{"id":2677,"date":"2026-11-10T09:54:02","date_gmt":"2026-11-10T09:54:02","guid":{"rendered":"https:\/\/atolyer10.com\/?p=2677"},"modified":"2026-11-10T09:54:03","modified_gmt":"2026-11-10T09:54:03","slug":"bodrum-antik-tiyatrosu-halikarnassosun-tas-sahnesi","status":"publish","type":"post","link":"https:\/\/atolyer10.com\/?p=2677","title":{"rendered":"Bodrum Antik Tiyatrosu: Halikarnassos\u2019un Ta\u015f Sahnesi"},"content":{"rendered":"\n

Bodrum\u2019un tarihsel dokusunu olu\u015fturan \u00f6nemli arkeolojik yap\u0131lardan biri olan Bodrum Antik Tiyatrosu, antik Halikarnassos kentinden g\u00fcn\u00fcm\u00fcze ula\u015fan en dikkat \u00e7ekici mimari eserler aras\u0131ndad\u0131r. G\u00f6ktepe\u2019nin g\u00fcney yamac\u0131na yerle\u015ftirilen tiyatro, hem mimari d\u00fczeni hem de kent ve deniz manzaras\u0131na h\u00e2kim konumuyla \u00f6ne \u00e7\u0131kar. M\u00d6 4. y\u00fczy\u0131la tarihlenen yap\u0131, Anadolu\u2019nun erken d\u00f6nem ta\u015f tiyatrolar\u0131ndan biri olarak kabul edilir. G\u00fcn\u00fcm\u00fczde b\u00fcy\u00fck \u00f6l\u00e7\u00fcde korunmu\u015f oturma s\u0131ralar\u0131, orkestra alan\u0131 ve sahne yap\u0131s\u0131na ait kal\u0131nt\u0131lar\u0131yla antik tiyatro mimarisinin temel \u00f6zelliklerini inceleme olana\u011f\u0131 sunar.<\/p>\n\n\n\n

Halikarnassos\u2019ta Tiyatronun Tarihsel Yeri<\/h2>\n\n\n\n

Antik d\u00f6nemde Halikarnassos, Karia b\u00f6lgesinin \u00f6nemli siyasi ve k\u00fclt\u00fcrel merkezlerinden biriydi. \u00d6zellikle Hekatomnid Hanedan\u0131 d\u00f6neminde kentte kapsaml\u0131 bir imar faaliyeti y\u00fcr\u00fct\u00fclm\u00fc\u015f; savunma yap\u0131lar\u0131, tap\u0131naklar, kamusal alanlar ve an\u0131tsal yap\u0131larla kent dokusu geli\u015ftirilmi\u015ftir. M\u00d6 4. y\u00fczy\u0131la tarihlenen Bodrum Antik Tiyatrosu da bu tarihsel geli\u015fim s\u00fcrecinin \u00f6nemli yap\u0131lar\u0131ndan biridir.<\/p>\n\n\n\n

Tiyatronun bulundu\u011fu G\u00f6ktepe, antik Halikarnassos\u2019un kuzeyinde yer alan ve nekropol, yani mezarl\u0131k alan\u0131 olarak kullan\u0131lan bir b\u00f6lgeydi. Yap\u0131n\u0131n bu tepenin g\u00fcney yamac\u0131na yerle\u015ftirilmesi, do\u011fal arazi e\u011fiminin mimari tasar\u0131ma d\u00e2hil edildi\u011fini g\u00f6sterir. Antik tiyatrolarda s\u0131kl\u0131kla kar\u015f\u0131la\u015f\u0131lan bu yerle\u015fim bi\u00e7iminde yamac\u0131n e\u011fimi, seyirci oturma alan\u0131n\u0131n olu\u015fturulmas\u0131nda do\u011frudan kullan\u0131lm\u0131\u015ft\u0131r. B\u00f6ylece geni\u015f bir ta\u015f\u0131y\u0131c\u0131 yap\u0131 in\u015fa etmek yerine, oturma s\u0131ralar\u0131n\u0131n bir b\u00f6l\u00fcm\u00fc ana kaya \u00fczerine yerle\u015ftirilmi\u015f, bir b\u00f6l\u00fcm\u00fc ise kayan\u0131n oyulmas\u0131yla bi\u00e7imlendirilmi\u015ftir.<\/p>\n\n\n\n

