{"id":1915,"date":"2026-10-27T14:21:37","date_gmt":"2026-10-27T14:21:37","guid":{"rendered":"https:\/\/atolyer10.com\/?p=1915"},"modified":"2026-10-27T14:33:01","modified_gmt":"2026-10-27T14:33:01","slug":"sahlari-da-vururlar-ses-1885te-gecmisten-gunumuze-bir-hiciv","status":"publish","type":"post","link":"https:\/\/atolyer10.com\/?p=1915","title":{"rendered":"\u015eahlar\u0131 da Vururlar: Ses 1885\u2019te Ge\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Bir Hiciv"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">\u0130stanbul\u2019un k\u00fclt\u00fcr ve sanat ya\u015fam\u0131nda \u00f6nemli bir yere sahip olan Beyo\u011flu, tarihi tiyatro salonlar\u0131yla da dikkat \u00e7ekiyor. \u0130stiklal Caddesi \u00fczerindeki Halep Pasaj\u0131\u2019nda bulunan Ses 1885 \u2013 Ortaoyuncular Tiyatrosu da bu mek\u00e2nlardan biri. Ferhan \u015eensoy\u2019un kaleme ald\u0131\u011f\u0131&nbsp;<em>\u015eahlar\u0131 da Vururlar<\/em>&nbsp;oyununu izlemek i\u00e7in ziyaret etti\u011fim tiyatro, yaln\u0131zca sahnelenen oyunuyla de\u011fil, ge\u00e7mi\u015fi ve mimarisiyle de ayr\u0131 bir \u00f6nem ta\u015f\u0131yor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ses Tiyatrosu\u2019nun tarihi 1885 y\u0131l\u0131na kadar uzan\u0131yor. \u0130lk d\u00f6nemlerinde sirk ve \u00e7e\u015fitli g\u00f6steriler i\u00e7in kullan\u0131lan yap\u0131, ilerleyen y\u0131llarda tiyatro, operet ve sinema salonu olarak hizmet vermi\u015f. Frans\u0131z Tiyatrosu ve Ses Sinemas\u0131 gibi farkl\u0131 isimlerle an\u0131lan mek\u00e2n, 1989 y\u0131l\u0131nda Ferhan \u015eensoy\u2019un \u00f6nc\u00fcl\u00fc\u011f\u00fcnde restore edilerek Ses 1885 ad\u0131yla yeniden a\u00e7\u0131lm\u0131\u015f. Tarihi localar\u0131, at nal\u0131 bi\u00e7imindeki balkonu ve s\u00fcslemeleriyle g\u00fcn\u00fcm\u00fczde de ge\u00e7mi\u015fin izlerini koruyor.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img  title=\"\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/ses-1885-tiyatrosu-1024x576.jpg\"  alt=\"ses-1885-tiyatrosu-1024x576 \u015eahlar\u0131 da Vururlar: Ses 1885\u2019te Ge\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Bir Hiciv\"  class=\"wp-image-1922\" srcset=\"https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/ses-1885-tiyatrosu-1024x576.jpg 1024w, https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/ses-1885-tiyatrosu-300x169.jpg 300w, https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/ses-1885-tiyatrosu-768x432.jpg 768w, https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/ses-1885-tiyatrosu.jpg 1440w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-cyan-bluish-gray-color has-text-color has-link-color has-small-font-size wp-elements-1 wp-block-paragraph\"><em>Ses 1885 \u2013 Ortaoyuncular Tiyatrosu\u2019nun giri\u015finden bir g\u00f6r\u00fcn\u00fcm.