{"id":374,"date":"2026-01-05T06:19:47","date_gmt":"2026-01-05T06:19:47","guid":{"rendered":"https:\/\/atolyer10.com\/?p=374"},"modified":"2026-01-05T06:19:48","modified_gmt":"2026-01-05T06:19:48","slug":"bir-sporcunun-yukselis-oykusu","status":"publish","type":"post","link":"https:\/\/atolyer10.com\/?p=374","title":{"rendered":"B\u0130R SPORCUNUN Y\u00dcKSEL\u0130\u015e \u00d6YK\u00dcS\u00dc"},"content":{"rendered":"\n<p>Josh Safdie\u2019den H\u0131rs, G\u00fcr\u00fclt\u00fc ve Bo\u015fluk \u00dczerine Bir Film: \u201cMuhte\u015fem Marty\u201d<\/p>\n\n\n\n<p>Josh Safdie, bug\u00fcne kadar karde\u015fi Benny Safdie ile birlikte \u00e7ekti\u011fi filmlerle Amerikan ba\u011f\u0131ms\u0131z sinemas\u0131n\u0131n en gergin, en huzursuz anlat\u0131lar\u0131n\u0131 kuran y\u00f6netmenlerden biri oldu. Good Time ve Uncut Gems ile kent ya\u015fam\u0131n\u0131n kaotik ritmini, para ve kazanma tak\u0131nt\u0131s\u0131n\u0131 sineman\u0131n sinir u\u00e7lar\u0131na dokunan bir dile d\u00f6n\u00fc\u015ft\u00fcren Safdie\u2019ler, bu kez yollar\u0131n\u0131 ay\u0131r\u0131yor. \u201cMuhte\u015fem Marty \/ Marty Supreme\u201d, Josh Safdie\u2019nin ilk solo uzun metraj\u0131 olarak, bu sinemasal miras\u0131 hem s\u00fcrd\u00fcren hem de farkl\u0131 bir y\u00f6ne ta\u015f\u0131yan bir film.<\/p>\n\n\n\n<p>Amerikan masa tenisi \u015fampiyonu Marty Reisman\u2019dan esinleniyor, burada biraz Marty Reismandan bahsetmek gerekir ; 1930- 2012 y\u0131llar\u0131 aras\u0131nda ya\u015fayan&nbsp;Reisman, ABD Tek Erkekler Masa Tenisi \u015eampiyonudur. Manhattan\u2019da A\u015fkenaz Yahudi bir \u00e7ift olan Sara ve taksi \u015fof\u00f6r\u00fc Moris\u2019in \u00e7ocu\u011fu olarak d\u00fcnyaya geldi. 9 ya\u015f\u0131nda masa tenisine ba\u015flad\u0131. 4 y\u0131l sonra gen\u00e7ler \u015fampiyonu oldu. Biyografik film olmamas\u0131na ra\u011fmen senaryo Marty Reisman\u2019dan esinlenerek olu\u015fturuldu. Broadway\u2019deki Masa Tenisi Kul\u00fcb\u00fcnde bahislerde rakiplerini yenerek para kazand\u0131. 1949\u2019dan itibaren 2 y\u0131l Harlem Globetrotters ile masa tenisi g\u00f6sterileri yaparak d\u00fcnyay\u0131 dola\u015ft\u0131. Profesyonel hayat\u0131nda 22 b\u00fcy\u00fck \u015fampiyonluk kazand\u0131. D\u00fcnya \u015fampiyonas\u0131nda 5 madalya kazand\u0131. 1997\u2019de 67 ya\u015f\u0131ndayken ulusal bir yar\u0131\u015fmay\u0131 kazanan en ya\u015fl\u0131 oyuncu unvan\u0131n\u0131 kazand\u0131. Film klasik bir biyografi anlat\u0131s\u0131na yaslanmak yerine, Safdie\u2019nin tercih etti\u011fi par\u00e7al\u0131 ve huzursuz yap\u0131 \u00fczerinden ilerliyor. Muhte\u015fem Marty, bir sporcunun ba\u015far\u0131 basamaklar\u0131n\u0131 tek tek \u00e7\u0131k\u0131\u015f\u0131n\u0131 anlatmaktan \u00e7ok, ba\u015far\u0131 fikrinin kendisini sorgulayan bir film. Bu y\u00f6n\u00fcyle film, \u201cAmerikan r\u00fcyas\u0131\u201dn\u0131 parlatmak yerine, onun i\u00e7ini bo\u015falt\u0131yor.