{"id":2268,"date":"2026-11-02T00:10:18","date_gmt":"2026-11-02T00:10:18","guid":{"rendered":"https:\/\/atolyer10.com\/?p=2268"},"modified":"2026-11-02T00:10:19","modified_gmt":"2026-11-02T00:10:19","slug":"turkiye-is-bankasi-resim-heykel-muzesinde-bir-sanat-yolculugu","status":"publish","type":"post","link":"https:\/\/atolyer10.com\/?p=2268","title":{"rendered":"T\u00fcrkiye \u0130\u015f Bankas\u0131 Resim Heykel M\u00fczesi\u2019nde Bir Sanat Yolculu\u011fu"},"content":{"rendered":"\n

T\u00fcrkiye \u0130\u015f Bankas\u0131 Resim Heykel M\u00fczesi, T\u00fcrk sanat\u0131n\u0131n farkl\u0131 d\u00f6nemlerini bir araya getirerek ziyaret\u00e7ilerine tarihsel ve g\u00f6rsel a\u00e7\u0131dan zengin bir gezi deneyimi sunuyor. Yap\u0131n\u0131n kemerli pencereleri, bezemeli balkonlar\u0131 ve ta\u015f cephesiyle ba\u015flayan kar\u015f\u0131la\u015fma; i\u00e7eride farkl\u0131 renklerle d\u00fczenlenmi\u015f sergi salonlar\u0131nda devam ediyor. Ah\u015fap zeminler, y\u00fcksek tavanlar ve eserleri \u00f6ne \u00e7\u0131karan ayd\u0131nlatma, ziyaret\u00e7inin yap\u0131tlarla sakin ve dikkatli bir ili\u015fki kurmas\u0131na olanak tan\u0131yor.<\/p>\n\n\n\n

\"107363-1024x768<\/figure>\n\n\n\n

T\u00fcrkiye \u0130\u015f Bankas\u0131 Sanat Eserleri Koleksiyonu\u2019nun temeli 1940 y\u0131l\u0131nda \u00fc\u00e7 tablonun sat\u0131n al\u0131nmas\u0131yla at\u0131lm\u0131\u015ft\u0131r. Cumhuriyet\u2019in 100. y\u0131l\u0131na arma\u011fan olarak 29 Ekim 2023\u2019te ziyarete a\u00e7\u0131lan m\u00fcze, bu birikimi izleyiciyle bulu\u015fturur. \u201cT\u00fcrkiye \u0130\u015f Bankas\u0131 Sanat Eserleri Koleksiyonu I\u015f\u0131\u011f\u0131nda T\u00fcrk Resmini \u0130zlemek\u201d ba\u015fl\u0131kl\u0131 koleksiyon sergisi, kronolojik ve tematik d\u00fczenlemesiyle sanat\u0131n geli\u015fimini toplumsal ve k\u00fclt\u00fcrel de\u011fi\u015fimlerle birlikte de\u011ferlendirmeye a\u00e7ar.<\/p>\n\n\n\n

\"107421-1024x768<\/figure>\n\n\n\n

\u201cBa\u015flang\u0131c\u0131n Temel Ta\u015flar\u0131\u201d b\u00f6l\u00fcm\u00fc, modern T\u00fcrk resminin olu\u015fumunu ve sanat e\u011fitiminin kurumsalla\u015fmas\u0131n\u0131 ele al\u0131r. Bu \u00e7er\u00e7evede Mihri Han\u0131m\u2019\u0131n pastel tekni\u011fiyle ger\u00e7ekle\u015ftirdi\u011fi Otoportre, hem teknik \u00f6zellikleri hem de sanat\u00e7\u0131n\u0131n kendisini sunma bi\u00e7imiyle dikkat \u00e7eker. Koyu giysinin a\u00e7\u0131k renkli zeminle olu\u015fturdu\u011fu kar\u015f\u0131tl\u0131k, fig\u00fcr\u00fcn kararl\u0131 duru\u015funu belirginle\u015ftirir. Y\u00fczdeki ifade ve ellerdeki ayr\u0131nt\u0131lar, portreye g\u00fc\u00e7l\u00fc bir bireysellik kazand\u0131r\u0131r. Eserin yan\u0131ndaki a\u00e7\u0131klamalar, Mihri Han\u0131m\u2019\u0131n kad\u0131nlar\u0131n sanat e\u011fitimi almas\u0131 ve sanat ya\u015fam\u0131nda yer edinmesi bak\u0131m\u0131ndan \u00fcstlendi\u011fi \u00f6nc\u00fc rol\u00fc de g\u00f6r\u00fcn\u00fcr k\u0131lar.<\/p>\n\n\n