<\/em>&nbsp;(G\u00f6rsel Kayna\u011f\u0131: \u0130MKSV \u2013 \u0130stanbul K\u00fclt\u00fcr &amp; Sanat Varl\u0131klar\u0131 Ar\u015fivi, 2025)<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Ferhan \u015eensoy taraf\u0131ndan 1980 y\u0131l\u0131nda kurulan Ortaoyuncular toplulu\u011funun ilk oyunu ise&nbsp;<em>\u015eahlar\u0131 da Vururlar<\/em>. \u0130lk kez 7 Mart 1980\u2019de sahnelenen eser, T\u00fcrkiye\u2019nin siyasi a\u00e7\u0131dan olduk\u00e7a hareketli oldu\u011fu bir d\u00f6nemde izleyiciyle bulu\u015fmu\u015f. Geleneksel T\u00fcrk tiyatrosunun s\u00f6z oyunlar\u0131n\u0131, m\u00fczi\u011fini ve g\u00fcld\u00fcr\u00fc anlay\u0131\u015f\u0131n\u0131 politik hicivle birle\u015ftiren oyun, 1980\u2019lerin ilk yar\u0131s\u0131nda y\u00fczlerce kez sahnelenmi\u015f. \u015eensoy\u2019un 2021 y\u0131l\u0131ndaki vefat\u0131n\u0131n ard\u0131ndan 2022\u2019de yeniden sahneye ta\u015f\u0131nan eser, bug\u00fcn Ortaoyuncular gelene\u011fini yeni ku\u015faklarla bulu\u015fturmay\u0131 s\u00fcrd\u00fcr\u00fcyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u015eahlar\u0131 da Vururlar<\/em>, izleyiciyi 1940\u2019lar\u0131n \u0130ran\u2019\u0131na g\u00f6t\u00fcr\u00fcyor. Hik\u00e2ye, isim benzerli\u011fi nedeniyle istihbarat te\u015fkilat\u0131n\u0131n hedefi h\u00e2line gelen \u00d6mer Hayyam adl\u0131 bir vatanda\u015f\u0131n yanl\u0131\u015fl\u0131kla tutuklanmas\u0131yla ba\u015fl\u0131yor. \u015eah R\u0131za Pehlevi y\u00f6netimindeki \u0130ran\u2019da saray entrikalar\u0131, siyasi \u00e7eki\u015fmeler ve halk\u0131n giderek a\u011f\u0131rla\u015fan ya\u015fam ko\u015fullar\u0131, oyunun temel \u00e7at\u0131\u015fmas\u0131n\u0131 olu\u015fturuyor. Bir yanda iktidar\u0131n\u0131 korumaya \u00e7al\u0131\u015fan y\u00f6neticiler, di\u011fer yanda ekonomik s\u0131k\u0131nt\u0131lar ve bask\u0131lar kar\u015f\u0131s\u0131nda huzursuzlu\u011fu artan halk bulunuyor.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img  title=\"\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"582\" src=\"https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sahlar_da-vururlar-1024x582.jpg\"  alt=\"sahlar_da-vururlar-1024x582 \u015eahlar\u0131 da Vururlar: Ses 1885\u2019te Ge\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Bir Hiciv\"  class=\"wp-image-1928\" srcset=\"https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sahlar_da-vururlar-1024x582.jpg 1024w, https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sahlar_da-vururlar-300x170.jpg 300w, https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sahlar_da-vururlar-768x436.jpg 768w, https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sahlar_da-vururlar-1536x873.jpg 1536w, https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sahlar_da-vururlar.jpg 1690w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-cyan-bluish-gray-color has-text-color has-link-color has-small-font-size wp-elements-2 wp-block-paragraph\"><em>\u015eahlar\u0131 da Vururlar<\/em>&nbsp;oyununa ait tan\u0131t\u0131m g\u00f6rseli. (G\u00f6rsel Kayna\u011f\u0131: Mobilet)<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Oyunun dikkat \u00e7ekici taraf\u0131, bu siyasi ortam\u0131 do\u011frudan dramatik bir anlat\u0131mla de\u011fil, abs\u00fcrt olaylar ve mizah arac\u0131l\u0131\u011f\u0131yla ele almas\u0131. Ferhan \u015eensoy\u2019un kendine \u00f6zg\u00fc dil oyunlar\u0131, kafiyeli konu\u015fmalar\u0131 ve