{"id":2009,"date":"2026-11-03T15:11:17","date_gmt":"2026-11-03T15:11:17","guid":{"rendered":"https:\/\/atolyer10.com\/?p=2009"},"modified":"2026-11-03T15:25:33","modified_gmt":"2026-11-03T15:25:33","slug":"kariye-camii","status":"publish","type":"post","link":"https:\/\/atolyer10.com\/?p=2009","title":{"rendered":"Kariye Camii"},"content":{"rendered":"\n

Kariye Camii, \u0130stanbul\u2019un Fatih il\u00e7esinde, Edirnekap\u0131 yak\u0131nlar\u0131nda bulunan ve tarih\u00ee, mimari ve sanatsal a\u00e7\u0131dan b\u00fcy\u00fck \u00f6nem ta\u015f\u0131yan yap\u0131lardan biridir. Yap\u0131n\u0131n ge\u00e7mi\u015fi 536 y\u0131l\u0131 Bizans \u0130mparatoru I. Justinianus d\u00f6nemine uzanmaktad\u0131r. \u0130lk olarak Khora Manast\u0131r\u0131\u2019n\u0131n bir par\u00e7as\u0131 olan kilise, ad\u0131n\u0131 Yunancada \u201ckent d\u0131\u015f\u0131\u201d veya \u201ck\u0131rsal alan\u201d anlam\u0131na gelen Khora<\/strong> kelimesinden alm\u0131\u015ft\u0131r. \u0130stanbul\u2019un tarih\u00ee surlar\u0131n\u0131n d\u0131\u015f\u0131nda bulunmas\u0131, bu adland\u0131rmada etkili olmu\u015ftur. \u0130stanbul\u2019un fethinden sonra, Sultan II. Bayezid d\u00f6neminde Sadrazam Had\u0131m Ali Pa\u015fa taraf\u0131ndan 1511<\/strong> y\u0131l\u0131nda camiye d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015ft\u00fcr (K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131, t.y.<\/em>).<\/p>\n\n\n\n

Kariye Camii, Osmanl\u0131 d\u00f6neminde cami olarak kullan\u0131ld\u0131ktan sonra 1945<\/strong> y\u0131l\u0131nda m\u00fczeye d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015f ve uzun y\u0131llar boyunca tarih\u00ee eserleriyle ziyaret\u00e7ilerin ilgisini \u00e7ekmi\u015ftir. 2020<\/strong> y\u0131l\u0131nda yeniden cami stat\u00fcs\u00fcne al\u0131nm\u0131\u015f, restorasyon \u00e7al\u0131\u015fmalar\u0131n\u0131n ard\u0131ndan 6 May\u0131s 2024<\/strong> tarihinde ibadete a\u00e7\u0131lm\u0131\u015ft\u0131r (Anadolu Ajans\u0131, 2024<\/em>). Yap\u0131n\u0131n farkl\u0131 d\u00f6nemlerde kilise, m\u00fcze ve cami olarak kullan\u0131lmas\u0131, \u0130stanbul\u2019un tarih boyunca ge\u00e7irdi\u011fi k\u00fclt\u00fcrel ve din\u00ee de\u011fi\u015fimleri anlamak a\u00e7\u0131s\u0131ndan \u00f6nemlidir.<\/p>\n\n\n

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\"Koimesis_Mosaic_at_Chora_Church-2-1024x683<\/figure>\n<\/div>\n\n\n

1\/\u00a9 Jos\u00e9 Luiz Bernardes Ribeiro, CC BY-SA 3.0, <\/p>\n\n\n

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\"Meister_der_Kahriye-Cami-Kirche_in_Istanbul_005-1-1024x709<\/figure>\n<\/div>\n\n\n

2\/Master of the Church of the Holy Saviour in Chora, Istanbul – The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202., Kamu Mal\u0131, <\/p>\n\n\n\n

