{"id":1897,"date":"2026-10-31T21:58:06","date_gmt":"2026-10-31T21:58:06","guid":{"rendered":"https:\/\/atolyer10.com\/?p=1897"},"modified":"2026-10-31T21:58:06","modified_gmt":"2026-10-31T21:58:06","slug":"env-no-26-004-511-hafizanin-izinde-bir-kisisel-arsiv","status":"publish","type":"post","link":"https:\/\/atolyer10.com\/?p=1897","title":{"rendered":"Env. No. 26.004.511: Haf\u0131zan\u0131n \u0130zinde Bir Ki\u015fisel Ar\u015fiv"},"content":{"rendered":"\n

Dilara Alt\u0131nkep\u00e7e Arslan\u2019\u0131n Env. No. 26.004.511 ba\u015fl\u0131kl\u0131 ki\u015fisel sergisi, haf\u0131za, unutma ve ki\u015fisel ar\u015fiv kavramlar\u0131 etraf\u0131nda \u015fekilleniyor. Nil Nuho\u011flu k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde Nelumbo Studios\u2019ta ger\u00e7ekle\u015fen sergi, ki\u015fisel tarihin nas\u0131l sakland\u0131\u011f\u0131, zaman i\u00e7inde nas\u0131l d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc ve yeniden hat\u0131rland\u0131\u011f\u0131 \u00fczerine bir ara\u015ft\u0131rma alan\u0131 a\u00e7\u0131yor. Sanat\u00e7\u0131n\u0131n biriktirme prati\u011fini yaln\u0131zca nesnelerin muhafaza edilmesi olarak de\u011fil, ge\u00e7mi\u015fin izlerini ara\u015ft\u0131rmaya, s\u0131n\u0131fland\u0131rmaya ve yeniden yorumlamaya dayanan bir s\u00fcre\u00e7 olarak ele al\u0131yor.<\/p>\n\n\n\n

Ar\u015fiv, \u00e7o\u011fu zaman ge\u00e7mi\u015fe ait belgelerin, nesnelerin ve kay\u0131tlar\u0131n d\u00fczenli bir bi\u00e7imde korundu\u011fu bir alan olarak d\u00fc\u015f\u00fcn\u00fcl\u00fcr. Ancak ki\u015fisel haf\u0131za s\u00f6z konusu oldu\u011funda bu d\u00fczen hi\u00e7bir zaman b\u00fct\u00fcn\u00fcyle sabit de\u011fildir. Baz\u0131 an\u0131lar belirginli\u011fini korurken baz\u0131lar\u0131 silikle\u015fir; kimi ayr\u0131nt\u0131lar beklenmedik bi\u00e7imlerde yeniden ortaya \u00e7\u0131kar, kimi ya\u015fant\u0131lar ise zamanla farkl\u0131 anlamlar kazan\u0131r. Env. No. 26.004.511, bu de\u011fi\u015fken yap\u0131dan hareketle ar\u015fivi tamamlanm\u0131\u015f bir kay\u0131t sistemi olmaktan \u00e7\u0131kar\u0131p s\u00fcrekli yeniden kurulan bir haf\u0131za alan\u0131 olarak d\u00fc\u015f\u00fcnmeye davet ediyor.<\/p>\n\n\n

\n
\"nelumbo2-2-1024x717<\/figure>\n<\/div>\n\n\n

Serginin ba\u015fl\u0131\u011f\u0131ndaki \u201cEnv. No.\u201d ifadesi, bir envanter numaras\u0131n\u0131 \u00e7a\u011fr\u0131\u015ft\u0131rarak nesneleri tan\u0131mlama, kaydetme ve s\u0131n\u0131fland\u0131rma y\u00f6ntemlerine g\u00f6nderme yap\u0131yor. Bu numaraland\u0131rma dili, ki\u015fisel olan\u0131 kay\u0131t alt\u0131na al\u0131nabilir ve d\u00fczenlenebilir bir yap\u0131ya d\u00f6n\u00fc\u015ft\u00fcr\u00fcrken ayn\u0131 zamanda bir soruyu da g\u00fcndeme getiriyor: Bir ya\u015fant\u0131n\u0131n kayd\u0131, o ya\u015fant\u0131n\u0131n kendisini ne \u00f6l\u00e7\u00fcde koruyabilir? Bir nesnenin ya da g\u00f6r\u00fcnt\u00fcn\u00fcn ar\u015fivde yer almas\u0131, onun ta\u015f\u0131d\u0131\u011f\u0131 anlam\u0131n da sabit kald\u0131\u011f\u0131 anlam\u0131na gelir mi? Sergi ba\u015fl\u0131\u011f\u0131, ki\u015fisel tarihin belgelenmesi ile deneyimin b\u00fct\u00fcn\u00fcyle kavranmas\u0131 aras\u0131ndaki mesafeyi d\u00fc\u015f\u00fcnmek i\u00e7in bir ba\u015flang\u0131\u00e7 noktas\u0131 sunuyor.<\/p>\n\n\n\n