beklenmedik s\u00f6zc\u00fck ili\u015fkileri, s\u0131radan g\u00f6r\u00fcnen diyaloglar\u0131n alt\u0131nda g\u00fc\u00e7l\u00fc bir ele\u015ftiri kurulmas\u0131n\u0131 sa\u011fl\u0131yor. \u00d6zellikle \u00d6mer Hayyam\u2019\u0131n ba\u015f\u0131na gelenler, otoritenin mant\u0131ks\u0131z kararlar\u0131n\u0131n bireyin ya\u015fam\u0131n\u0131 nas\u0131l etkileyebilece\u011fini g\u00f6steriyor. Yanl\u0131\u015f bir isim \u00fczerinden ba\u015flayan olaylar\u0131n giderek b\u00fcy\u00fcmesi, b\u00fcrokrasinin ve sorgulanmayan iktidar\u0131n yaratt\u0131\u011f\u0131 abs\u00fcrtl\u00fc\u011f\u00fc g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Eserde \u00f6ne \u00e7\u0131kan konulardan biri de Bat\u0131l\u0131la\u015fma anlay\u0131\u015f\u0131. \u015eensoy, Bat\u0131l\u0131la\u015fman\u0131n yaln\u0131zca d\u0131\u015f g\u00f6r\u00fcn\u00fc\u015f ve al\u0131\u015fkanl\u0131klar\u0131n taklit edilmesiyle ger\u00e7ekle\u015febilece\u011fi d\u00fc\u015f\u00fcncesini ele\u015ftiriyor. Saray \u00e7evresindeki karakterlerin davran\u0131\u015flar\u0131, toplumdan uzakla\u015fm\u0131\u015f bir y\u00f6netimin \u00e7eli\u015fkilerini ortaya koyuyor. Oyunun 1980 y\u0131l\u0131nda yaz\u0131lm\u0131\u015f olmas\u0131na ra\u011fmen bug\u00fcn h\u00e2l\u00e2 anlaml\u0131 gelmesinin nedenlerinden biri de bu. \u0130ktidar, \u00f6zg\u00fcrl\u00fck, adalet ve toplumsal e\u015fitsizlik gibi meseleler, anlat\u0131n\u0131n ge\u00e7ti\u011fi d\u00f6nemin s\u0131n\u0131rlar\u0131n\u0131 a\u015f\u0131yor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">G\u00fcn\u00fcm\u00fczde Volkan M. Sar\u0131\u00f6z y\u00f6netmenli\u011finde sahnelenen oyunda m\u00fczik, dekor ve kost\u00fcmler de anlat\u0131n\u0131n \u00f6nemli par\u00e7alar\u0131. Fuat G\u00fcner ve Ferhan \u015eensoy\u2019un \u00f6zg\u00fcn m\u00fczikleri, s\u00f6zc\u00fck oyunlar\u0131yla kurulan mizah\u0131 destekliyor. Ba\u015fak \u00d6zdo\u011fan\u2019\u0131n dekor ve kost\u00fcm tasar\u0131mlar\u0131nda kullan\u0131lan renkli ayr\u0131nt\u0131lar ve satran\u00e7 fig\u00fcrleri ise oyunun politik anlat\u0131m\u0131yla ili\u015fki kuruyor. \u00d6zellikle satran\u00e7taki \u201c\u015fah\u201d ile siyasi iktidar\u0131 temsil eden \u201c\u015eah\u201d aras\u0131ndaki anlam ili\u015fkisi, eserin ba\u015fl\u0131\u011f\u0131ndan sahne tasar\u0131m\u0131na kadar uzan\u0131yor. B\u00f6ylece sahnedeki g\u00f6rsel unsurlar yaln\u0131zca d\u00f6nem atmosferini kurmakla kalm\u0131yor, anlat\u0131n\u0131n ele\u015ftirel y\u00f6n\u00fcn\u00fc de g\u00fc\u00e7lendiriyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Oyunun temposu, m\u00fczikal b\u00f6l\u00fcmlerle diyaloglar aras\u0131nda s\u00fcrekli de\u011fi\u015fiyor. \u015eensoy\u2019un s\u00f6zc\u00fck oyunlar\u0131yla \u00f6r\u00fcl\u00fc \u00fcslubu dikkatli bir takip gerektirse de bu yo\u011funluk, eserin karakteristik \u00f6zelliklerinden biri. Ayr\u0131ca mizah\u0131n yaln\u0131zca izleyiciyi e\u011flendirmek i\u00e7in kullan\u0131lmamas\u0131, oyunu s\u0131radan bir komediden ay\u0131r\u0131yor. Komik g\u00f6r\u00fcnen olaylar\u0131n ard\u0131nda \u00e7o\u011fu zaman bask\u0131, e\u015fitsizlik ya da iktidar ili\u015fkilerine y\u00f6nelik bir ele\u015ftiri bulunuyor.