{"id":2398,"date":"2026-11-02T13:32:41","date_gmt":"2026-11-02T13:32:41","guid":{"rendered":"https:\/\/atolyer10.com\/?p=2398"},"modified":"2026-11-02T13:38:00","modified_gmt":"2026-11-02T13:38:00","slug":"buyuk-muzeden-kucuk-notlar-efes-muzesinden-bir-secki","status":"publish","type":"post","link":"https:\/\/atolyer10.com\/?p=2398","title":{"rendered":"B\u00fcy\u00fck M\u00fczeden K\u00fc\u00e7\u00fck Notlar; Efes M\u00fczesi\u2019nden Bir Se\u00e7ki"},"content":{"rendered":"\n

\u0130zmir\u2019in Sel\u00e7uk il\u00e7esinde yer alan Efes M\u00fczesi<\/strong>, sadece yerel bir arkeoloji m\u00fczesi de\u011fil; Akdeniz havzas\u0131n\u0131n, Hellenistik ve Roma d\u00f6nemi plastik sanatlar\u0131n\u0131n ve dinsel d\u00f6n\u00fc\u015f\u00fcmlerinin izlenebildi\u011fi d\u00fcnyan\u0131n en prestijli monografik arkeoloji m\u00fczelerinden biridir<\/strong>. Bu m\u00fczenin en b\u00fcy\u00fck bilimsel ve k\u00fclt\u00fcrel \u00f6nemi, sergilenen eserlerin neredeyse tamam\u0131n\u0131n kronolojik bir b\u00fct\u00fcnl\u00fck i\u00e7inde, tek bir metropolden (Efes Antik Kenti ve \u00e7evresi) \u00e7\u0131kar\u0131lm\u0131\u015f olmas\u0131d\u0131r. Bu durum, ziyaret\u00e7ilere ve ara\u015ft\u0131rmac\u0131lara bir kentin sosyo-ekonomik yap\u0131s\u0131n\u0131, estetik evrimini ve inan\u00e7 d\u00fcnyas\u0131n\u0131 kesintisiz bir tabakala\u015fma ile okuma f\u0131rsat\u0131 sunar.<\/p>\n\n\n\n

M\u00fcze, bir yandan Roma \u0130mparatorlu\u011fu’nun Asya Eyaleti ba\u015fkentindeki ihti\u015faml\u0131 kamusal ya\u015fam\u0131 an\u0131tsal heykellerle belgelerken; di\u011fer yandan zenginlerin ya\u015fad\u0131\u011f\u0131 Yama\u00e7 Evler buluntular\u0131 (mikro arkeoloji verileri) arac\u0131l\u0131\u011f\u0131yla antik \u00e7a\u011f\u0131n g\u00fcnl\u00fck ya\u015fam\u0131na, t\u0131bb\u0131na, ticaretine ve ev i\u00e7i esteti\u011fine \u0131\u015f\u0131k tutar. A\u015fa\u011f\u0131daki tematik s\u0131ralama, m\u00fczede korunan ve kentin tarihsel kimli\u011fini olu\u015fturan en kritik ba\u015fyap\u0131tlar\u0131 arkeolojik ba\u011flamlar\u0131yla ortaya koymaktad\u0131r.<\/p>\n\n\n\n

Yazar\u0131n Notu:<\/strong> Efes M\u00fczesi, bar\u0131nd\u0131rd\u0131\u011f\u0131 binlerce \u00fcnik par\u00e7a ile tek bir ziyarete veya tek bir makaleye s\u0131\u011fd\u0131r\u0131lamayacak kadar devasa bir arkeolojik zenginli\u011fe sahiptir. Bu nedenle bu \u00e7al\u0131\u015fmada, m\u00fczenin tamam\u0131n\u0131 detayl\u0131 bir rehber gibi ele almak yerine, kentin tarihsel ve teolojik kimli\u011fini en iyi \u00f6zetleyen birka\u00e7 \u00f6zel ba\u015fyap\u0131ta ve onlar\u0131n k\u00fclt\u00fcrel \u00f6nemine odaklanaca\u011f\u0131z.<\/em><\/p>\n\n\n\n

1. Afrodit Torso Heykeli<\/p>\n\n\n

\n
\"efes-muzesi-4-rotated-1-edited-856x1024
G\u00f6rsel 1. Afrodit (Aphrodite) Torso Heykeli. \u0130zmir Sel\u00e7uk Efes M\u00fczesi. Ki\u015fisel ar\u015fiv, 2026.<\/figcaption><\/figure>\n<\/div>\n\n\n