Tiyatronun konumu, yaln\u0131zca mimari a\u00e7\u0131dan de\u011fil, kent ya\u015fam\u0131yla kurdu\u011fu ili\u015fki bak\u0131m\u0131ndan da \u00f6nemlidir. G\u00f6ktepe yamac\u0131ndan Halikarnassos\u2019un yerle\u015fim alan\u0131, liman ve deniz ula\u015f\u0131m\u0131 izlenebilmektedir. A\u00e7\u0131k havada d\u00fczenlenen g\u00f6sterilerin ger\u00e7ekle\u015ftirildi\u011fi bu yap\u0131, ayn\u0131 zamanda kentin toplumsal ya\u015fam\u0131nda \u00f6nemli bir bulu\u015fma alan\u0131 i\u015flevi g\u00f6rm\u00fc\u015ft\u00fcr. Yakla\u015f\u0131k 2.500 y\u0131l \u00f6nce in\u015fa edilen bir kamusal yap\u0131n\u0131n bug\u00fcn de Bodrum manzaras\u0131na h\u00e2kim konumunu korumas\u0131, antik kent ile g\u00fcn\u00fcm\u00fcz yerle\u015fimi aras\u0131ndaki mek\u00e2nsal s\u00fcreklili\u011fi a\u00e7\u0131k\u00e7a ortaya koyar.<\/p>\n\n\n\n

Antik Tiyatro Mimarisi ve Yap\u0131n\u0131n B\u00f6l\u00fcmleri<\/h2>\n\n\n\n

Bodrum Antik Tiyatrosu, antik Yunan tiyatro mimarisinin temel d\u00fczenini yans\u0131tan \u00fc\u00e7 ana b\u00f6l\u00fcmden olu\u015fur: cavea<\/em> (oturma s\u0131ralar\u0131), orkestra<\/em> ve skene<\/em> (sahne yap\u0131s\u0131). Bu b\u00f6l\u00fcmlerin her biri, g\u00f6sterilerin d\u00fczenlenmesi ve seyircilerin etkinlikleri takip edebilmesi i\u00e7in farkl\u0131 bir i\u015flev \u00fcstlenmi\u015ftir.<\/p>\n\n\n\n

Cavea: Oturma S\u0131ralar\u0131<\/h3>\n\n\n\n

Tiyatronun en belirgin mimari unsuru, yamaca yay\u0131lan geni\u015f oturma s\u0131ralar\u0131d\u0131r. Cavea<\/em> olarak adland\u0131r\u0131lan bu b\u00f6l\u00fcm, ana kayan\u0131n at nal\u0131 bi\u00e7iminde oyulmas\u0131 ve \u00fczerine mermer bloklar\u0131n yerle\u015ftirilmesiyle olu\u015fturulmu\u015ftur. B\u00f6ylece do\u011fal arazi, tiyatronun oturma d\u00fczeninin temel ta\u015f\u0131y\u0131c\u0131s\u0131na d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr. Oturma s\u0131ralar\u0131 yatay ve dikey ge\u00e7i\u015flerle b\u00f6l\u00fcmlere ayr\u0131lm\u0131\u015ft\u0131r. Ortadan ge\u00e7en yatay ge\u00e7it diazoma<\/em> olarak adland\u0131r\u0131l\u0131r ve cavea\u2019y\u0131 alt ve \u00fcst olmak \u00fczere iki b\u00f6l\u00fcme ay\u0131r\u0131r. Dikey merdivenler ise kerkides<\/em> ad\u0131 verilen oturma b\u00f6l\u00fcmlerini birbirinden ay\u0131r\u0131r. Bodrum Antik Tiyatrosu\u2019nda bu ge\u00e7i\u015fler 11 merdivenle d\u00fczenlenmi\u015f ve oturma alan\u0131 12 b\u00f6l\u00fcme ayr\u0131lm\u0131\u015ft\u0131r. Bu sistem, seyircilerin kendi b\u00f6l\u00fcmlerine ula\u015fmas\u0131n\u0131, g\u00f6steri \u00f6ncesinde yerle\u015fmesini ve g\u00f6steri sonras\u0131nda alandan ayr\u0131lmas\u0131n\u0131 kolayla\u015ft\u0131ran bir dola\u015f\u0131m d\u00fczeni olu\u015fturmu\u015ftur.<\/p>\n\n\n\n

