{"id":372,"date":"2026-01-06T06:07:35","date_gmt":"2026-01-06T06:07:35","guid":{"rendered":"https:\/\/atolyer10.com\/?p=372"},"modified":"2026-01-18T09:22:44","modified_gmt":"2026-01-18T09:22:44","slug":"turkiyede-sanat-mimari-isbirliginde-kent-panolari","status":"publish","type":"post","link":"https:\/\/atolyer10.com\/?p=372","title":{"rendered":"T\u00fcrkiye’de Sanat-Mimari \u0130\u015fbirli\u011finde Kent Panolar\u0131"},"content":{"rendered":"\n

Mimarl\u0131k ve sanat birlikteli\u011fi, II. D\u00fcnya Sava\u015f\u0131 sonras\u0131 modern mimarl\u0131\u011f\u0131n aidiyet problemlerine \u00e7\u00f6z\u00fcm olma amac\u0131yla ortaya \u00e7\u0131kan revizyonist<\/em>(yeniden g\u00f6zden ge\u00e7irme) yakla\u015f\u0131mlardan biridir. 2. D\u00fcnya sava\u015f\u0131 sonras\u0131 uluslararas\u0131 \u00f6nem kazanan mimari, kentsel yap\u0131lanma i\u00e7in eski kent dokusuyla ili\u015fkilenen yeni kent dokusu i\u00e7in alternatif bir yakla\u015f\u0131mlar ar\u0131yorlard\u0131. \u201cEv ve kent\u201d, \u201ci\u00e7 ve d\u0131\u015f\u201d aras\u0131ndaki ili\u015fkiyi kurabilmek i\u00e7in \u201clabyrinthine clarity\u201d (labirent netli\u011fi) kavram\u0131n\u0131 ortaya atan  Aldo van Eyck, B\u00fct\u00fcnc\u00fcl bir yap\u0131ya sahip, araziyi hal\u0131 gibi kaplayan al\u00e7ak katl\u0131 yap\u0131lardan olu\u015fan bir kent modeli olarak tasarlad\u0131\u011f\u0131 Amsterdam Otterlo Yetimhanesi projesiyle 1958-1960 tarihlerinde \u201cMat-urban\u201d fikrine \u00f6nc\u00fcl\u00fck etti.* <\/p>\n\n\n\n

1950\u2019li ve 1960\u2019l\u0131 y\u0131llarda T\u00fcrkiye’de kabul g\u00f6rm\u00fc\u015f bu e\u011filimin \u00f6nemli \u00f6rneklerinden birka\u00e7\u0131na \u0130M\u00c7 (\u0130stanbul Manifaturac\u0131lar \u00c7ar\u015f\u0131s\u0131) ev sahipli\u011fi yapmaktad\u0131r. 1960 tarihinde “\u0130M\u00c7” mimari projesine kat\u0131lan 11 projeden Do\u011fan Tekeli, Sami Sisa ve Metin Hepg\u00fcler’in Mat-urban modeline uygun tasar\u0131m\u0131 birincilik \u00f6d\u00fcl\u00fcn\u00fc kazand\u0131.<\/p>\n\n\n

\n
\"TTSPIMCD002004-1
\u0130stanbul Manifaturac\u0131lar \u00c7ar\u015f\u0131s\u0131, 6. Blok: Uygulama projesi – Istanbul Textile Traders\u2019 Market, Block 6: Construction project, Do\u011fan Tekeli, Sami Sisa, Metin Hepg\u00fcler
Proje, \u0130stanbul Manifaturac\u0131lar \u00c7ar\u015f\u0131s\u0131 Kooperatifi taraf\u0131ndan 1960 y\u0131l\u0131nda a\u00e7\u0131lan ikinci yar\u0131\u015fmada birincilik \u00f6d\u00fcl\u00fc ald\u0131 ve 1960-1967 y\u0131llar\u0131 aras\u0131nda uyguland\u0131.,https:\/\/archives.saltresearch.org\/handle\/123456789\/204595<\/a> <\/figcaption><\/figure>\n<\/div>\n\n
\n
\"79807146_10156884070091662_4179003582734925824_n
\u0130n\u015f Y\u00fck M\u00fch. Haluk G\u00fcven\u00e7 soldan ikinci… En solda Sami Sisa, en sa\u011fda Do\u011fan Tekeli<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"79893270_463424427704283_8624708618618404864_n-1009x1024
1967
Salt Ara\u015ft\u0131rma, G\u00fcltekin \u00c7izgen Ar\u015fivi<\/figcaption><\/figure>\n<\/div>\n\n\n