Yunan mitolojisinde a\u015fk ve g\u00fczellik tanr\u0131\u00e7as\u0131 olarak bilinen Afrodit, Hellenistik ve Roma d\u00f6nemlerinde heykel sanat\u0131n\u0131n en s\u0131k i\u015flenen fig\u00fcrlerinden biridir. Hellenistik D\u00f6nem’de ideal insan bedeni anlay\u0131\u015f\u0131, daha do\u011fal duru\u015flar ve ayr\u0131nt\u0131l\u0131 y\u00fczey i\u015f\u00e7ili\u011fiyle zenginle\u015firken Roma sanat\u0131nda Yunan heykel modelleri yeniden yorumlanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

M\u00fczede kar\u015f\u0131la\u015ft\u0131\u011f\u0131m Afrodit torso heykelinin ba\u015f ve uzuv b\u00f6l\u00fcmleri g\u00fcn\u00fcm\u00fcze ula\u015fmam\u0131\u015f olsa da g\u00f6vdesindeki bi\u00e7imsel b\u00fct\u00fcnl\u00fck dikkat \u00e7ekiyor. \u00d6zellikle bel ve kal\u00e7a \u00e7evresinde belirginle\u015fen kuma\u015f k\u0131vr\u0131mlar\u0131, mermerin sert yap\u0131s\u0131na ra\u011fmen yumu\u015fak ve ak\u0131\u015fkan bir g\u00f6r\u00fcn\u00fcm olu\u015fturuyor. Kuma\u015f\u0131n v\u00fccuda yak\u0131n bi\u00e7imde i\u015flenmesi, insan anatomisi ile y\u00fczey aras\u0131ndaki ili\u015fkinin ustal\u0131kla ele al\u0131nd\u0131\u011f\u0131n\u0131 g\u00f6steriyor. Heykelin eksik par\u00e7alar\u0131na ra\u011fmen g\u00fc\u00e7l\u00fc bir estetik etki yaratmas\u0131, benim i\u00e7in eserin en dikkat \u00e7ekici y\u00f6nlerinden biri. Bu durum, heykel sanat\u0131nda b\u00fct\u00fcnl\u00fc\u011f\u00fcn her zaman fiziksel tamamlanm\u0131\u015fl\u0131kla ili\u015fkili olmad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fcr\u00fcyor.<\/p>\n\n\n\n

2. An\u0131tsal \u00c7e\u015fme Frizleri ve Kabartmalar<\/p>\n\n\n

\n
\"efes-muzesi-2-edited-1024x645
G\u00f6rsel 2. Efes M\u00fczesi \u00c7e\u015fme Buluntular\u0131 ve \u0130mparator K\u00fcltleri Salonu frizleri. \u0130zmir Sel\u00e7uk Efes M\u00fczesi. Ki\u015fisel ar\u015fiv, 2026.<\/figcaption><\/figure>\n<\/div>\n\n\n

Efes, Roma \u0130mparatorluk D\u00f6nemi’nde an\u0131tsal \u00e7e\u015fmeleri ve kamusal yap\u0131lar\u0131yla \u00f6ne \u00e7\u0131kan \u00f6nemli kentlerden biriydi. Nymphaeum<\/em> olarak adland\u0131r\u0131lan an\u0131tsal \u00e7e\u015fmeler, yaln\u0131zca su ihtiyac\u0131n\u0131 kar\u015f\u0131layan yap\u0131lar de\u011fil, ayn\u0131 zamanda heykel ve mimari bezemeler arac\u0131l\u0131\u011f\u0131yla kentin zenginli\u011fini ve siyasal g\u00fcc\u00fcn\u00fc yans\u0131tan kamusal alanlard\u0131. M\u00fczede sergilenen frizler ve mimari par\u00e7alar, bu yap\u0131lar\u0131n estetik d\u00fczenini anlamak a\u00e7\u0131s\u0131ndan \u00f6nem ta\u015f\u0131yor. Kabartmalarda g\u00f6r\u00fclen bitkisel motifler, fig\u00fcrl\u00fc anlat\u0131mlar ve \u00e7e\u015fitli semboller, Roma d\u00f6neminde mimari s\u00fcslemenin k\u00fclt\u00fcrel ve siyasal anlamlar ta\u015f\u0131d\u0131\u011f\u0131n\u0131 g\u00f6steriyor. \u0130mparator k\u00fclt\u00fcyle ili\u015fkili yap\u0131lar da Roma egemenli\u011finin kent ya\u015fam\u0131ndaki g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fcn\u00fc art\u0131r\u0131yordu (T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131).<\/p>\n\n\n\n