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-constrained wp-block-group-is-layout-constrained\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-large\"><img  title=\"\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"676\" src=\"https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sahlaridavururlar-1024x676.png\"  alt=\"sahlaridavururlar-1024x676 \u015eahlar\u0131 da Vururlar: Ses 1885\u2019te Ge\u00e7mi\u015ften G\u00fcn\u00fcm\u00fcze Bir Hiciv\"  class=\"wp-image-1932\" srcset=\"https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sahlaridavururlar-1024x676.png 1024w, https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sahlaridavururlar-300x198.png 300w, https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sahlaridavururlar-768x507.png 768w, https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sahlaridavururlar-1536x1013.png 1536w, https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sahlaridavururlar.png 1746w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-cyan-bluish-gray-color has-text-color has-link-color has-small-font-size wp-elements-3 wp-block-paragraph\"><em>\u015eahlar\u0131 da Vururlar<\/em>&nbsp;oyunundan bir kare. Ses 1885 \u2013 Ortaoyuncular Tiyatrosu, 24 Ekim 2026, saat 20.00 temsili. (Foto\u011fraf: Yazar\u0131n ar\u015fivi)<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\"><em>\u015eahlar\u0131 da Vururlar<\/em>, tarihi bir d\u00f6nemi oldu\u011fu gibi yeniden canland\u0131rmaya \u00e7al\u0131\u015fmaktan \u00e7ok, o d\u00f6nem \u00fczerinden siyasi ve toplumsal meseleleri tart\u0131\u015fmaya a\u00e7an bir eser. Ses 1885 gibi tarihi bir sahnede izlenmesi de bu deneyime farkl\u0131 bir anlam kat\u0131yor. Ferhan \u015eensoy\u2019un y\u0131llar \u00f6nce kurdu\u011fu tiyatro anlay\u0131\u015f\u0131n\u0131n, ayn\u0131 toplulu\u011fun oyuncular\u0131 taraf\u0131ndan s\u00fcrd\u00fcr\u00fclmesi, oyunu ge\u00e7mi\u015fle bug\u00fcn aras\u0131nda bir ba\u011f h\u00e2line getiriyor. Bu y\u00f6n\u00fcyle ziyaret, hem T\u00fcrk tiyatrosunun \u00f6nemli bir eserini yeniden tan\u0131mak hem de \u0130stanbul\u2019un tiyatro miras\u0131n\u0131n h\u00e2l\u00e2 ya\u015fayan bir par\u00e7as\u0131n\u0131 g\u00f6rmek a\u00e7\u0131s\u0131ndan de\u011ferliydi.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Ziyaret ve Oyun Bilgileri<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Tiyatro:<\/strong>&nbsp;Ses 1885 \u2013 Ortaoyuncular Tiyatrosu<\/li>\n\n\n\n<li><strong>Adres:<\/strong>&nbsp;\u0130stiklal Caddesi, Halep Pasaj\u0131 (Halep \u0130\u015fhan\u0131), No: 62\/90, Beyo\u011flu \/ \u0130stanbul<\/li>\n\n\n\n<li><strong>Telefon:<\/strong>&nbsp;0212 251 18 65<\/li>\n\n\n\n<li><strong>Oyun:<\/strong>&nbsp;\u015eahlar\u0131 da Vururlar<\/li>\n\n\n\n<li><strong>Yazar:<\/strong>&nbsp;Ferhan \u015eensoy<\/li>\n\n\n\n<li><strong>Y\u00f6netmen:<\/strong>&nbsp;Volkan M. Sar\u0131\u00f6z<\/li>\n\n\n\n<li><strong>T\u00fcr:<\/strong>&nbsp;M\u00fczikli g\u00fcld\u00fcr\u00fc \/ Politik hiciv<\/li>\n\n\n\n<li><strong>S\u00fcre:<\/strong>&nbsp;135 