Edeb\u00ee Ki\u015fili\u011fi ve Anlat\u0131m \u00d6zellikleri<\/strong><\/p>\n\n\n\n Sel\u00e7uk Baran’\u0131n edeb\u00ee d\u00fcnyas\u0131n\u0131n merkezinde yaln\u0131zl\u0131k, umutsuzluk, ka\u00e7\u0131\u015f, \u00e7aresizlik ve hayal k\u0131r\u0131kl\u0131\u011f\u0131 gibi duygularla m\u00fccadele eden bireyler yer al\u0131r. \u0130lk \u00f6yk\u00fclerinden itibaren simgesel bir anlat\u0131m benimseyen yazar, karakterlerinin d\u0131\u015f d\u00fcnyada ya\u015fad\u0131klar\u0131 olaylardan \u00e7ok, bu olaylar\u0131n i\u00e7 d\u00fcnyalar\u0131nda yaratt\u0131\u011f\u0131 etkiler \u00fczerinde durmu\u015ftur. \u0130nsanlar\u0131n dile getiremedikleri d\u00fc\u015f\u00fcnceleri, bast\u0131r\u0131lm\u0131\u015f duygular\u0131, i\u00e7sel \u00e7at\u0131\u015fmalar\u0131 ve ya\u015fam kar\u015f\u0131s\u0131nda giderek derinle\u015fen ruhsal yorgunluklar\u0131 eserlerinin temel unsurlar\u0131n\u0131 olu\u015fturmu\u015ftur.<\/p>\n\n\n\n Baran, k\u0131sa, duru ve s\u00fcss\u00fcz bir anlat\u0131m\u0131 tercih eder. Dilindeki sadeli\u011fe ra\u011fmen \u00f6yk\u00fclerinde g\u00fc\u00e7l\u00fc bir atmosfer olu\u015fturmay\u0131 ba\u015far\u0131r. G\u00fcndelik ya\u015fam\u0131n s\u0131radan ayr\u0131nt\u0131lar\u0131, karakterlerin ruhsal durumlar\u0131n\u0131 yans\u0131tan simgesel unsurlara d\u00f6n\u00fc\u015f\u00fcr. Bu y\u00f6n\u00fcyle yazar\u0131n anlat\u0131m\u0131nda sessizlik, bekleyi\u015f, uzakla\u015fma ve i\u00e7e kapanma gibi durumlar \u00f6nemli bir yer tutar. Karakterlerin \u00e7o\u011fu zaman a\u00e7\u0131k\u00e7a ifade edemedikleri duygular, anlat\u0131n\u0131n atmosferi ve ayr\u0131nt\u0131lar arac\u0131l\u0131\u011f\u0131yla okuyucuya aktar\u0131l\u0131r.<\/p>\n\n\n\n Yazar\u0131n eserlerinde yaln\u0131zca bireysel sorunlar de\u011fil, toplumsal de\u011fi\u015fimin insan ya\u015fam\u0131nda meydana getirdi\u011fi d\u00f6n\u00fc\u015f\u00fcmler de ele al\u0131n\u0131r. \u00d6zellikle ta\u015fradan kente y\u00f6nelen h\u0131zl\u0131 g\u00f6\u00e7\u00fcn yaratt\u0131\u011f\u0131 toplumsal de\u011fi\u015fim, kent ya\u015fam\u0131nda kendisine yer edinmeye \u00e7al\u0131\u015fan s\u0131radan insanlar\u0131n m\u00fccadeleleri \u00fczerinden anlat\u0131l\u0131r. Baran, kent ya\u015fam\u0131n\u0131n zengin ve ayr\u0131cal\u0131kl\u0131 kesimlerinden ziyade toplumsal d\u00f6n\u00fc\u015f\u00fcm kar\u015f\u0131s\u0131nda tutunmaya \u00e7al\u0131\u015fan, ya\u015fam ko\u015fullar\u0131 nedeniyle y\u0131pranan ve \u00e7o\u011fu zaman g\u00f6r\u00fcnmez h\u00e2le gelen insanlara odaklan\u0131r. K\u00fc\u00e7\u00fck insan\u0131n g\u00fcndelik ya\u015fam i\u00e7erisindeki trajedisini merkeze alan \u00f6yk\u00fclerinde Sait Faik Abas\u0131yan\u0131k’\u0131n izleri g\u00f6r\u00fcl\u00fcr.