Kariye Camii\u2019ni di\u011fer tarih\u00ee yap\u0131lardan ay\u0131ran en \u00f6nemli \u00f6zelliklerden biri, Bizans d\u00f6nemine ait mozaik ve fresklerin sanatsal de\u011feridir. \u00d6zellikle 14. y\u00fczy\u0131lda ger\u00e7ekle\u015ftirilen yenileme \u00e7al\u0131\u015fmalar\u0131 s\u0131ras\u0131nda yap\u0131, d\u00f6nemin geli\u015fmi\u015f sanat anlay\u0131\u015f\u0131n\u0131 yans\u0131tan eserlerle s\u00fcslenmi\u015ftir. Mozaiklerde alt\u0131n renkli arka planlar, ayr\u0131nt\u0131l\u0131 fig\u00fcrler, y\u00fcz ifadeleri ve hareketli sahneler dikkat \u00e7ekmektedir. Bu eserler, yaln\u0131zca din\u00ee anlat\u0131mlar sunmakla kalmay\u0131p Bizans toplumunun inan\u00e7lar\u0131n\u0131 ve sanat anlay\u0131\u015f\u0131n\u0131 da yans\u0131tmaktad\u0131r (K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131, t.y.).<\/p>\n\n\n\n

Kariye Camii, \u0130stanbul\u2019un ge\u00e7mi\u015fini ve eski d\u00f6nem mimarisini yak\u0131ndan tan\u0131mak isteyen herkesin mutlaka g\u00f6rmesi gereken yap\u0131lardan biridir. Yap\u0131n\u0131n i\u00e7ine girildi\u011finde, y\u00fczy\u0131llar \u00f6ncesinden g\u00fcn\u00fcm\u00fcze ula\u015fan mozaikler ve freskler insan\u0131 ge\u00e7mi\u015fe do\u011fru bir yolculu\u011fa \u00e7\u0131kar\u0131yor. \u00d6zellikle ince i\u015f\u00e7ilikle haz\u0131rlanm\u0131\u015f s\u00fcslemeler, o d\u00f6nemde sanat\u0131n ve mimarinin ne kadar geli\u015fmi\u015f oldu\u011funu g\u00f6steriyor. \u0130stanbul\u2019da tarih\u00ee yap\u0131lar denildi\u011finde akla \u00e7o\u011funlukla Ayasofya ve Sultanahmet Camii gibi eserler gelse de Kariye Camii, daha ayr\u0131nt\u0131l\u0131 incelendi\u011finde kendine \u00f6zg\u00fc sanat anlay\u0131\u015f\u0131yla farkl\u0131 bir deneyim sunuyor. Bence buray\u0131 de\u011ferli k\u0131lan yaln\u0131zca eski bir yap\u0131 olmas\u0131 de\u011fil, Bizans ve Osmanl\u0131 d\u00f6nemlerinin izlerini ayn\u0131 mek\u00e2nda ta\u015f\u0131mas\u0131d\u0131r. \u0130stanbul\u2019un tarih\u00ee dokusunu daha yak\u0131ndan anlamak ve ge\u00e7mi\u015fte insanlar\u0131n inan\u00e7lar\u0131n\u0131, sanat anlay\u0131\u015flar\u0131n\u0131 ve ya\u015fam bi\u00e7imlerini ke\u015ffetmek isteyenler i\u00e7in Kariye Camii, g\u00f6r\u00fclmeye ve \u00fczerinde d\u00fc\u015f\u00fcn\u00fclmeye de\u011fer bir k\u00fclt\u00fcrel mirast\u0131r.<\/p>\n\n\n

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\"Mosaics_of_the_Chora_Mosque-4-771x1024<\/figure>\n<\/div>\n\n\n

Beyoglou – Y\u00fckleyenin kendi \u00e7al\u0131\u015fmas\u0131, CC BY-SA 4.0, https:\/\/commons.wikimedia.org\/w\/index.php?curid=178740933<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