K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 kaynaklar\u0131nda oturma s\u0131ralar\u0131n\u0131n alt b\u00f6l\u00fcm\u00fcnde 30, \u00fcst b\u00f6l\u00fcm\u00fcnde 25 s\u0131ra bulundu\u011fu ve toplamda 55 s\u0131raya ula\u015ft\u0131\u011f\u0131 belirtilir. Alt cavea b\u00f6l\u00fcm\u00fc g\u00fcn\u00fcm\u00fcze daha sa\u011flam ula\u015f\u0131rken \u00fcst b\u00f6l\u00fcm, zaman i\u00e7erisinde do\u011fal ko\u015fullar\u0131n ve insan faaliyetlerinin yol a\u00e7t\u0131\u011f\u0131 tahribat nedeniyle \u00f6nemli \u00f6l\u00e7\u00fcde zarar g\u00f6rm\u00fc\u015ft\u00fcr. Bu farkl\u0131 korunma durumu, yap\u0131n\u0131n g\u00fcn\u00fcm\u00fczdeki g\u00f6r\u00fcn\u00fcm\u00fcnde de a\u00e7\u0131k\u00e7a izlenebilir. \u00d6zellikle foto\u011fraflarda alt s\u0131ralar\u0131n daha b\u00fct\u00fcnl\u00fckl\u00fc, \u00fcst kesimlerin ise daha par\u00e7al\u0131 oldu\u011fu g\u00f6r\u00fcl\u00fcr.<\/p>\n\n\n\n

Tiyatronun antik d\u00f6nemdeki seyirci kapasitesi konusunda kaynaklarda farkl\u0131 tahminler bulunmaktad\u0131r. Mu\u011fla \u0130l K\u00fclt\u00fcr ve Turizm M\u00fcd\u00fcrl\u00fc\u011f\u00fc yakla\u015f\u0131k 10.000 ki\u015filik bir kapasiteden s\u00f6z ederken K\u00fclt\u00fcr Portal\u0131, oturma s\u0131ralar\u0131n\u0131n say\u0131s\u0131ndan hareketle 12.000-13.000 ki\u015filik bir kapasite tahminini aktar\u0131r. Bu nedenle yap\u0131 i\u00e7in kesin bir seyirci say\u0131s\u0131ndan ziyade, on binin \u00fczerinde izleyici a\u011f\u0131rlayabilecek b\u00fcy\u00fckl\u00fckte bir kamusal alan oldu\u011fu s\u00f6ylenebilir (Mu\u011fla \u0130l K\u00fclt\u00fcr ve Turizm M\u00fcd\u00fcrl\u00fc\u011f\u00fc, t.y.; T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131, t.y.-b).<\/p>\n\n\n

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\"antik-tiyatro-bodrum-3-768x1024-1<\/figure>\n<\/div>\n\n\n