Bu eserleri incelerken dikkatimi \u00e7eken nokta, mimari par\u00e7alar\u0131n tek ba\u015flar\u0131na birer heykel gibi alg\u0131lanabilmelerine ra\u011fmen as\u0131l anlamlar\u0131n\u0131 ait olduklar\u0131 yap\u0131n\u0131n b\u00fct\u00fcnl\u00fc\u011f\u00fc i\u00e7erisinde kazanmalar\u0131. G\u00fcn\u00fcm\u00fczde m\u00fczede ba\u011f\u0131ms\u0131z nesneler olarak sergilenen bu par\u00e7alar, antik d\u00f6nemde mimari d\u00fczenin ve kamusal mek\u00e2n\u0131n bir par\u00e7as\u0131yd\u0131.<\/p>\n\n\n\n

3. Pollio \u00c7e\u015fmesi Kaz\u0131lar\u0131n\u0131n Ba\u015fyap\u0131t\u0131: Dinlenen Sava\u015f\u00e7\u0131 Heykeli<\/p>\n\n\n

\n
\"efes-muzesi-6-edited-1024x673
G\u00f6rsel 3. Dinlenen Sava\u015f\u00e7\u0131 Heykeli (Pollio \u00c7e\u015fmesi Buluntusu). \u0130zmir Sel\u00e7uk Efes M\u00fczesi. Ki\u015fisel ar\u015fiv, 2026.<\/figcaption><\/figure>\n<\/div>\n\n\n

M\u00fczede dikkatimi \u00e7eken bir di\u011fer eser, Pollio \u00c7e\u015fmesi kaz\u0131lar\u0131nda ortaya \u00e7\u0131kar\u0131lan Dinlenen Sava\u015f\u00e7\u0131 Heykeli’dir. M\u00d6 1. y\u00fczy\u0131la tarihlendirilen mermer heykel, yar\u0131 uzanm\u0131\u015f pozisyonda betimlenen gen\u00e7 bir sava\u015f\u00e7\u0131y\u0131 temsil eder. Fig\u00fcr\u00fcn kalkan\u0131 ve k\u0131l\u0131c\u0131 askeri kimli\u011fini vurgularken sakin y\u00fcz ifadesi ve dinlenme pozisyonu farkl\u0131 bir anlat\u0131m olu\u015fturur (T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131).<\/p>\n\n\n\n

Heykelin bulundu\u011fu Pollio \u00c7e\u015fmesi ise MS 97 y\u0131l\u0131nda in\u015fa edilmi\u015ftir. Efes’in \u00f6nemli kamusal yap\u0131lar\u0131ndan biri olan \u00e7e\u015fme, Roma d\u00f6neminde su mimarisi ile heykel sanat\u0131n\u0131n bir araya geldi\u011fi an\u0131tsal yap\u0131lardand\u0131r. Yap\u0131n\u0131n cephe ve havuz d\u00fczenlemesinde kullan\u0131lan heykeller, mitolojik anlat\u0131lar\u0131n kamusal mek\u00e2na ta\u015f\u0131nmas\u0131n\u0131 sa\u011flam\u0131\u015ft\u0131r. Heykelin M\u00d6 1. y\u00fczy\u0131la tarihlenmesi, \u00e7e\u015fmenin ise MS 97 y\u0131l\u0131nda in\u015fa edilmesi \u00f6nemli bir ayr\u0131nt\u0131d\u0131r. Bu durum, heykelin \u00fcretim tarihi ile bulundu\u011fu mimari yap\u0131n\u0131n tarihinin birbirinden farkl\u0131 oldu\u011funu g\u00f6sterir. Eserde beni en \u00e7ok etkileyen unsur, fig\u00fcr\u00fcn bedensel hareketi ile y\u00fcz\u00fcndeki dinginlik aras\u0131ndaki kar\u015f\u0131tl\u0131k. Sava\u015f\u00e7\u0131 kimli\u011fini \u00e7a\u011fr\u0131\u015ft\u0131ran kalkan ve k\u0131l\u0131\u00e7, m\u00fccadele d\u00fc\u015f\u00fcncesini \u00f6ne \u00e7\u0131kar\u0131rken bedenin dinlenme pozisyonu bu gerilimi dengeliyor. Fig\u00fcr, hareketin ard\u0131ndan gelen bir duraklama an\u0131n\u0131 temsil ediyor gibi g\u00f6r\u00fcn\u00fcyor. <\/p>\n\n\n\n