Yap\u0131n\u0131n sanatsal a\u00e7\u0131dan en dikkat \u00e7ekici eserlerinden biri, Hz. \u0130sa, Hz. Meryem ve Vaftizci Yahya\u2019y\u0131 betimleyen Deisis Mozai\u011fi\u2019dir. Bunun yan\u0131nda Hz. \u0130sa\u2019n\u0131n ve Hz. Meryem\u2019in hayat\u0131ndan sahneleri anlatan mozaikler de \u00f6nemli bir yere sahiptir. Ek \u015fapelde bulunan Anastasis Freski ise Hz. \u0130sa\u2019n\u0131n \u00c2dem ve Havva\u2019y\u0131 kurtar\u0131\u015f\u0131n\u0131 tasvir eder. Bu eser, hareketli kompozisyonu ve g\u00fc\u00e7l\u00fc anlat\u0131m\u0131yla Bizans resim sanat\u0131n\u0131n \u00f6nemli \u00f6rneklerinden biri kabul edilmektedir.<\/p>\n\n\n\n

\u0130sa’n\u0131n hayat\u0131 ile ilgili sahneler d\u0131\u015f nartekste, Meryem’in hayat\u0131 ile ilgili sahneler i\u00e7 nartekste yer al\u0131r. Kronolojik s\u0131raya g\u00f6re, d\u0131\u015f narteksteki ilk mozaik Yusuf’un d\u00fc\u015f\u00fcn\u00fc betimleyen mozaiktir. Solda \u0130sa’n\u0131n do\u011fumu, vali Quirinus’un \u00f6n\u00fcnde n\u00fcfus say\u0131m\u0131, mele\u011fin Yusuf’a g\u00f6r\u00fcn\u00fcp Meryem’i al\u0131p gitmesini \u00f6\u011f\u00fctlemesi, ekme\u011fin \u00e7o\u011falt\u0131lmas\u0131, suyun \u015faraba d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesi; sa\u011f tarafta ise haberci krallar\u0131n \u0130sa’n\u0131n do\u011fumunu haber vermesi, fel\u00e7lilerin iyile\u015ftirilmesi ve \u00e7ocuklar\u0131n katli gibi sahneler vard\u0131r.<\/p>\n\n\n

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\"yusuf-1024x540<\/figure>\n<\/div>\n\n\n

Kariye M\u00fczesi, Yusuf’un R\u00fcyas\u0131 ve Bethlehem’e Yolculuk<\/em> mozai\u011fi. Foto\u011fraf: M. Erem \u00c7al\u0131ko\u011flu. Kaynak: SALT Ara\u015ft\u0131rma Ar\u015fivi, CALIST0621. Ar\u015fiv Kayd\u0131<\/p>\n\n\n\n

\u0130\u00e7 nartekste kronolojik anlat\u0131m solda Meryem’in annesi Anna’ya M\u00fcjde, Meryem’in babas\u0131 Yokahim’in \u0130nzivas\u0131, Anna ve Yohakim’in Alt\u0131n Kap\u0131da Bulu\u015fma sahneleriyle ba\u015flar, Meryem’in \u0130lk Ad\u0131mlar\u0131, takdis edilmesi gibi sahnelerle devam eder; Meryem’in Evlenmesi ve Meryem’e \u0130sa’n\u0131n Do\u011fumu’nun M\u00fcjdelenmesi sahneleri ile tamamlan\u0131r. Bu b\u00f6l\u00fcmdeki en eski mozaik “deisis”tir. Bu b\u00f6l\u00fcmdeki iki kubbeden g\u00fcneydekinde \u0130sa ve dilimler i\u00e7inde \u0130sa’n\u0131n Atalar\u0131, kuzeydekinde Meryem ve Atalar\u0131, g\u00f6sterilmi\u015ftir.<\/p>\n\n\n

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\"Annuciation_to_Anne-1024x683<\/figure>\n<\/div>\n\n\n

\u00a9 Jos\u00e9 Luiz Bernardes Ribeiro, CC BY-SA 3.0, https:\/\/commons.wikimedia.org\/w\/index.php?curid=16832730<\/a><\/p>\n\n\n\n

3. Kariye Camii\u2019nin \u0130\u00e7 B\u00f6l\u00fcmleri<\/h2>\n\n\n\n