Orkestra: G\u00f6sterinin Ger\u00e7ekle\u015fti\u011fi Alan<\/h3>\n\n\n\n

Oturma s\u0131ralar\u0131n\u0131n \u00f6n\u00fcnde, tiyatronun merkezinde yer alan geni\u015f alan orkestra<\/em> olarak adland\u0131r\u0131l\u0131r. G\u00fcn\u00fcm\u00fczde bu s\u00f6zc\u00fck daha \u00e7ok m\u00fczisyen toplulu\u011funu ifade etse de antik Yunan tiyatrosunda farkl\u0131 bir mimari ve sahne i\u015flevine sahipti. Dairesel veya yar\u0131m daireden b\u00fcy\u00fck bir plana sahip olan orkestra, oyun s\u0131ras\u0131nda koronun yer ald\u0131\u011f\u0131, \u015fark\u0131lar\u0131n s\u00f6ylendi\u011fi ve ritmik hareketlerle koreografinin ger\u00e7ekle\u015ftirildi\u011fi b\u00f6l\u00fcmd\u00fc. Antik Yunan tiyatrosunda koro, dramatik anlat\u0131n\u0131n \u00f6nemli bir par\u00e7as\u0131n\u0131 olu\u015ftururdu. Oyuncular\u0131n diyaloglar\u0131n\u0131 destekleyen, olaylar\u0131 yorumlayan ve zaman zaman anlat\u0131n\u0131n geli\u015fimine katk\u0131da bulunan koro, orkestra alan\u0131nda konumlan\u0131rd\u0131. Bu nedenle orkestra, yaln\u0131zca sahne \u00f6n\u00fcndeki bo\u015fluk de\u011fil, g\u00f6sterinin m\u00fczikal ve hareket temelli unsurlar\u0131n\u0131n ger\u00e7ekle\u015fti\u011fi temel performans alan\u0131yd\u0131. Bodrum Antik Tiyatrosu\u2019nda orkestran\u0131n \u00f6n\u00fcnde yer alan sunak da dikkat \u00e7ekici mimari ayr\u0131nt\u0131lardan biridir. Bu sunak, tiyatro etkinlikleriyle ili\u015fkilendirilen Dionysos\u2019a sunular\u0131n ger\u00e7ekle\u015ftirilmesi amac\u0131yla kullan\u0131lm\u0131\u015ft\u0131r. \u015earap, bereket, do\u011fa ve tiyatroyla ili\u015fkilendirilen Dionysos, antik Yunan g\u00f6steri k\u00fclt\u00fcr\u00fcnde \u00f6nemli bir yere sahipti. Tiyatro etkinliklerinin din\u00ee t\u00f6renlerle ba\u011flant\u0131l\u0131 bi\u00e7imde geli\u015fmi\u015f olmas\u0131, bu suna\u011f\u0131n yap\u0131n\u0131n i\u015flevini anlamak a\u00e7\u0131s\u0131ndan \u00f6nemini art\u0131r\u0131r. <\/p>\n\n\n\n

Roma d\u00f6neminin ge\u00e7 evrelerinde tiyatro alan\u0131n\u0131n kullan\u0131m\u0131nda da de\u011fi\u015fiklikler meydana gelmi\u015ftir. Bu d\u00f6nemde tiyatrolarda sahnelenen dramatik g\u00f6sterilerin yan\u0131 s\u0131ra gladyat\u00f6r d\u00f6v\u00fc\u015fleri ve vah\u015fi hayvan m\u00fccadeleleri de d\u00fczenlenmi\u015ftir. Bodrum Antik Tiyatrosu\u2019nda seyirci alan\u0131 ile m\u00fccadele alan\u0131n\u0131 birbirinden ay\u0131rmak amac\u0131yla kullan\u0131lm\u0131\u015f korkuluk levhalar\u0131na ait kal\u0131nt\u0131lar, yap\u0131n\u0131n de\u011fi\u015fen kullan\u0131m bi\u00e7imlerine ili\u015fkin arkeolojik ipu\u00e7lar\u0131 sunar (Mu\u011fla \u0130l K\u00fclt\u00fcr ve Turizm M\u00fcd\u00fcrl\u00fc\u011f\u00fc, t.y.).<\/p>\n\n\n\n