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img  title=\"\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"429\" src=\"https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/01\/IMG_1761-1024x429.png\"  alt=\"IMG_1761-1024x429 B\u0130R SPORCUNUN Y\u00dcKSEL\u0130\u015e \u00d6YK\u00dcS\u00dc\"  class=\"wp-image-376\" srcset=\"https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/01\/IMG_1761-1024x429.png 1024w, https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/01\/IMG_1761-300x126.png 300w, https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/01\/IMG_1761-768x322.png 768w, https:\/\/atolyer10.com\/wp-content\/uploads\/2026\/01\/IMG_1761.png 1389w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Safdie, 1950\u2019lerde ge\u00e7en hik\u00e2yesini \u015fa\u015f\u0131rt\u0131c\u0131 bi\u00e7imde 70\u2019lerin sinemas\u0131n\u0131 an\u0131msatan sert bir karakter incelemesiyle kuruyor. Bu bilin\u00e7li zamansal kayma, Marty\u2019nin hi\u00e7bir yere tam olarak ait olamayan ruh halini g\u00fc\u00e7lendiriyor. Film, izleyicisini g\u00fcvenli bir d\u00f6nem filmi konforuna yerle\u015ftirmiyor; aksine, s\u00fcrekli tetikte tutuyor. Kamera neredeyse hi\u00e7 sakinle\u015fmiyor, ritim bilin\u00e7li bi\u00e7imde yorucu tutuluyor. Safdie sinemas\u0131 burada da \u201cizlenmekten \u00e7ok ya\u015fanan\u201d bir deneyim sunuyor.<\/p>\n\n\n\n<p>Timoth\u00e9e Chalamet, Marty rol\u00fcnde kariyerinin en iddial\u0131 performanslar\u0131ndan birini sergiliyor. 70\u2019lerin Al Pacino\u2019sunu and\u0131ran enerjisiyle Chalamet, karakterini karizmatik bir ba\u015far\u0131 fig\u00fcr\u00fc olarak de\u011fil, kendi h\u0131rs\u0131 taraf\u0131ndan t\u00fcketilen bir beden olarak oynuyor. Marty\u2019nin \u00f6zg\u00fcveni kadar g\u00fcvensizli\u011fi, zek\u00e2s\u0131 kadar bo\u015flu\u011fu da g\u00f6r\u00fcn\u00fcr. Her zafer an\u0131, ayn\u0131 zamanda yakla\u015fan bir \u00e7\u00f6k\u00fc\u015f hissi ta\u015f\u0131yor. Chalamet\u2019nin performans\u0131, filmi ta\u015f\u0131yan en g\u00fc\u00e7l\u00fc unsur.<\/p>\n\n\n\n<p>Film, yaln\u0131zca bir spor hik\u00e2yesi anlatmakla yetinmiyor. Safdie, karakterlerin etraf\u0131na \u00f6rd\u00fc\u011f\u00fc yan hik\u00e2yelerle sistem ele\u015ftirisini geni\u015fletiyor. Kapitalist i\u015f d\u00fcnyas\u0131, yozla\u015fm\u0131\u015f polis d\u00fczeni, d\u00fc\u015f\u00fc\u015fteki tiyatro sahnesi ve reklam k\u00fclt\u00fcr\u00fc; film boyunca mizah ve sertlik aras\u0131nda gidip gelen bir dille ele al\u0131n\u0131yor. Bu ele\u015ftiriler hi\u00e7bir zaman sloganla\u015ft\u0131r\u0131lm\u0131yor; karakterlerin se\u00e7imleri ve etik ihlalleri \u00fczerinden kendili\u011finden ortaya \u00e7\u0131k\u0131yor.<\/p>\n\n\n\n<p>Muhte\u015fem Marty, su\u00e7u bir sonu\u00e7 de\u011fil, bir y\u00f6ntem olarak ele al\u0131yor. Marty\u2019nin hayatta kalmak ve \u201ckazanan\u201d olmak i\u00e7in att\u0131\u011f\u0131 her ad\u0131m, onu biraz daha s\u0131n\u0131rlar\u0131n d\u0131\u015f\u0131na itiyor. Safdie, karakterini ne akl\u0131yor ne de yarg\u0131l\u0131yor; seyirciye ahlaki bir konfor alan\u0131 sunmuyor. Bu yakla\u015f\u0131m, filmi klasik anti-kahraman anlat\u0131lar\u0131ndan ay\u0131ran en \u00f6nemli farklardan biri.