{"id":1931,"date":"2026-10-27T15:11:46","date_gmt":"2026-10-27T15:11:46","guid":{"rendered":"https:\/\/atolyer10.com\/?p=1931"},"modified":"2026-10-27T15:11:46","modified_gmt":"2026-10-27T15:11:46","slug":"sans-soleil-uzerine","status":"publish","type":"post","link":"https:\/\/atolyer10.com\/?p=1931","title":{"rendered":"Sans Soleil \u00dczerine"},"content":{"rendered":"\n<p class=\"has-white-color has-vivid-red-background-color has-text-color has-background has-link-color has-medium-font-size wp-elements-1 wp-block-paragraph\">Chris Marker&#8217;\u0131n 1983 yap\u0131m\u0131 Sans Soleil filmi, geleneksel bir belgesel ya da kurmaca film s\u0131n\u0131fland\u0131rmas\u0131na s\u0131\u011fmayan, deneme sinemas\u0131 olarak de\u011ferlendirilebilecek \u00f6zg\u00fcn bir yap\u0131s\u0131 vard\u0131r. Filmde, gezgin bir kameraman\u0131n mektuplar\u0131 arac\u0131l\u0131\u011f\u0131yla farkl\u0131 co\u011frafyalar, k\u00fclt\u00fcrler ve g\u00fcndelik ya\u015fam kesitleri bir araya getirilir. Japonya&#8217;n\u0131n kalabal\u0131k sokaklar\u0131, Afrika&#8217;n\u0131n toplumsal ger\u00e7eklikleri ve s\u0131radan insanlar\u0131n ya\u015famlar\u0131ndan al\u0131nan g\u00f6r\u00fcnt\u00fcler ile bizi farkl\u0131 atmosferlere s\u00fcr\u00fckler.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img  title=\"\" loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"414\" src=\"https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sans-soleil-edited.jpeg\"  alt=\"sans-soleil-edited Sans Soleil \u00dczerine\"  class=\"wp-image-1938\" style=\"width:464px;height:auto\" srcset=\"https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sans-soleil-edited.jpeg 665w, https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sans-soleil-edited-300x187.jpeg 300w\" sizes=\"auto, (max-width: 665px) 100vw, 665px\" \/><\/figure>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Sans Soleil&#8217;in dikkat \u00e7ekici y\u00f6nlerinden biri, farkl\u0131 co\u011frafyalar\u0131 ve k\u00fclt\u00fcrleri yaln\u0131zca birbirinden ayr\u0131 d\u00fcnyalar olarak sunmamas\u0131d\u0131r. Kurgu yoluyla yan yana getirilen g\u00f6r\u00fcnt\u00fcler, izleyicinin kar\u015f\u0131la\u015ft\u0131rmalar yapmas\u0131na ve farkl\u0131 ya\u015fam bi\u00e7imleri aras\u0131nda ba\u011flant\u0131lar kurmas\u0131na imk\u00e2n tan\u0131r. Ancak bu kar\u015f\u0131la\u015fmalar, d\u00fcnyay\u0131 b\u00fct\u00fcn\u00fcyle a\u00e7\u0131klayan kesin sonu\u00e7lara ula\u015fmaz. Aksine, g\u00f6rd\u00fc\u011f\u00fcm\u00fcz \u015feyin ne kadar\u0131n\u0131 anlayabildi\u011fimizi ve ba\u015fkas\u0131n\u0131n deneyimine hangi \u00f6l\u00e7\u00fcde yakla\u015fabildi\u011fimizi sorgulat\u0131r.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Filmin bi\u00e7imsel yap\u0131s\u0131 da bu sorgulamay\u0131 destekler. G\u00f6r\u00fcnt\u00fcler, sesler, mektuplar ve d\u00fc\u015f\u00fcnceler aras\u0131nda kurulan ili\u015fkiler, anlam\u0131n yaln\u0131zca tek bir sahnede de\u011fil, sahnelerin birbirleriyle kurdu\u011fu ba\u011flarda ortaya \u00e7\u0131kmas\u0131n\u0131 sa\u011flar. Bu y\u00f6n\u00fcyle kurgu, yaln\u0131zca g\u00f6r\u00fcnt\u00fcleri s\u0131ralayan teknik bir i\u015flem de\u011fil, d\u00fc\u015f\u00fcncenin olu\u015ftu\u011fu bir alan h\u00e2line gelir. \u0130zleyici, haz\u0131r bir anlat\u0131y\u0131 takip etmek yerine g\u00f6r\u00fcnt\u00fcler aras\u0131nda kendi zihinsel ba\u011flant\u0131lar\u0131n\u0131 kurmaya davet edilir.