Skene: Sahne Yap\u0131s\u0131<\/h3>\n\n\n\n

Tiyatronun g\u00fcney b\u00f6l\u00fcm\u00fcnde bulunan sahne yap\u0131s\u0131, antik Yunancada skene<\/em> olarak adland\u0131r\u0131l\u0131r. Dikd\u00f6rtgen planl\u0131 ve iki katl\u0131 oldu\u011fu anla\u015f\u0131lan bu yap\u0131n\u0131n orkestraya bakan cephesinde sahne \u00f6n\u00fc podyumu bulunuyordu. Oyuncular\u0131n g\u00f6sterilerini ger\u00e7ekle\u015ftirdi\u011fi bu b\u00f6l\u00fcm, ayn\u0131 zamanda dekor ve sahne d\u00fczenlemelerinin olu\u015fturuldu\u011fu mimari alan\u0131 kaps\u0131yordu. Sahne yap\u0131s\u0131n\u0131n arka duvar\u0131nda, oynanacak oyuna g\u00f6re de\u011fi\u015ftirilen ta\u015f\u0131nabilir dekor levhalar\u0131n\u0131n as\u0131lmas\u0131 i\u00e7in a\u00e7\u0131lm\u0131\u015f yuvalar bulunmaktad\u0131r. Bu ayr\u0131nt\u0131, antik tiyatroda sahne d\u00fczenlemesinin sabit bir dekorla s\u0131n\u0131rl\u0131 olmad\u0131\u011f\u0131n\u0131, farkl\u0131 oyunlara g\u00f6re de\u011fi\u015ftirilebildi\u011fini g\u00f6stermesi bak\u0131m\u0131ndan \u00f6nemlidir. Sahne binas\u0131ndaki kap\u0131lar oyuncular\u0131n ve protokol\u00fcn giri\u015f-\u00e7\u0131k\u0131\u015flar\u0131nda kullan\u0131l\u0131rken, sahne yap\u0131s\u0131 ile oturma s\u0131ralar\u0131 aras\u0131nda yer alan parados<\/em> ge\u00e7itleri seyircilerin ve koronun alana ula\u015fmas\u0131n\u0131 sa\u011fl\u0131yordu. Bug\u00fcn sahne yap\u0131s\u0131n\u0131n b\u00fcy\u00fck b\u00f6l\u00fcm\u00fc temel seviyesinde izlenebilse de kalan mimari par\u00e7alar, tiyatronun \u00f6zg\u00fcn d\u00fczenini anlamaya yard\u0131mc\u0131 olur. Cavea, orkestra ve skene aras\u0131ndaki ili\u015fki birlikte de\u011ferlendirildi\u011finde yap\u0131n\u0131n yaln\u0131zca seyircilerin oturdu\u011fu bir alan olmad\u0131\u011f\u0131; sahne, performans ve izleyici dola\u015f\u0131m\u0131n\u0131n b\u00fct\u00fcnc\u00fcl bi\u00e7imde planland\u0131\u011f\u0131 bir kamusal mimari yap\u0131 oldu\u011fu anla\u015f\u0131l\u0131r.<\/p>\n\n\n

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\"antik-tiyatro-bodrum-2-2-1024x768<\/figure>\n<\/div>\n\n\n

Kaz\u0131lar, Restorasyonlar ve Arkeolojik Bulgular<\/h2>\n\n\n\n

Bodrum Antik Tiyatrosu\u2019nda modern d\u00f6nem kaz\u0131 ve restorasyon \u00e7al\u0131\u015fmalar\u0131 20. y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131nda ba\u015flam\u0131\u015ft\u0131r. 1973 y\u0131l\u0131nda Prof. Dr. \u00dcmit Serdaro\u011flu taraf\u0131ndan y\u00fcr\u00fct\u00fclen kaz\u0131 ve restorasyon \u00e7al\u0131\u015fmalar\u0131, yap\u0131n\u0131n yeniden ortaya \u00e7\u0131kar\u0131lmas\u0131 ve korunmas\u0131na y\u00f6nelik ilk \u00f6nemli a\u015famalardan birini olu\u015fturmu\u015ftur. 1983 y\u0131l\u0131nda Bodrum M\u00fczesi ba\u015fkanl\u0131\u011f\u0131nda, yine Prof. Dr. \u00dcmit Serdaro\u011flu\u2019nun kat\u0131l\u0131m\u0131yla \u00e7al\u0131\u015fmalar s\u00fcrd\u00fcr\u00fclm\u00fc\u015ft\u00fcr. 2002-2003 y\u0131llar\u0131 aras\u0131nda Bodrum M\u00fczesi ba\u015fkanl\u0131\u011f\u0131nda, Turkcell-Ericsson deste\u011fiyle kapsaml\u0131 kaz\u0131 ve restorasyon \u00e7al\u0131\u015fmalar\u0131 ger\u00e7ekle\u015ftirilmi\u015ftir. Bu \u00e7al\u0131\u015fmalar\u0131n ard\u0131ndan tiyatro d\u00fczenlenerek yakla\u015f\u0131k 3.100 ki\u015filik g\u00fcncel etkinlik kapasitesiyle ziyarete a\u00e7\u0131lm\u0131\u015ft\u0131r. Burada belirtilen kapasite, antik d\u00f6nemdeki tahmini seyirci say\u0131s\u0131ndan farkl\u0131d\u0131r; g\u00fcn\u00fcm\u00fczdeki kullan\u0131m ve d\u00fczenleme ko\u015fullar\u0131na g\u00f6re belirlenmi\u015ftir.<\/p>\n\n\n\n