\n
\"107423-604x1024
Mihri Han\u0131m, Otoportre, Ya\u011fl\u0131boya,1886-1954<\/figcaption><\/figure>\n<\/div>\n\n\n

\u201c1914 Ku\u015fa\u011f\u0131: Tan\u0131d\u0131\u011f\u0131m\u0131z Ressamlar\u201d sergisi ise sanat\u00e7\u0131lar\u0131n e\u011fitimleri, Paris deneyimleri ve ki\u015fisel anlat\u0131m aray\u0131\u015flar\u0131 \u00fczerinden ba\u015fka bir de\u011ferlendirme alan\u0131 olu\u015fturur. \u201cYeti\u015ftirenler\u201d panosu, bu ku\u015fa\u011f\u0131n geli\u015fiminde \u00f6\u011fretmenlerin ve sanat kurumlar\u0131n\u0131n etkisini vurgulayarak resim tarihinin ku\u015faklar aras\u0131 aktar\u0131m boyutunu hat\u0131rlat\u0131r. Hikmet Onat\u2019\u0131n Kandilli \u0130skelesi ve Bal\u0131k\u00e7\u0131 Kay\u0131klar\u0131 eserlerinde k\u0131y\u0131 ya\u015fam\u0131; hareketli f\u0131r\u00e7a izleri, \u0131\u015f\u0131k ve renk ili\u015fkileriyle ele al\u0131n\u0131r. Peyzaj\u2013Ortak\u00f6y ise koleksiyon envanterine \u201c1 numara\u201d ile kaydedilmi\u015f olmas\u0131 nedeniyle ayr\u0131ca anlam kazan\u0131r. A\u011fa\u00e7lar, yap\u0131lar ve deniz aras\u0131nda kurulan d\u00fczen, \u0130stanbul\u2019un ge\u00e7mi\u015fteki g\u00f6r\u00fcn\u00fcm\u00fcn\u00fc sanat\u00e7\u0131n\u0131n bak\u0131\u015f\u0131yla bulu\u015fturur.<\/p>\n\n\n\n

\"107359-624x1024
Resim 1: Hikmet Onat, Kandilli \u0130skelesi,Ya\u011fl\u0131boya,1960
Resim2: Hikmet Onat, Bal\u0131k\u00e7\u0131 Kay\u0131klar\u0131,Ya\u011fl\u0131boya,1959<\/figcaption><\/figure>\n\n\n\n
\"107357-1024x871
Resim3: Hikmet Onat, Peyzaj-Ortak\u00f6y,Ya\u011fl\u0131boya,1939<\/figcaption><\/figure>\n\n\n\n

Nat\u00fcrmortlar\u0131n bulundu\u011fu salonlarda g\u00fcndelik nesneler ve \u00e7i\u00e7ekler resmin ba\u015fl\u0131ca konusu h\u00e2line gelir. \u0130brahim \u00c7all\u0131\u2019n\u0131n Manolyalar eserinde beyaz \u00e7i\u00e7ekler, ye\u015fil yapraklar ve s\u0131cak zemin tonlar\u0131 aras\u0131nda canl\u0131 bir renk dengesi g\u00f6r\u00fcl\u00fcr.<\/p>\n\n\n\n