4. B\u00fcy\u00fck Artemis: Efes’in \u0130nan\u00e7 D\u00fcnyas\u0131 ve Tanr\u0131\u00e7an\u0131n Simgesel Temsili<\/p>\n\n\n

\n
\"efes-muzesi-1-683x1024-1
G\u00f6rsel 4. B\u00fcy\u00fck Artemis Heykeli, Efes Artemisi Salonu. \u0130zmir Sel\u00e7uk Efes M\u00fczesi. Yakla\u015f\u0131k 292 cm. Ki\u015fisel ar\u015fiv, 2026.<\/figcaption><\/figure>\n<\/div>\n\n\n

Efes M\u00fczesi’nde kar\u015f\u0131la\u015ft\u0131\u011f\u0131m B\u00fcy\u00fck Artemis Heykeli, kentin kendine \u00f6zg\u00fc dinsel ve k\u00fclt\u00fcrel kimli\u011fini yans\u0131tan \u00f6nemli eserlerden biridir. Klasik Yunan sanat\u0131ndaki avc\u0131 Artemis tasvirlerinden farkl\u0131 olarak Efes Artemisi, Anadolu’nun eski tanr\u0131\u00e7a gelenekleriyle ili\u015fkilendirilen bir k\u00fclt anlay\u0131\u015f\u0131n\u0131 temsil eder.<\/p>\n\n\n\n

Efes Artemis k\u00fclt\u00fcn\u00fcn k\u00f6kenleri antik kentin erken d\u00f6nemlerine kadar uzan\u0131r. Tanr\u0131\u00e7a ad\u0131na in\u015fa edilen Artemis Tap\u0131na\u011f\u0131, Antik \u00c7a\u011f’\u0131n Yedi Harikas\u0131 aras\u0131nda say\u0131lm\u0131\u015f ve kentin en \u00f6nemli kutsal alanlar\u0131ndan biri olmu\u015ftur. Roma d\u00f6neminde de Artemis k\u00fclt\u00fc, Efes’in dinsel ve toplumsal ya\u015fam\u0131ndaki etkisini s\u00fcrd\u00fcrm\u00fc\u015ft\u00fcr. Yakla\u015f\u0131k 292 cm y\u00fcksekli\u011findeki B\u00fcy\u00fck Artemis Heykeli, Roma D\u00f6nemi’ne aittir ve Efes’teki Prytaneion’da bulunmu\u015ftur. Kentin y\u00f6netimsel ve t\u00f6rensel ya\u015fam\u0131yla ili\u015fkili olan Prytaneion’da ortaya \u00e7\u0131kar\u0131lmas\u0131, tanr\u0131\u00e7an\u0131n yaln\u0131zca tap\u0131nak \u00e7evresinde de\u011fil, kamusal ya\u015famda da \u00f6nemli bir yere sahip oldu\u011funu g\u00f6stermektedir (K\u00fclt\u00fcr Varl\u0131klar\u0131 ve M\u00fczeler Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc).<\/p>\n\n\n\n

