{"id":2085,"date":"2026-10-31T21:30:44","date_gmt":"2026-10-31T21:30:44","guid":{"rendered":"https:\/\/atolyer10.com\/?p=2085"},"modified":"2026-10-31T21:45:20","modified_gmt":"2026-10-31T21:45:20","slug":"frank-bowlingyaratim-ve-yikim","status":"publish","type":"post","link":"https:\/\/atolyer10.com\/?p=2085","title":{"rendered":"Frank Bowling:Yarat\u0131m ve Y\u0131k\u0131m"},"content":{"rendered":"\n

Sanat\u0131n yaratma eylemi, yaln\u0131zca bir bi\u00e7im ortaya koymak de\u011fil, ayn\u0131 zamanda g\u00f6r\u00fcnmeyen ili\u015fkileri g\u00f6r\u00fcn\u00fcr h\u00e2le getirmektir.Alistair Hicks\u2019in sergi metninde Bowling\u2019in sanatsal yakla\u015f\u0131m\u0131, Francis Bacon ve Victor Willing\u2019in \u00fcretimleriyle kurulan ili\u015fkiler \u00fczerinden ele al\u0131n\u0131r. Bu kar\u015f\u0131la\u015fma, sanat\u00e7\u0131n\u0131n kendi resim dilini geli\u015ftirirken farkl\u0131 d\u00fc\u015f\u00fcnsel ve bi\u00e7imsel yakla\u015f\u0131mlarla nas\u0131l bir ili\u015fki kurdu\u011funu ortaya koyar.<\/p>\n\n\n\n

Bowling\u2019in resimlerinde do\u011fa, yaln\u0131zca betimlenen bir \u00e7evre olarak de\u011fil, s\u00fcrekli de\u011fi\u015fen ve kendi i\u00e7inde gerilimler bar\u0131nd\u0131ran bir yap\u0131 olarak belirir. Kara ile deniz aras\u0131ndaki kar\u015f\u0131la\u015fma, gelgitlerin hareketi ve k\u0131y\u0131da biriken do\u011fal par\u00e7alar, resimlerinde hem bi\u00e7imsel hem de d\u00fc\u015f\u00fcnsel bir alan olu\u015fturur. Hicks\u2019in metninde \u00f6zellikle dikkat \u00e7ekilen bu ili\u015fki, do\u011fan\u0131n sakin g\u00f6r\u00fcn\u00fcm\u00fcn\u00fcn alt\u0131nda devam eden hareketi ve de\u011fi\u015fimi g\u00f6r\u00fcn\u00fcr k\u0131lar. Bowling\u2019in resimleri ilk bak\u0131\u015fta dingin ve p\u00fcr\u00fczs\u00fcz bir y\u00fczeye sahip olsa da bu y\u00fczeyin alt\u0131nda s\u00fcrekli bir m\u00fccadele hissedilir. Do\u011fan\u0131n olu\u015fturdu\u011fu bi\u00e7imler, sanat\u00e7\u0131n\u0131n m\u00fcdahalesiyle yeniden d\u00fczenlenerek farkl\u0131 anlamlar kazan\u0131r.<\/p>\n\n\n

\n
\"WhatsApp-Image-2026-10-31-at-23.13.50-2-790x1024
Frank Bowling Royal Collage of Art at\u00f6lyesinde<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"WhatsApp-Image-2026-10-31-at-23.13.51-edited-2-1024x494
Frank Bowling-Ku\u015flar Dipti\u011fi<\/figcaption><\/figure>\n<\/div>\n\n\n

Sanat\u00e7\u0131n\u0131n soyutlamaya yakla\u015f\u0131m\u0131, yaln\u0131zca bi\u00e7imlerin birbirleriyle kurdu\u011fu ili\u015fkiler \u00fczerinden de\u011fil, insan\u0131n d\u00fc\u015f\u00fcnsel deneyimi \u00fczerinden de de\u011ferlendirilebilir. Bowling, soyutlamay\u0131 g\u00fcndelik ya\u015famdan uzakla\u015fmak olarak de\u011fil, ya\u015fam\u0131n i\u00e7inde bulunan ili\u015fkileri farkl\u0131 bir bi\u00e7imde g\u00f6r\u00fcn\u00fcr k\u0131lmak olarak ele al\u0131r. Hicks\u2019in aktard\u0131\u011f\u0131 \u00fczere, Bowling\u2019in soyutlamaya y\u00f6nelmesi, insan\u0131n d\u00fc\u015f\u00fcnsel kapasitesini ve d\u00fcnyay\u0131 alg\u0131lama bi\u00e7imini geni\u015fleten bir deneyimle ili\u015fkilidir. Bu yakla\u015f\u0131m, sanat\u0131n yaln\u0131zca g\u00f6r\u00fcnen ger\u00e7ekli\u011fi aktarmakla s\u0131n\u0131rl\u0131 olmad\u0131\u011f\u0131n\u0131, ayn\u0131 zamanda g\u00f6r\u00fcnmeyen ba\u011flant\u0131lar\u0131 ortaya \u00e7\u0131karabilece\u011fini d\u00fc\u015f\u00fcnd\u00fcr\u00fcr.<\/p>\n\n\n\n