1967*1968 tarihlerinde tamamlanan proje de sanat eserleri de yar\u0131\u015fmayla s\u00fcreciyle birlikte belirlendi. Her sanat eseri i\u00e7in \u00fc\u00e7 sanat\u00e7\u0131dan \u00f6neri istenmi\u015f ve davetli yar\u0131\u015fman\u0131n sonucunda, cephedeki heykel i\u00e7in Kuzgun Acar, ta\u015f bask\u0131 r\u00f6lyef i\u00e7in Ali Teoman Germaner, su \u00f6gesi i\u00e7in Yavuz G\u00f6rey, seramik panolar i\u00e7in F\u00fcreya Koral ve Sadi Diren, mozaik panolar i\u00e7in Bedri Rahmi Ey\u00fcpo\u011flu, Eren Ey\u00fcpo\u011flu ve Nedim G\u00fcnsur se\u00e7ilmi\u015ftir. <\/p>\n\n\n

\n
\"128818
F\u00fcreya Koral \u0130stanbul Manifaturac\u0131lar \u00c7ar\u015f\u0131s\u0131 i\u00e7in yapt\u0131\u011f\u0131 seramik duvar panosunun \u00f6n\u00fcnde, 1966 Foto\u011fraf-Ara G\u00fcler<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"Gorsel-1-scaled-1
Sadi Diren\u2019in Ankara Marmara Oteli\u2019ndeki seramik i\u015fi
SALT Ara\u015ft\u0131rma, Sadi Diren Ar\u015fivi<\/figcaption><\/figure>\n<\/div>\n\n
\n
\"kuzgunacar_02
Kuzgun Acar, Ku\u015flar, Manifaturac\u0131lar \u00c7ar\u015f\u0131s\u0131, \u0130stanbul 1966 <\/figcaption><\/figure>\n<\/div>\n\n\n

2019’da \u0130ki sanat tarih\u00e7inin merak\u0131yla ki\u015fisel ve ba\u011f\u0131ms\u0131z bir ar\u015fiv projesi olan “\u015eehrin Panolar\u0131” \u0130stanbul ile ba\u015flayarak sanat-mimari i\u015fbirli\u011fiyle haz\u0131rlanan panolar\u0131n \u00e7evrim i\u00e7i ar\u015fivi olarak a\u00e7\u0131ld\u0131. Sanat\u00e7\u0131s\u0131 bilinen ve bilinmeyen kamusal alana dahil olan sanat\u0131n hikayelerinin ara\u015ft\u0131r\u0131p kent-toplum haf\u0131zas\u0131 haf\u0131zas\u0131 ta\u015f\u0131yan bu ar\u015fiv mimarl\u0131k ve sanat i\u015fbirli\u011finin izlerini s\u00fcr\u00fcyor. Kamusal alana ta\u015f\u0131nan sanat eserleri iki farkl\u0131 bak\u0131\u015f a\u00e7\u0131s\u0131yla okunabilir. Birincisi cephesi sadele\u015fen bu b\u00fcy\u00fck boyutlu yap\u0131lar\u0131n \u0130kinci D\u00fcnya Sava\u015f\u0131 sonras\u0131 yarat\u0131lan ulus kimlik in\u015fas\u0131nda iktidar i\u00e7in bir propaganda alan\u0131na d\u00f6n\u00fc\u015fmesi; ikincisi ise d\u00f6nemin sanat\u00e7\u0131lar\u0131n\u0131n eserlerini sataca\u011f\u0131 bir platformun hen\u00fcz kurulmam\u0131\u015f olmas\u0131ndan kaynakl\u0131 maddi kayg\u0131lar\u0131n\u0131n olmas\u0131 ve yeni bir i\u015f alan\u0131 olarak mimari yap\u0131lara kendi sanat eserlerini yerle\u015ftirmesi olabilir. Her iki anlamda da de\u011fer kazan\u0131p \u015fehrin dinami\u011fine, rengine kendi kimlikleriyle kat\u0131l\u0131p kar\u0131\u015f\u0131yorlar. Belki \u015funu sormak yerinde olur : Bug\u00fcn\u00fcn kent sanat\u0131n\u0131n g\u00f6rsel dili ile kent kimli\u011fine izlerine bakabiliriz. Kentin yeni g\u00f6r\u00fcn\u00fcr alanlar\u0131n\u0131n kimlikleri nedir ve ne i\u00e7indir ? <\/p>\n\n\n\n

https:\/\/www.sehrinpanolari.com<\/a> Linkten ar\u015five ula\u015fabilirsiniz. <\/p>\n\n\n\n

https:\/\/artdogistanbul.com\/sehrin-panolarinin-izinde\/<\/a><\/p>\n\n\n\n

https:\/\/www.istdergi.com\/index.php\/sehir\/mimari\/sehrin-panolari-istanbulda-mimarlik-ve-sanat-birlikteligi<\/a><\/p>\n\n\n\n

https:\/\/saltonline.org\/tr\/2392\/arsivden-cikti-turkiyede-mimar-ve-sanatci-is-birlikleri<\/a><\/p>\n\n\n\n

http:\/\/www.mimarlikdergisi.com\/index.cfm?sayfa=mimarlik&DergiSayi=357&RecID=2138<\/p>\n\n\n\n

\n