2006 y\u0131l\u0131nda Bodrum Sualt\u0131 Arkeoloji M\u00fczesi taraf\u0131ndan y\u00fcr\u00fct\u00fclen kaz\u0131 ve temizlik \u00e7al\u0131\u015fmalar\u0131 s\u0131ras\u0131nda oturma s\u0131ralar\u0131n\u0131n arka k\u0131sm\u0131nda, yumu\u015fak ana kayan\u0131n i\u00e7ine oyulmu\u015f t\u00fcnel ve odalar ortaya \u00e7\u0131kar\u0131lm\u0131\u015ft\u0131r. Bu buluntu, tiyatronun yaln\u0131zca g\u00f6r\u00fcnen oturma s\u0131ralar\u0131 ve sahne b\u00f6l\u00fcm\u00fcnden ibaret olmad\u0131\u011f\u0131n\u0131; arka kesimlerde de i\u015flevsel mek\u00e2nlar bar\u0131nd\u0131rd\u0131\u011f\u0131n\u0131 g\u00f6stermesi bak\u0131m\u0131ndan \u00f6nem ta\u015f\u0131r (T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131, t.y.-a).<\/p>\n\n\n\n

G\u00fcn\u00fcm\u00fczde Bodrum Antik Tiyatrosu<\/h2>\n\n\n\n

Bodrum Antik Tiyatrosu, arkeolojik kimli\u011finin yan\u0131 s\u0131ra g\u00fcn\u00fcm\u00fczde k\u00fclt\u00fcr ve sanat etkinliklerine ev sahipli\u011fi yapan tarih\u00ee bir mek\u00e2n olarak da kullan\u0131lmaktad\u0131r. Antik d\u00f6nemde g\u00f6steriler i\u00e7in bir araya gelen seyircilerin oturdu\u011fu ta\u015f s\u0131ralar, bug\u00fcn konser ve \u00e7e\u015fitli sahne etkinliklerinde yeniden izleyicileri a\u011f\u0131rlamaktad\u0131r. B\u00f6ylece yap\u0131n\u0131n kamusal i\u015flevi, farkl\u0131 d\u00f6nemlerin ihtiya\u00e7lar\u0131na g\u00f6re de\u011fi\u015fse de toplu k\u00fclt\u00fcrel deneyim sunma \u00f6zelli\u011fi varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrmektedir.<\/p>\n\n\n

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\"antik-tiyatro-bodrum-1-1024x768<\/figure>\n<\/div>\n\n\n