Heykelin en dikkat \u00e7ekici \u00f6zellikleri aras\u0131nda y\u00fcksek polos<\/em> ad\u0131 verilen ba\u015fl\u0131\u011f\u0131, g\u00f6\u011f\u00fcs b\u00f6l\u00fcm\u00fcndeki s\u0131ral\u0131 oval bi\u00e7imler ve giysisi \u00fczerindeki hayvan kabartmalar\u0131 bulunur. Aslan, geyik, ko\u00e7, ar\u0131 ve grifon gibi fig\u00fcrler, tanr\u0131\u00e7an\u0131n do\u011fa ve canl\u0131lar \u00fczerindeki g\u00fcc\u00fcn\u00fc simgeleyen unsurlar olarak yorumlan\u0131r. G\u00f6\u011f\u00fcs b\u00f6l\u00fcm\u00fcndeki oval bi\u00e7imlerin neyi temsil etti\u011fi ise sanat tarihi literat\u00fcr\u00fcnde tart\u0131\u015fmal\u0131d\u0131r. Geleneksel olarak bereket ve do\u011furganl\u0131kla ili\u015fkilendirilen bu bi\u00e7imler, farkl\u0131 ara\u015ft\u0131rmac\u0131lar taraf\u0131ndan farkl\u0131 \u015fekillerde yorumlanm\u0131\u015ft\u0131r (\u00d6zen, 1996). Heykelin kar\u015f\u0131s\u0131nda beni etkileyen nokta, yo\u011fun sembolik anlat\u0131m\u0131na ra\u011fmen olduk\u00e7a dengeli ve simetrik bir g\u00f6r\u00fcn\u00fcme sahip olmas\u0131. Burada insan bedeninin anatomik ger\u00e7ek\u00e7ili\u011finden \u00e7ok, tekrar eden motifler ve simgeler arac\u0131l\u0131\u011f\u0131yla kutsall\u0131k d\u00fc\u015f\u00fcncesi \u00f6ne \u00e7\u0131k\u0131yor. Her ayr\u0131nt\u0131, tanr\u0131\u00e7an\u0131n temsil etti\u011fi anlam d\u00fcnyas\u0131n\u0131n bir par\u00e7as\u0131 h\u00e2line geliyor. B\u00fcy\u00fck Artemis Heykeli, benim i\u00e7in sanat\u0131n inan\u00e7 ve k\u00fclt\u00fcrel kimlikle kurdu\u011fu ili\u015fkinin g\u00fc\u00e7l\u00fc bir \u00f6rne\u011fi. Heykelin y\u00fczeyinde bir araya gelen motifler, Efes’in do\u011fa, bereket ve kutsall\u0131k anlay\u0131\u015f\u0131n\u0131 tek bir g\u00f6rsel b\u00fct\u00fcn i\u00e7inde ifade ediyor.<\/p>\n\n\n\n

Efes M\u00fczesi, Efes Antik Kenti’nin mimari kal\u0131nt\u0131lar\u0131yla birlikte de\u011ferlendirildi\u011finde ge\u00e7mi\u015fin yaln\u0131zca yap\u0131lar \u00fczerinden de\u011fil, sanat, g\u00fcndelik ya\u015fam ve inan\u00e7 \u00fczerinden de okunmas\u0131n\u0131 sa\u011flayan \u00f6nemli bir k\u00fclt\u00fcrel merkezdir.<\/p>\n\n\n\n

M\u00fczede kar\u015f\u0131la\u015ft\u0131\u011f\u0131m eserler aras\u0131nda farkl\u0131 d\u00f6nemlere ve i\u015flevlere ait olmalar\u0131na ra\u011fmen ortak bir \u00f6zellik dikkatimi \u00e7ekti: Her biri, ait oldu\u011fu d\u00f6nemin d\u00fc\u015f\u00fcnce bi\u00e7imini kendi plastik diliyle aktar\u0131yor. Afrodit torso heykelinde beden ve y\u00fczey ili\u015fkisi, \u00e7e\u015fme frizlerinde mimarl\u0131k ve bezeme birlikteli\u011fi, Dinlenen Sava\u015f\u00e7\u0131’da hareket ile dinginlik aras\u0131ndaki kar\u015f\u0131tl\u0131k, B\u00fcy\u00fck Artemis’te ise tekrar ve sembol arac\u0131l\u0131\u011f\u0131yla kurulan kutsall\u0131k d\u00fc\u015f\u00fcncesi \u00f6ne \u00e7\u0131k\u0131yor. Bu ziyaret, benim a\u00e7\u0131mdan yaln\u0131zca arkeolojik eserleri tan\u0131makla s\u0131n\u0131rl\u0131 kalmad\u0131. Ayn\u0131 zamanda bi\u00e7imin, y\u00fczeyin, tekrar\u0131n ve sembollerin farkl\u0131 tarihsel d\u00f6nemlerde nas\u0131l anlam kazand\u0131\u011f\u0131n\u0131 g\u00f6zlemleme f\u0131rsat\u0131 sundu. \u00d6zetle Efes M\u00fczesi, Efes Antik Kenti’nin a\u00e7\u0131k havada kalan mimari iskeletine ruh, can ve anlam \u00fcfleyen ana merkezdir. Antik kentin caddelerinde y\u00fcr\u00fcmek size binalar\u0131n \u00f6l\u00e7e\u011fini g\u00f6sterirken, Efes M\u00fczesi\u2019ndeki bu \u00fcnik eserleri incelemek o binalar\u0131n i\u00e7inde kimlerin, nas\u0131l bir estetik anlay\u0131\u015fla, hangi tanr\u0131lara inanarak ve nas\u0131l bir g\u00fc\u00e7 m\u00fccadelesi i\u00e7inde ya\u015fad\u0131\u011f\u0131n\u0131 anlaman\u0131z\u0131 sa\u011flar. D\u00fcnya k\u00fclt\u00fcrel miras\u0131n\u0131n korunmas\u0131 ve yorumlanmas\u0131nda Efes M\u00fczesi, Akdeniz arkeolojisinin en hayati kilit ta\u015flar\u0131ndan biri olmaya devam etmektedir.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Kaynak\u00e7a<\/p>\n\n\n\n