<\/p>\n\n\n\n<p>G\u00f6rsel dil ve kurgu taraf\u0131nda Ronald Bronstein imzas\u0131 hissediliyor. Bilin\u00e7li d\u00fczensizlik, sert kesmeler ve p\u00fcr\u00fczl\u00fc sahne ge\u00e7i\u015fleri, Marty\u2019nin zihinsel da\u011f\u0131n\u0131kl\u0131\u011f\u0131n\u0131 bi\u00e7imsel bir kar\u015f\u0131l\u0131\u011fa d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor. Film izleyicide net bir mesajdan \u00e7ok, rahats\u0131z edici bir ruh hali b\u0131rak\u0131yor ki bu da Safdie sinemas\u0131n\u0131n temel hedefiyle \u00f6rt\u00fc\u015f\u00fcyor.<\/p>\n\n\n\n<p>Sonu\u00e7 olarak \u201cMuhte\u015fem Marty\u201d, ne klasik bir spor biyografisi ne de al\u0131\u015f\u0131ld\u0131k bir ba\u015far\u0131 \u00f6yk\u00fcs\u00fc. Josh Safdie, bu filmle birlikte h\u0131rs\u0131n, g\u00fcc\u00fcn ve su\u00e7un i\u00e7 i\u00e7e ge\u00e7ti\u011fi sert bir karakter portresi \u00e7iziyor. Yorucu, d\u00fczensiz ve zaman zaman bunalt\u0131c\u0131 ama tam da bu y\u00fczden etkileyici. Muhte\u015fem Marty, seyirciyi rahatlatmak yerine sarsmay\u0131 tercih eden, y\u0131l\u0131n en cesur Amerikan filmlerinden biri olarak \u00f6ne \u00e7\u0131k\u0131yor.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Vizyona yeni giren bu filmi izlemenizi tavsiye ederim. \u015eimdiden iyi seyirler \ud83d\ude42 <\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Josh Safdie\u2019den H\u0131rs, G\u00fcr\u00fclt\u00fc ve Bo\u015fluk \u00dczerine Bir Film: \u201cMuhte\u015fem Marty\u201d Josh Safdie, bug\u00fcne kadar karde\u015fi Benny Safdie ile birlikte \u00e7ekti\u011fi filmlerle Amerikan ba\u011f\u0131ms\u0131z sinemas\u0131n\u0131n en gergin, en huzursuz anlat\u0131lar\u0131n\u0131 kuran y\u00f6netmenlerden biri oldu. Good Time ve Uncut Gems ile kent ya\u015fam\u0131n\u0131n kaotik ritmini, para ve kazanma tak\u0131nt\u0131s\u0131n\u0131 sineman\u0131n sinir u\u00e7lar\u0131na dokunan bir dile d\u00f6n\u00fc\u015ft\u00fcren [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":375,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[58,41,59,46,57,61,60],"class_list":["post-374","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-abd","tag-film","tag-joshsafdie","tag-kult","tag-marty","tag-martysupreme","tag-muhtesemmarty"],"_links":{"self":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/374","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=374"}],"version-history":[{"count":1,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/374\/revisions"}],"predecessor-version":[{"id":377,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/374\/revisions\/377"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/media\/375"}],"wp:attachment":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=374"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=374"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}