\"107396-895x1024
\u0130brahim \u00c7all\u0131, Nat\u00fcrmort-Manolyalar,Ya\u011fl\u0131boya, 1882-1960<\/figcaption><\/figure>\n\n\n\n

Mehmed Ruhi Arel\u2019in 1914\u20131915 tarihli Karpuzlu adl\u0131 \u00e7al\u0131\u015fmas\u0131nda ise meyvelerin hacimleri, y\u00fczey dokular\u0131 ve masa \u00fczerindeki yerle\u015fimleri \u00f6ne \u00e7\u0131kar. Bilgilendirme panosunun da i\u015faret etti\u011fi gibi, bu eserler d\u00f6nemin sofra al\u0131\u015fkanl\u0131klar\u0131, kullan\u0131lan e\u015fyalar ve be\u011feni anlay\u0131\u015f\u0131 hakk\u0131nda g\u00f6rsel ipu\u00e7lar\u0131 ta\u015f\u0131r.<\/p>\n\n\n\n

\"107365-1024x731
Mehmed Ruhi Arel, Karpuzlu, Ya\u011fl\u0131boya,1914-1915<\/figcaption><\/figure>\n\n\n\n

\u201cAnadolu Esinlenmeleri\u201d b\u00f6l\u00fcm\u00fcnde do\u011fa, \u00fcretim ve g\u00fcndelik ya\u015fam aras\u0131ndaki ili\u015fki belirginle\u015fir. Halil Dikmen\u2019in F\u0131nd\u0131k Toplayan K\u0131zlar eserindeki an\u0131tsal fig\u00fcrler ve dengeli kurgu, kad\u0131n eme\u011fine g\u00fc\u00e7l\u00fc bir g\u00f6r\u00fcn\u00fcrl\u00fck kazand\u0131r\u0131r. \u015eeref Akdik\u2019in Pamuk Toplayanlar tablosunda tarlaya yay\u0131lan fig\u00fcrler, tekrarlanan e\u011filme hareketleriyle kompozisyona ritim verir. Yal\u00e7\u0131n G\u00f6k\u00e7eba\u011f\u2019\u0131n \u00c7ama\u015f\u0131r Y\u0131kayan Kad\u0131nlar eserinde ise ayr\u0131nt\u0131l\u0131 do\u011fa g\u00f6r\u00fcn\u00fcm\u00fc ve renkli dokumalar, ortakla\u015fa y\u00fcr\u00fct\u00fclen g\u00fcndelik i\u015fi geni\u015f bir manzaran\u0131n par\u00e7as\u0131 h\u00e2line getirir.<\/p>\n\n\n

\n
\"107437
Halil Dikmen, F\u0131nd\u0131k Toplayan K\u0131zlar, Ya\u011fl\u0131boya,1906-1964<\/figcaption><\/figure>\n<\/div>\n\n\n
\"107435
\u015eeref Akdik, Pamuk Toplayanlar, Ya\u011fl\u0131boya,1899-1972<\/figcaption><\/figure>\n\n\n\n
\"107432-1024x724
Yal\u00e7\u0131n G\u00f6k\u00e7eba\u011f, \u00c7ama\u015f\u0131r Y\u0131kayan Kad\u0131nlar, Ya\u011fl\u0131boya,1944<\/figcaption><\/figure>\n\n\n\n

\u201cDeniz Co\u015fkusu\u201d b\u00f6l\u00fcm\u00fcnde M\u0131g\u0131rdi\u00e7 Civanyan\u2019\u0131n Deniz ve Cevat Erkul\u2019un Marmara\u2019da Lodos eserleri, denizin farkl\u0131 atmosferlerini kar\u015f\u0131la\u015ft\u0131rma olana\u011f\u0131 sunar. Dalga hareketleri, k\u00f6p\u00fckler ve de\u011fi\u015fen g\u00f6ky\u00fcz\u00fc, do\u011fan\u0131n g\u00fcc\u00fcn\u00fc hissettirir.<\/p>\n\n\n\n