Francis Bacon ve Victor Willing ile kurulan ili\u015fki, Bowling\u2019in resimlerindeki gerilimi anlamak a\u00e7\u0131s\u0131ndan \u00f6nemlidir. Bacon\u2019\u0131n fig\u00fcrlerinde insan bedeni, kapat\u0131lm\u0131\u015f mek\u00e2nlar ve bi\u00e7imsel s\u0131k\u0131\u015fmalar arac\u0131l\u0131\u011f\u0131yla varolu\u015fsal bir gerilim ta\u015f\u0131rken, Willing\u2019in resimlerinde fig\u00fcr ve mek\u00e2n aras\u0131ndaki ili\u015fkiler farkl\u0131 bir bi\u00e7imde ortaya \u00e7\u0131kar. Bowling\u2019in bu iki sanat\u00e7\u0131yla kurdu\u011fu ba\u011f, do\u011frudan bir benzerlikten \u00e7ok, resmin insan deneyimini nas\u0131l ta\u015f\u0131d\u0131\u011f\u0131na ili\u015fkin ortak bir d\u00fc\u015f\u00fcnsel alan olu\u015fturur. Fig\u00fcr\u00fcn resimden uzakla\u015fmas\u0131, gerilimin ortadan kalkmas\u0131 anlam\u0131na gelmez; aksine, gerilim bu kez do\u011fan\u0131n ve soyut bi\u00e7imlerin ili\u015fkilerinde ortaya \u00e7\u0131kar.<\/p>\n\n\n

\n
\"WhatsApp-Image-2026-10-31-at-23.13.51-2-1024x771
Pera M\u00fczesi<\/figcaption><\/figure>\n<\/div>\n\n\n

Bacon ve Willing ile kurdu\u011fu d\u00fc\u015f\u00fcnsel kar\u015f\u0131la\u015fmalar, Bowling\u2019in \u00f6zg\u00fcn resim dilini daha geni\u015f bir sanat tarihi ba\u011flam\u0131nda okumam\u0131za yard\u0131mc\u0131 olur. Hicks\u2019in sergi metninde \u00f6ne \u00e7\u0131kan d\u00fczenli kaos d\u00fc\u015f\u00fcncesi ise sanat\u00e7\u0131n\u0131n \u00fcretimini anlamak i\u00e7in \u00f6nemli bir anahtar sunar: Resim, g\u00f6r\u00fcn\u00fcrde birbirinden ba\u011f\u0131ms\u0131z \u00f6\u011felerin kar\u015f\u0131la\u015fmas\u0131ndan do\u011fan, kendi i\u00e7inde s\u00fcrekli hareket eden bir b\u00fct\u00fcnl\u00fck olarak var olur.<\/p>\n\n\n

\n
\"WhatsApp-Image-2026-10-31-at-23.13.50-1-edited-987x1024
Francis Bacon-R.J Sainsbury Portresi<\/figcaption><\/figure>\n<\/div>\n\n\n

<\/p>\n\n\n\n

Sergi Bilgileri<\/h3>\n\n\n\n

Sanat\u00e7\u0131:<\/strong> Frank Bowling
Sergi k\u00fcrat\u00f6r\u00fc:<\/strong> Alistair Hicks
Mekan:<\/strong> Pera M\u00fczesi
<\/p>\n\n\n\n\n\n\n\n

Kaynak\u00e7a<\/h3>\n\n\n\n

Hicks, A. (t.y.). [Frank Bowling sergisi i\u00e7in k\u00fcrat\u00f6ryel metin]<\/p>\n","protected":false},"excerpt":{"rendered":"

Sanat\u0131n yaratma eylemi, yaln\u0131zca bir bi\u00e7im ortaya koymak de\u011fil, ayn\u0131 zamanda g\u00f6r\u00fcnmeyen ili\u015fkileri g\u00f6r\u00fcn\u00fcr h\u00e2le getirmektir.Alistair Hicks\u2019in sergi metninde Bowling\u2019in sanatsal yakla\u015f\u0131m\u0131, Francis Bacon ve Victor Willing\u2019in \u00fcretimleriyle kurulan ili\u015fkiler \u00fczerinden ele al\u0131n\u0131r. Bu kar\u015f\u0131la\u015fma, sanat\u00e7\u0131n\u0131n kendi resim dilini geli\u015ftirirken farkl\u0131 d\u00fc\u015f\u00fcnsel ve bi\u00e7imsel yakla\u015f\u0131mlarla nas\u0131l bir ili\u015fki kurdu\u011funu ortaya koyar. Bowling\u2019in resimlerinde do\u011fa, yaln\u0131zca […]<\/p>\n","protected":false},"author":16,"featured_media":2082,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[22,98,6],"class_list":["post-2085","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sergiler","tag-istanbul","tag-sanat","tag-sergi"],"_links":{"self":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/2085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2085"}],"version-history":[{"count":3,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/2085\/revisions"}],"predecessor-version":[{"id":2098,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/2085\/revisions\/2098"}],"wp:attachment":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}