G\u00f6rsel 1. Afrodit (Aphrodite) Torso Heykeli. \u0130zmir, Sel\u00e7uk Efes M\u00fczesi. Ki\u015fisel foto\u011fraf, 2026.<\/p>\n\n\n\n

G\u00f6rsel 2. \u00c7e\u015fme Buluntular\u0131 ve \u0130mparator K\u00fcltleri Salonu’ndaki frizler. \u0130zmir, Sel\u00e7uk Efes M\u00fczesi. Ki\u015fisel foto\u011fraf, 2026.<\/p>\n\n\n\n

G\u00f6rsel 3. Dinlenen Sava\u015f\u00e7\u0131 Heykeli (Pollio \u00c7e\u015fmesi Buluntusu). \u0130zmir, Sel\u00e7uk Efes M\u00fczesi. Ki\u015fisel foto\u011fraf, 2026.<\/p>\n\n\n\n

G\u00f6rsel 4. B\u00fcy\u00fck Artemis Heykeli. Efes Artemisi Salonu, \u0130zmir, Sel\u00e7uk Efes M\u00fczesi. Yakla\u015f\u0131k 292 cm. Ki\u015fisel foto\u011fraf, 2026.<\/p>\n\n\n\n

K\u00fclt\u00fcr Varl\u0131klar\u0131 ve M\u00fczeler Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc. (t.y.). \u0130zmir Efes M\u00fcze M\u00fcd\u00fcrl\u00fc\u011f\u00fc<\/em>. T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131. https:\/\/kvmgm.ktb.gov.tr\/TR-44104\/izmir-efes-muze-mudurlugu.html<\/a><\/p>\n\n\n\n

\u00d6zen, Y. (1996). Artemis’in memelerinin s\u0131rr\u0131. Belleten, 60<\/em>(228).<\/p>\n\n\n\n

K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131, B\u00fcy\u00fck Artemis’in polos, hayvan fig\u00fcrleri ve g\u00f6vdesindeki kabartmalar\u0131na ili\u015fkin a\u00e7\u0131klama. K\u00fclt\u00fcr Portal\u0131 \u2013 Sel\u00e7uk Efes M\u00fczesi<\/a>.<\/p>\n\n\n\n

T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131. (t.y.). Sel\u00e7uk Efes M\u00fczesi. \u0130zmir \u0130l K\u00fclt\u00fcr ve Turizm M\u00fcd\u00fcrl\u00fc\u011f\u00fc<\/a>.<\/p>\n\n\n\n\n","protected":false},"excerpt":{"rendered":"

\u0130zmir\u2019in Sel\u00e7uk il\u00e7esinde yer alan Efes M\u00fczesi, sadece yerel bir arkeoloji m\u00fczesi de\u011fil; Akdeniz havzas\u0131n\u0131n, Hellenistik ve Roma d\u00f6nemi plastik sanatlar\u0131n\u0131n ve dinsel d\u00f6n\u00fc\u015f\u00fcmlerinin izlenebildi\u011fi d\u00fcnyan\u0131n en prestijli monografik arkeoloji m\u00fczelerinden biridir. Bu m\u00fczenin en b\u00fcy\u00fck bilimsel ve k\u00fclt\u00fcrel \u00f6nemi, sergilenen eserlerin neredeyse tamam\u0131n\u0131n kronolojik bir b\u00fct\u00fcnl\u00fck i\u00e7inde, tek bir metropolden (Efes Antik Kenti ve […]<\/p>\n","protected":false},"author":15,"featured_media":2412,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[84,260],"tags":[96,98],"class_list":["post-2398","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gorsel-sanatlar","category-muze","tag-muze","tag-sanat"],"_links":{"self":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/2398","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2398"}],"version-history":[{"count":7,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/2398\/revisions"}],"predecessor-version":[{"id":2435,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/2398\/revisions\/2435"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/media\/2412"}],"wp:attachment":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2398"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2398"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}