\"107427-1024x832
M\u0131g\u0131rdi\u00e7 Civanyan, Deniz, Ya\u011fl\u0131boya, 1848-1906<\/figcaption><\/figure>\n\n\n\n
\"107429-1-1024x742
Cevat Erkul, Marmara’da Lodos, Ya\u011fl\u0131boya,1897-1991<\/figcaption><\/figure>\n\n\n\n

\u0130lerleyen b\u00f6l\u00fcmlerde S\u00fcleyman Saim Tekcan\u2019\u0131n Atlar Serisi \u00e7al\u0131\u015fmas\u0131ndaki dokusal zenginlik ve Balkan Naci \u0130slimyeli\u2019nin Yaz\u0131-Yazg\u0131 Serisi i\u00e7indeki yaz\u0131 ile y\u00fcz ili\u015fkisi, farkl\u0131 anlat\u0131m olanaklar\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lar.<\/p>\n\n\n\n

\"107413-795x1024
S\u00fcleyman Saim Tekcan, Atlar Serisi, Akrilik, 2005<\/figcaption><\/figure>\n\n\n\n
\"107415-671x1024
Balkan Naci \u0130simyeli, Yaz\u0131-Yazg\u0131 Serisi, Kar\u0131\u015f\u0131k Teknik,2005<\/figcaption><\/figure>\n\n\n\n

M\u00fcze gezisi, farkl\u0131 d\u00f6nemlerin eserleri aras\u0131nda ba\u011flant\u0131lar kurmaya ve sanat\u00e7\u0131lar\u0131n benzer konular\u0131 nas\u0131l farkl\u0131 bi\u00e7imlerde yorumlad\u0131\u011f\u0131n\u0131 g\u00f6rmeye imk\u00e2n tan\u0131r. \u0130stanbul manzaralar\u0131ndan Anadolu\u2019daki \u00fcretim sahnelerine, nat\u00fcrmortlardan dijital do\u011fa yorumlar\u0131na uzanan bu \u00e7e\u015fitlilik, T\u00fcrk sanat\u0131n\u0131 yak\u0131ndan tan\u0131mak isteyenler i\u00e7in m\u00fczeyi ke\u015ffedilmeye de\u011fer bir durak h\u00e2line getiriyor.<\/p>\n\n\n\n

https:\/\/maps.app.goo.gl\/78hmmuE91NXfrSgH9?g_st=aw<\/a><\/p>\n\n\n\n

https:\/\/www.instagram.com\/issanat?xtok=YWt5Nms4NG01Nmc2<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

T\u00fcrkiye \u0130\u015f Bankas\u0131 Resim Heykel M\u00fczesi, T\u00fcrk sanat\u0131n\u0131n farkl\u0131 d\u00f6nemlerini bir araya getirerek ziyaret\u00e7ilerine tarihsel ve g\u00f6rsel a\u00e7\u0131dan zengin bir gezi deneyimi sunuyor. Yap\u0131n\u0131n kemerli pencereleri, bezemeli balkonlar\u0131 ve ta\u015f cephesiyle ba\u015flayan kar\u015f\u0131la\u015fma; i\u00e7eride farkl\u0131 renklerle d\u00fczenlenmi\u015f sergi salonlar\u0131nda devam ediyor. Ah\u015fap zeminler, y\u00fcksek tavanlar ve eserleri \u00f6ne \u00e7\u0131karan ayd\u0131nlatma, ziyaret\u00e7inin yap\u0131tlarla sakin ve dikkatli […]<\/p>\n","protected":false},"author":9,"featured_media":2326,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[84,9],"tags":[],"class_list":["post-2268","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gorsel-sanatlar","category-sergiler"],"_links":{"self":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/2268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2268"}],"version-history":[{"count":4,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/2268\/revisions"}],"predecessor-version":[{"id":2328,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/2268\/revisions\/2328"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/media\/2326"}],"wp:attachment":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}