{"id":2106,"date":"2026-10-31T22:32:49","date_gmt":"2026-10-31T22:32:49","guid":{"rendered":"https:\/\/atolyer10.com\/?p=2106"},"modified":"2026-10-31T22:34:34","modified_gmt":"2026-10-31T22:34:34","slug":"denizasiri-ozer-kabas-ve-zamanlari","status":"publish","type":"post","link":"https:\/\/atolyer10.com\/?p=2106","title":{"rendered":"Deniza\u015f\u0131r\u0131: \u00d6zer Kaba\u015f ve Zamanlar\u0131"},"content":{"rendered":"\n

Sanat, deniz ve d\u00fc\u015f\u00fcncenin kesi\u015fti\u011fi bir \u00fcretim alan\u0131<\/h3>\n\n\n\n

Sanat\u00e7\u0131, e\u011fitimci ve yazar \u00d6zer Kaba\u015f\u2019\u0131n \u00fcretimini oda\u011f\u0131na alan Deniza\u015f\u0131r\u0131: \u00d6zer Kaba\u015f ve Zamanlar\u0131 sergisi, sanat\u00e7\u0131n\u0131n 1960\u2019lardan 1990\u2019lara uzanan \u00e7al\u0131\u015fmalar\u0131n\u0131 farkl\u0131 disiplinler \u00fczerinden yeniden de\u011ferlendirmeye a\u00e7\u0131yor. Salt Beyo\u011flu\u2019nda ger\u00e7ekle\u015ftirilen sergi, Kaba\u015f\u2019\u0131n resim, \u00f6zg\u00fcn bask\u0131, tak\u0131 tasar\u0131m\u0131, sinema ve tiyatro alanlar\u0131ndaki \u00fcretimlerini bir araya getirerek sanat\u00e7\u0131n\u0131n T\u00fcrkiye\u2019nin k\u00fclt\u00fcr ve sanat ortam\u0131ndaki yerini g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.<\/p>\n\n\n\n

\u00d6zer Kaba\u015f\u2019\u0131n sanat anlay\u0131\u015f\u0131n\u0131n temelinde, farkl\u0131 d\u00fc\u015f\u00fcnsel ve g\u00f6rsel alanlar\u0131 bir araya getirme aray\u0131\u015f\u0131 bulunur. Robert Kolej\u2019de ald\u0131\u011f\u0131 m\u00fchendislik e\u011fitimi ve Yale School of Art\u2019ta s\u00fcrd\u00fcrd\u00fc\u011f\u00fc sanat \u00f6\u011frenimi, onun yap\u0131sal d\u00fc\u015f\u00fcnce ile sanatsal ifade aras\u0131nda ili\u015fki kurmas\u0131n\u0131 sa\u011flam\u0131\u015ft\u0131r. Kaba\u015f, fig\u00fcratif ve soyut sanat aras\u0131ndaki kesin ayr\u0131mlardan uzakla\u015farak sanat\u00e7\u0131n\u0131n kendi deneyiminden, \u00e7evresinden ve k\u00fclt\u00fcrel ba\u011flar\u0131ndan hareketle \u00f6zg\u00fcn bir ifade dili geli\u015ftirdi\u011fini g\u00f6r\u00fcyoruz. Bu yakla\u015f\u0131m, sanat\u0131n yaln\u0131zca belirli bir \u00fcsluba ba\u011fl\u0131 olmad\u0131\u011f\u0131n\u0131, farkl\u0131 disiplinler ve ya\u015fam deneyimleri aras\u0131nda kurulan ili\u015fkilerle bi\u00e7imlendi\u011fini bize g\u00f6steriyor.<\/p>\n\n\n

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\"WhatsApp-Image-2026-11-01-at-01.10.30-2-edited-1024x658<\/figure>\n<\/div>\n\n\n

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Sergide Kaba\u015f\u2019\u0131n resim ve \u00f6zg\u00fcn bask\u0131lar\u0131n\u0131n yan\u0131 s\u0131ra Urart Sanat At\u00f6lyesi\u2019nde tasarlad\u0131\u011f\u0131 tak\u0131lar, 1967 tarihli \u0130stanbul Hat\u0131ras\u0131 filmi, Altan G\u00fcrman ile Marmara Adas\u0131\u2019nda \u00e7ekti\u011fi belgesel ve sanat\u00e7\u0131n\u0131n ar\u015fivinden se\u00e7ilen belgeler yer al\u0131r. Bu farkl\u0131 \u00fcretim bi\u00e7imleri, Kaba\u015f\u2019\u0131n sanat\u0131n s\u0131n\u0131rlar\u0131n\u0131 tek bir alanla tan\u0131mlamad\u0131\u011f\u0131n\u0131 ortaya koyar. Resim, sinema, tasar\u0131m ve yaz\u0131 aras\u0131nda kurdu\u011fu ili\u015fkiler, sanat\u00e7\u0131n\u0131n d\u00fc\u015f\u00fcnsel \u00fcretimini farkl\u0131 ara\u00e7larla s\u00fcrd\u00fcrd\u00fc\u011f\u00fcn\u00fc g\u00f6sterir. Sergide Mehmet G\u00fclery\u00fcz, Fatma T\u00fclin ve Sedat Pakay\u2019\u0131n \u00e7al\u0131\u015fmalar\u0131na da yer verilmesi, Kaba\u015f\u2019\u0131n i\u00e7inde bulundu\u011fu k\u00fclt\u00fcrel \u00e7evreyi ve sanat\u00e7\u0131lar aras\u0131ndaki kar\u015f\u0131la\u015fmalar\u0131 daha geni\u015f bir ba\u011flamda de\u011ferlendirmemizi sa\u011fl\u0131yor.<\/p>\n\n\n