Env. No. 26.004.511, izleyiciyi yaln\u0131zca ge\u00e7mi\u015fe ait izlerle kar\u015f\u0131la\u015ft\u0131rm\u0131yor; ayn\u0131 zamanda kendi hat\u0131rlama bi\u00e7imleri \u00fczerine d\u00fc\u015f\u00fcnmeye \u00e7a\u011f\u0131r\u0131yor. Biriktirilen nesnelerin, kaydedilen g\u00f6r\u00fcnt\u00fclerin ve g\u00fcndelik hayattan geriye kalan ayr\u0131nt\u0131lar\u0131n zamanla nas\u0131l ba\u015fka anlamlara b\u00fcr\u00fcnd\u00fc\u011f\u00fcn\u00fc ara\u015ft\u0131r\u0131yor. B\u00f6ylece ki\u015fisel ar\u015fiv, yaln\u0131zca ge\u00e7mi\u015fi koruyan bir depo de\u011fil, bug\u00fcn ile ge\u00e7mi\u015f aras\u0131nda s\u00fcrekli yeniden kurulan bir ili\u015fki alan\u0131na d\u00f6n\u00fc\u015f\u00fcyor.<\/p>\n\n\n

\n
\"nelumbo-edited
Dilara Alt\u0131nkep\u00e7e Arslan<\/figcaption><\/figure>\n<\/div>\n\n\n

Dilara Alt\u0131nkep\u00e7e Arslan\u2019\u0131n bu sergisi, haf\u0131zan\u0131n g\u00fcvenilirli\u011fi, unutman\u0131n d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc etkisi ve ki\u015fisel tarihin maddi izleri \u00fczerine d\u00fc\u015f\u00fcnmek i\u00e7in bir alan a\u00e7\u0131yor. Ge\u00e7mi\u015fin yaln\u0131zca saklanan de\u011fil, her hat\u0131rlama an\u0131nda yeniden \u015fekillenen bir \u015fey oldu\u011funu hat\u0131rlatarak ar\u015fivin s\u0131n\u0131rlar\u0131n\u0131 ve olanaklar\u0131n\u0131 sorguluyor.<\/p>\n\n\n\n

Env. No. 26.004.511, 22 Ekim\u201320 Aral\u0131k 2026 tarihleri aras\u0131nda Nelumbo Studios\u2019ta ziyaret edilebilir.<\/p>\n\n\n\n

Dilara Alt\u0131nkep\u00e7e Arslan | Ki\u015fisel Sergi
K\u00fcrat\u00f6r: Nil Nuho\u011flu
Tarih: 22 Ekim \u2013 20 Aral\u0131k 2026<\/p>\n\n\n\n\n\n\n\n

KAYNAK\u00c7A<\/p>\n\n\n\n

Nelumbo Studios. (t.y.). Dilara Alt\u0131nkep\u00e7e Arslan \u2013 Kadim K\u00fclt\u00fcr & \u00c7a\u011fda\u015f Sanat. <\/strong>https:\/\/nelumbostudios.com\/collections\/dilara-altinkepce-arslan<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Dilara Alt\u0131nkep\u00e7e Arslan\u2019\u0131n Env. No. 26.004.511 ba\u015fl\u0131kl\u0131 ki\u015fisel sergisi, haf\u0131za, unutma ve ki\u015fisel ar\u015fiv kavramlar\u0131 etraf\u0131nda \u015fekilleniyor. Nil Nuho\u011flu k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde Nelumbo Studios\u2019ta ger\u00e7ekle\u015fen sergi, ki\u015fisel tarihin nas\u0131l sakland\u0131\u011f\u0131, zaman i\u00e7inde nas\u0131l d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc ve yeniden hat\u0131rland\u0131\u011f\u0131 \u00fczerine bir ara\u015ft\u0131rma alan\u0131 a\u00e7\u0131yor. Sanat\u00e7\u0131n\u0131n biriktirme prati\u011fini yaln\u0131zca nesnelerin muhafaza edilmesi olarak de\u011fil, ge\u00e7mi\u015fin izlerini ara\u015ft\u0131rmaya, s\u0131n\u0131fland\u0131rmaya ve yeniden […]<\/p>\n","protected":false},"author":16,"featured_media":1901,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[22,98,6],"class_list":["post-1897","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sergiler","tag-istanbul","tag-sanat","tag-sergi"],"_links":{"self":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1897","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1897"}],"version-history":[{"count":3,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1897\/revisions"}],"predecessor-version":[{"id":2104,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1897\/revisions\/2104"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/media\/1901"}],"wp:attachment":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}