Bodrum Antik Tiyatrosu, yakla\u015f\u0131k iki bin d\u00f6rt y\u00fcz y\u0131l \u00f6nce in\u015fa edilen bir g\u00f6steri mek\u00e2n\u0131ndan \u00e7ok daha fazlas\u0131d\u0131r. Ana kayan\u0131n bi\u00e7imlendirilmesiyle olu\u015fturulan oturma d\u00fczeni, orkestran\u0131n din\u00ee ve sanatsal i\u015flevi, sahne yap\u0131s\u0131n\u0131n teknik ayr\u0131nt\u0131lar\u0131 ve Roma d\u00f6nemindeki kullan\u0131m de\u011fi\u015fiklikleri, yap\u0131n\u0131n uzun tarihsel s\u00fcrecini ortaya koyar. Bug\u00fcn ayakta kalan ta\u015f s\u0131ralar ve mimari kal\u0131nt\u0131lar, antik Halikarnassos\u2019un toplumsal ve k\u00fclt\u00fcrel ya\u015fam\u0131na ili\u015fkin somut bilgiler sunarken, tiyatronun g\u00fcn\u00fcm\u00fczde de kullan\u0131lmaya devam etmesi ge\u00e7mi\u015f ile bug\u00fcn\u00fcn ayn\u0131 mek\u00e2nda bulu\u015fmas\u0131n\u0131 sa\u011flar.<\/p>\n\n\n\n

https:\/\/maps.app.goo.gl\/x94hzKrXRRcwsPHC8<\/a> – Yenik\u00f6y, D330 No:175 D:169, 48440 Bodrum\/Mu\u011fla<\/p>\n\n\n\n

Kaynak\u00e7a<\/p>\n\n\n\n

Mu\u011fla \u0130l K\u00fclt\u00fcr ve Turizm M\u00fcd\u00fcrl\u00fc\u011f\u00fc. (t.y.). Bodrum Antik Tiyatro<\/em>. https:\/\/mugla.ktb.gov.tr\/TR-397460\/bodrum-antik-tiyatro.html<\/a><\/p>\n\n\n\n

T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131. (t.y.-a). Bodrum Antik Tiyatrosu<\/em>. https:\/\/muze.gov.tr\/muze-detay?DistId=MRK&SectionId=MBA01<\/a><\/p>\n\n\n\n

T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131. (t.y.-b). Tarihin tan\u0131klar\u0131: Antik tiyatrolar<\/em>. K\u00fclt\u00fcr Portal\u0131. https:\/\/www.kulturportali.gov.tr\/portal\/tarihin-taniklari-antik-tiyatrolar<\/a><\/p>\n\n\n\n

Bodrum Belediyesi. (t.y.). Bodrum tarihi. https:\/\/www.bodrum.bel.tr\/page.php?id=19\/bodrum_tarihi<\/a><\/p>\n\n\n\n

T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131, K\u00fclt\u00fcr Varl\u0131klar\u0131 ve M\u00fczeler Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc. (t.y.). Mu\u011fla Bodrum Sualt\u0131 M\u00fcze M\u00fcd\u00fcrl\u00fc\u011f\u00fc. https:\/\/kvmgm.ktb.gov.tr\/TR-44072\/mugla-bodrum-sualti-muze-mudurlugu.html<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Bodrum\u2019un tarihsel dokusunu olu\u015fturan \u00f6nemli arkeolojik yap\u0131lardan biri olan Bodrum Antik Tiyatrosu, antik Halikarnassos kentinden g\u00fcn\u00fcm\u00fcze ula\u015fan en dikkat \u00e7ekici mimari eserler aras\u0131ndad\u0131r. G\u00f6ktepe\u2019nin g\u00fcney yamac\u0131na yerle\u015ftirilen tiyatro, hem mimari d\u00fczeni hem de kent ve deniz manzaras\u0131na h\u00e2kim konumuyla \u00f6ne \u00e7\u0131kar. M\u00d6 4. y\u00fczy\u0131la tarihlenen yap\u0131, Anadolu\u2019nun erken d\u00f6nem ta\u015f tiyatrolar\u0131ndan biri olarak kabul edilir. […]<\/p>\n","protected":false},"author":15,"featured_media":2678,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[260],"tags":[96,98,70],"class_list":["post-2677","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-muze","tag-muze","tag-sanat","tag-tiyatro"],"_links":{"self":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/2677","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2677"}],"version-history":[{"count":2,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/2677\/revisions"}],"predecessor-version":[{"id":2684,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/2677\/revisions\/2684"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/media\/2678"}],"wp:attachment":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2677"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2677"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2677"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}