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\"WhatsApp-Image-2026-11-01-at-01.10.29-edited-1024x846<\/figure>\n<\/div>\n\n\n

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Kaba\u015f\u2019\u0131n e\u011fitimci kimli\u011fi de serginin \u00f6nemli bir boyutunu olu\u015fturur. Robert Kolej\u2019deki \u00f6\u011fretim \u00fcyeli\u011fi ve \u0130stanbul Devlet G\u00fczel Sanatlar Akademisi\u2019nde temel sanat e\u011fitimi alan\u0131ndaki \u00e7al\u0131\u015fmalar\u0131, sanat\u0131n yaln\u0131zca bireysel \u00fcretimle s\u0131n\u0131rl\u0131 olmad\u0131\u011f\u0131n\u0131, d\u00fc\u015f\u00fcncenin ve deneyimin aktar\u0131lmas\u0131yla da geli\u015fti\u011fini g\u00f6sterir. Yale\u2019de Josef Albers\u2019ten \u00f6\u011frendi\u011fi Bauhaus yakla\u015f\u0131m\u0131n\u0131 e\u011fitim ortam\u0131na ta\u015f\u0131mas\u0131, sanat e\u011fitiminin bi\u00e7im, yap\u0131 ve deneyim aras\u0131ndaki ili\u015fkileri ara\u015ft\u0131ran bir alan olarak ele al\u0131nmas\u0131na katk\u0131da bulunmu\u015ftur.<\/p>\n\n\n

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\"WhatsApp-Image-2026-11-01-at-01.10.33-1-1024x1024<\/figure>\n<\/div>\n\n\n

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Sergi Bilgileri<\/h3>\n\n\n\n

Sergi:<\/strong> Deniza\u015f\u0131r\u0131: \u00d6zer Kaba\u015f ve Zamanlar\u0131
Sanat\u00e7\u0131:<\/strong> \u00d6zer Kaba\u015f (1934\u20131998)
Program:<\/strong> Tu\u011f\u00e7e Kaplan, Vas\u0131f Kortun
Mek\u00e2n:<\/strong> Salt Beyo\u011flu
Adres:<\/strong> \u0130stiklal Caddesi No. 136, Beyo\u011flu, \u0130stanbul
Tarih:<\/strong> 16 Eyl\u00fcl 2026 \u2013 14 Mart 2027
Giri\u015f:<\/strong> \u00dccretsiz<\/p>\n\n\n\n\n\n\n\n

Kaynak\u00e7a<\/h3>\n\n\n\n

Salt. (2026). Deniza\u015f\u0131r\u0131: \u00d6zer Kaba\u015f ve Zamanlar\u0131. https:\/\/saltonline.org\/tr\/sergi-denizasiri-ozer-kabas-ve-zamanlari-3085<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Sanat, deniz ve d\u00fc\u015f\u00fcncenin kesi\u015fti\u011fi bir \u00fcretim alan\u0131 Sanat\u00e7\u0131, e\u011fitimci ve yazar \u00d6zer Kaba\u015f\u2019\u0131n \u00fcretimini oda\u011f\u0131na alan Deniza\u015f\u0131r\u0131: \u00d6zer Kaba\u015f ve Zamanlar\u0131 sergisi, sanat\u00e7\u0131n\u0131n 1960\u2019lardan 1990\u2019lara uzanan \u00e7al\u0131\u015fmalar\u0131n\u0131 farkl\u0131 disiplinler \u00fczerinden yeniden de\u011ferlendirmeye a\u00e7\u0131yor. Salt Beyo\u011flu\u2019nda ger\u00e7ekle\u015ftirilen sergi, Kaba\u015f\u2019\u0131n resim, \u00f6zg\u00fcn bask\u0131, tak\u0131 tasar\u0131m\u0131, sinema ve tiyatro alanlar\u0131ndaki \u00fcretimlerini bir araya getirerek sanat\u00e7\u0131n\u0131n T\u00fcrkiye\u2019nin k\u00fclt\u00fcr […]<\/p>\n","protected":false},"author":16,"featured_media":2108,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[22,98,6],"class_list":["post-2106","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sergiler","tag-istanbul","tag-sanat","tag-sergi"],"_links":{"self":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/2106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2106"}],"version-history":[{"count":2,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/2106\/revisions"}],"predecessor-version":[{"id":2115,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/2106\/revisions\/2115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/media\/2108"}],"wp:attachment":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}