<\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Sonu\u00e7 olarak Sans Soleil, sineman\u0131n d\u00fcnyay\u0131 temsil etme bi\u00e7imlerini sorgularken g\u00f6r\u00fcnt\u00fcn\u00fcn s\u0131n\u0131rlar\u0131n\u0131 da g\u00f6r\u00fcn\u00fcr k\u0131lar. Film, g\u00f6rd\u00fcklerimizin mutlak bir ger\u00e7eklik sundu\u011funu varsaymak yerine, her g\u00f6r\u00fcnt\u00fcn\u00fcn bir bak\u0131\u015f\u0131n \u00fcr\u00fcn\u00fc oldu\u011funu hat\u0131rlat\u0131r. Bu nedenle eser, yaln\u0131zca farkl\u0131 co\u011frafyalara yap\u0131lan bir yolculuk  <br>de\u011fil; zaman, alg\u0131 ve temsil \u00fczerine d\u00fc\u015f\u00fcnsel bir deneyim olarak de\u011ferlendirilebilir.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img  title=\"\" loading=\"lazy\" decoding=\"async\" width=\"736\" height=\"443\" src=\"http:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sans-soleil-1.jpeg\"  alt=\"sans-soleil-1 Sans Soleil \u00dczerine\"  class=\"wp-image-1933\" style=\"width:537px;height:auto\" srcset=\"https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sans-soleil-1.jpeg 736w, https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/10\/sans-soleil-1-300x181.jpeg 300w\" sizes=\"auto, (max-width: 736px) 100vw, 736px\" \/><\/figure>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><strong>Film<\/strong>: Sans Soleil (G\u00fcne\u015fsiz)<br><strong>Y\u00f6netmen<\/strong>: Chris Marker<br><strong>Yap\u0131m Y\u0131l\u0131<\/strong>: 1983<br><strong>G\u00f6sterim Tarihi<\/strong>: 25 Ekim 2026,Pazar<br><strong>G\u00f6sterim saati<\/strong>: 17:30<br><strong>Mekan<\/strong>: Kad\u0131k\u00f6y Sinemas\u0131<\/p>\n\n\n\n<iframe src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m18!1m12!1m3!1d3011.684634470005!2d29.026218076790734!3d40.988385971353324!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x14cac8c56586a211%3A0x13db153440078005!2zS2FkxLFrw7Z5IFNpbmVtYXPEsQ!5e0!3m2!1str!2str!4v1793113862051!5m2!1str!2str\" width=\"600\" height=\"450\" style=\"border:0;\" allowfullscreen=\"\" loading=\"lazy\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n\n\n\n<h3 class=\"wp-block-heading\">Kaynak\u00e7a<\/h3>\n\n\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\">Marker, C. (Y\u00f6netmen). (1983). <em>Sans soleil<\/em> [Film]. Argos Films.<br>Biletinial. (t.y.). <em>Sans Soleil film g\u00f6sterimi<\/em>. <a href=\"https:\/\/biletinial.com\/tr-tr\/etkinlik\/sans-soleil\">https:\/\/biletinial.com\/tr-tr\/etkinlik\/sans-soleil<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Chris Marker&#8217;\u0131n 1983 yap\u0131m\u0131 Sans Soleil filmi, geleneksel bir belgesel ya da kurmaca film s\u0131n\u0131fland\u0131rmas\u0131na s\u0131\u011fmayan, deneme sinemas\u0131 olarak de\u011ferlendirilebilecek \u00f6zg\u00fcn bir yap\u0131s\u0131 vard\u0131r. Filmde, gezgin bir kameraman\u0131n mektuplar\u0131 arac\u0131l\u0131\u011f\u0131yla farkl\u0131 co\u011frafyalar, k\u00fclt\u00fcrler ve g\u00fcndelik ya\u015fam kesitleri bir araya getirilir. Japonya&#8217;n\u0131n kalabal\u0131k sokaklar\u0131, Afrika&#8217;n\u0131n toplumsal ger\u00e7eklikleri ve s\u0131radan insanlar\u0131n ya\u015famlar\u0131ndan al\u0131nan g\u00f6r\u00fcnt\u00fcler ile bizi farkl\u0131 [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":1935,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1931","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sinema"],"_links":{"self":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1931"}],"version-history":[{"count":5,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1931\/revisions"}],"predecessor-version":[{"id":1986,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/1931\/revisions\/1986"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/media\/1935"}],"wp:attachment":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}