dakika (ara d\u00e2hil, iki perde)<\/li>\n\n\n\n<li><strong>Ya\u015f s\u0131n\u0131r\u0131:<\/strong>&nbsp;13+<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Gelecek Temsil Tarihleri<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Kas\u0131m 2026<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1 Kas\u0131m Pazar \u2013 18.00<\/li>\n\n\n\n<li>7 Kas\u0131m Cumartesi \u2013 20.00<\/li>\n\n\n\n<li>8 Kas\u0131m Pazar \u2013 18.00<\/li>\n\n\n\n<li>14 Kas\u0131m Cumartesi \u2013 20.00<\/li>\n\n\n\n<li>15 Kas\u0131m Pazar \u2013 18.00<\/li>\n\n\n\n<li>21 Kas\u0131m Cumartesi \u2013 20.00<\/li>\n\n\n\n<li>22 Kas\u0131m Pazar \u2013 18.00<\/li>\n\n\n\n<li>28 Kas\u0131m Cumartesi \u2013 20.00<\/li>\n\n\n\n<li>29 Kas\u0131m Pazar \u2013 18.00<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Temsil tarihleri ve bilet bilgileri i\u00e7in Ortaoyuncular\u2019\u0131n resm\u00ee internet sitesi veya bilet sat\u0131\u015f platformlar\u0131 ziyaret edilebilir.<\/p>\n\n\n\n<div style=\"width:100%;margin:24px 0\">\n\n  \n  \n\n  <p style=\"font-size:13px;color:#666;margin-top:10px\">\n    Ses 1885 \u2013 Ortaoyuncular Tiyatrosu,\n    \u0130stiklal Caddesi, Halep Pasaj\u0131 No: 62\/90,\n    Beyo\u011flu \/ \u0130stanbul\n  <\/p>\n\n<\/div>\n\n\n\n<iframe src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m18!1m12!1m3!1d3009.5795639465396!2d28.97654897679245!3d41.034453371346785!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x14cab7611c20b3df%3A0x4d54c4a8de556f68!2sSes-1885%20Ortaoyuncular%20Tiyatrosu!5e0!3m2!1str!2str!4v1793111043937!5m2!1str!2str\" width=\"600\" height=\"450\" style=\"border:0;\" allowfullscreen=\"\" loading=\"lazy\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>\u0130stanbul\u2019un k\u00fclt\u00fcr ve sanat ya\u015fam\u0131nda \u00f6nemli bir yere sahip olan Beyo\u011flu, tarihi tiyatro salonlar\u0131yla da dikkat \u00e7ekiyor. \u0130stiklal Caddesi \u00fczerindeki Halep Pasaj\u0131\u2019nda bulunan Ses 1885 \u2013 Ortaoyuncular Tiyatrosu da bu mek\u00e2nlardan biri. Ferhan \u015eensoy\u2019un kaleme ald\u0131\u011f\u0131&nbsp;\u015eahlar\u0131 da Vururlar&nbsp;oyununu izlemek i\u00e7in ziyaret etti\u011fim tiyatro, yaln\u0131zca sahnelenen oyunuyla de\u011fil, ge\u00e7mi\u015fi ve mimarisiyle de ayr\u0131 bir \u00f6nem ta\u015f\u0131yor. [&hellip;]<\/p>\n","protected":false},"author":19,"featured_media":1919,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[259],"tags":[],"class_list":["post-1915","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tiyatro"],"_links":{"self":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1915","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/users\/19"}],"replies":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1915"}],"version-history":[{"count":4,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1915\/revisions"}],"predecessor-version":[{"id":1983,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1915\/revisions\/1983"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/media\/1919"}],"wp:attachment":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}