00fcn\u00fcmleri birlikte sunulmaktad\u0131r. Bu eserlerde fig\u00fcrler, \u00e7evrelerindeki geometrik b\u00f6l\u00fcnmeler ve renk alanlar\u0131yla b\u00fct\u00fcnl\u00fck i\u00e7inde ele al\u0131nm\u0131\u015ft\u0131r. Mor, mavi ve ye\u015filin koyu tonlar\u0131 aras\u0131nda kullan\u0131lan sar\u0131 ve turuncular, kompozisyonlar\u0131n belirli noktalar\u0131n\u0131 \u00f6ne \u00e7\u0131karmaktad\u0131r. Y\u00fczlerin ve bedenlerin sadele\u015ftirilmesi, ayr\u0131nt\u0131l\u0131 anatomik betimlemeden \u00e7ok renk, \u00e7izgi ve y\u00fczey ili\u015fkilerinin \u00f6nem kazand\u0131\u011f\u0131n\u0131 g\u00f6stermektedir. Kad\u0131n fig\u00fcrleri, portreler ve kent g\u00f6r\u00fcn\u00fcmlerinin birlikte sergilendi\u011fi duvar.<\/p>\n\n\n

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\"107490-1024x768
\u0130simsiz, Duralitler \u00fczerine ya\u011fl\u0131boya,1952-1970<\/figcaption><\/figure>\n<\/div>\n\n\n

Foto\u011fraf\u0131n sol orta b\u00f6l\u00fcm\u00fcnde bulunan, sar\u0131 giysili kad\u0131n fig\u00fcr\u00fcn\u00fcn betimlendi\u011fi resimde, geriye do\u011fru kald\u0131r\u0131lan kollar ve e\u011fik beden duru\u015fu kompozisyonun temel hareketini olu\u015fturmaktad\u0131r. Fig\u00fcr\u00fcn \u00f6n\u00fcndeki a\u00e7\u0131k kitap, sahneyi g\u00fcndelik ya\u015famla ili\u015fkilendiren bir ayr\u0131nt\u0131d\u0131r. Sar\u0131 giysi, bordo ve mor a\u011f\u0131rl\u0131kl\u0131 \u00e7evreden belirgin bi\u00e7imde ayr\u0131l\u0131rken arka plandaki \u00e7izgisel ve \u0131zgaral\u0131 y\u00fczeyler, mek\u00e2n\u0131 dekoratif b\u00f6l\u00fcmlere ay\u0131rmaktad\u0131r. B\u00f6ylece fig\u00fcr ile i\u00e7 mek\u00e2n aras\u0131ndaki ili\u015fki, renk kar\u015f\u0131tl\u0131klar\u0131 ve desenlerin da\u011f\u0131l\u0131m\u0131 \u00fczerinden kurulmaktad\u0131r.<\/p>\n\n\n

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\"107497-1024x768
\u0130simsiz, Duralitler \u00fczerine ya\u011fl\u0131boya, 1952-1970<\/figcaption><\/figure>\n<\/div>\n\n\n

Sonu\u00e7 olarak \u201cBir Renk Ressam\u0131: \u0130hsan Cemal Karabur\u00e7ak\u201d sergisi, sanat\u00e7\u0131n\u0131n manzara, fig\u00fcr ve soyut kompozisyonlar\u0131nda rengin \u00fcstlendi\u011fi kurucu rol\u00fc g\u00f6r\u00fcn\u00fcr k\u0131lmaktad\u0131r. Eserlerdeki bi\u00e7imsel sadele\u015ftirme, \u00e7izgisel ritim ve renk kar\u015f\u0131tl\u0131klar\u0131, farkl\u0131 konular aras\u0131nda ortak bir anlat\u0131m dili olu\u015fturmaktad\u0131r. Biyografik belgeler ve sanat\u00e7\u0131 a\u00e7\u0131klamalar\u0131, yap\u0131tlar\u0131n \u00fcretim anlay\u0131\u015f\u0131yla birlikte de\u011ferlendirilmesine katk\u0131 sa\u011flamaktad\u0131r. Casa Botter\u2019in tarih\u00ee mimarisi i\u00e7inde sunulan se\u00e7ki, Karabur\u00e7ak\u2019\u0131n resim yakla\u015f\u0131m\u0131n\u0131 incelerken yap\u0131n\u0131n k\u00fclt\u00fcrel miras niteli\u011fini de deneyimlemeye olanak tan\u0131maktad\u0131r.<\/p>\n\n\n\n

<\/p>\n\n\n\n

BA\u015eLANGI\u00c7 TAR\u0130H\u0130 30.04.2026 10:00<\/mark><\/p>\n\n\n\n

B\u0130T\u0130\u015e TAR\u0130H\u0130 29.11.2026 07:00<\/mark><\/p>\n\n\n\n

YER Casa Botter ADRES \u015eahkulu, \u0130stiklal Cd. No:235, 34421 Beyo\u011flu\/\u0130stanbul<\/mark><\/p>\n\n\n\n

https:\/\/maps.app.goo.gl\/Znetr2vdVH1xf19u6?g_st=aw<\/a><\/p>\n\n\n\n

https:\/\/www.instagram.com\/casabotter?vrfl=MXFvZGxpbG80ejg1bA==<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Beyo\u011flu \u0130stiklal Caddesi \u00fczerinde bulunan Casa Botter Sanat ve Tasar\u0131m Merkezi, tarih\u00ee bir yap\u0131n\u0131n k\u00fclt\u00fcrel i\u015flevlerle yeniden kullan\u0131m\u0131na \u00f6rnek olu\u015fturmaktad\u0131r. Mek\u00e2ndaki bilgilendirme panolar\u0131na g\u00f6re Botter Apartman\u0131, 1900\u20131901 y\u0131llar\u0131nda saray terzisi Jean Botter i\u00e7in mimar Raimondo D\u2019Aronco taraf\u0131ndan tasarlanm\u0131\u015ft\u0131r. \u0130stanbul\u2019da Art Nouveau mimarisinin \u00f6nc\u00fc \u00f6rnekleri aras\u0131nda de\u011ferlendirilen yap\u0131; cephe bezemeleri, demir i\u015fleri ve vitrayl\u0131 pencereleriyle d\u00f6nemin […]<\/p>\n","protected":false},"author":9,"featured_media":2209,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[84,9],"tags":[178,177,22,6],"class_list":["post-1783","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gorsel-sanatlar","category-sergiler","tag-casa-botter","tag-ihsan-cemal-karaburcak","tag-istanbul","tag-sergi"],"_links":{"self":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1783","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1783"}],"version-history":[{"count":6,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1783\/revisions"}],"predecessor-version":[{"id":2243,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1783\/revisions\/2243"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/media\/2209"}],"wp:attachment":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1783"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1783"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1783"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}