<\/p>\n\n\n\n \u00d6yk\u00fclerinde Kad\u0131n, Yaln\u0131zl\u0131k ve Hayal K\u0131r\u0131kl\u0131\u011f\u0131<\/strong><\/p>\n\n\n\n Sel\u00e7uk Baran’\u0131n \u00f6yk\u00fcc\u00fcl\u00fc\u011f\u00fcnde kad\u0131n karakterler \u00f6nemli bir yere sahiptir. \u00d6zellikle Haziran ve Analar\u0131n Hakk\u0131 adl\u0131 \u00f6yk\u00fc kitaplar\u0131nda kad\u0131nlar\u0131n ya\u015fam deneyimleri, kar\u015f\u0131lanmam\u0131\u015f beklentileri, hayal k\u0131r\u0131kl\u0131klar\u0131 ve aile i\u00e7erisindeki m\u00fccadeleleri \u00f6n plana \u00e7\u0131kar. Yazar, kad\u0131n karakterlerin g\u00fcndelik ya\u015fam i\u00e7erisinde kar\u015f\u0131la\u015ft\u0131klar\u0131 g\u00fc\u00e7l\u00fckleri yaln\u0131zca toplumsal ili\u015fkiler \u00fczerinden de\u011fil, bu ili\u015fkilerin bireyin i\u00e7 d\u00fcnyas\u0131nda yaratt\u0131\u011f\u0131 etkiler \u00fczerinden de ele al\u0131r.<\/p>\n\n\n\n <\/p>\n\n\n\n Bu eserlerde dura\u011fan, melankolik ve zaman zaman karamsar bir atmosfer h\u00e2kimdir. Karakterler ya\u015fad\u0131klar\u0131 sorunlar kar\u015f\u0131s\u0131nda \u00e7o\u011fu zaman sitem etmek yerine suskunlu\u011fu tercih eder. Diyaloglar\u0131n s\u0131k\u00e7a kullan\u0131ld\u0131\u011f\u0131 \u00f6yk\u00fclerde kasaba ve kent ya\u015fam\u0131n\u0131n yorgun, umutsuz ve hayata tutunmaya \u00e7al\u0131\u015fan insanlar\u0131 anlat\u0131l\u0131r. \u00d6zellikle Analar\u0131n Hakk\u0131 adl\u0131 kitapta farkl\u0131 ya\u015f gruplar\u0131ndan kad\u0131nlar\u0131n ya\u015fam m\u00fccadeleleri dikkat \u00e7eker. Evlilik, kar\u0131-koca ili\u015fkileri, aile ya\u015fant\u0131s\u0131 ve toplumsal beklentiler \u00e7er\u00e7evesinde geli\u015fen olaylar, bireyin mevcut d\u00fczeni de\u011fi\u015ftirememe korkusunu ve beklentileriyle ger\u00e7ek ya\u015fam aras\u0131ndaki \u00e7at\u0131\u015fmay\u0131 ortaya koymaktad\u0131r.<\/p>\n\n\n\n Baran’\u0131n kad\u0131n karakterleri, \u00e7o\u011fu zaman kendi ya\u015famlar\u0131 \u00fczerinde yeterince s\u00f6z sahibi olamayan, duygular\u0131n\u0131 ve isteklerini geri plana itmek zorunda kalan bireylerdir. Bu karakterlerin ya\u015fad\u0131klar\u0131 hayal k\u0131r\u0131kl\u0131klar\u0131, yaln\u0131zl\u0131klar\u0131 ve i\u00e7sel \u00e7at\u0131\u015fmalar\u0131, yazar\u0131n kad\u0131nlar\u0131n toplumsal ya\u015fam i\u00e7erisindeki konumuna y\u00f6nelik duyarl\u0131l\u0131\u011f\u0131n\u0131 g\u00f6sterir. Kad\u0131nlar\u0131n sessizlikleri, kimi zaman i\u00e7inde bulunduklar\u0131 ko\u015fullara kar\u015f\u0131 geli\u015ftirdikleri bir kabulleni\u015f, kimi zaman da dile getirilemeyen bir i\u00e7sel m\u00fccadelenin ifadesi h\u00e2line gelir.<\/p>\n\n\n\n Bu a\u00e7\u0131dan Baran’\u0131n \u00f6yk\u00fclerinde kad\u0131n, yaln\u0131zca anlat\u0131n\u0131n merkezindeki bir karakter de\u011fil; ayn\u0131 zamanda toplumsal beklentiler, aile ili\u015fkileri ve bireysel \u00f6zg\u00fcrl\u00fck aras\u0131ndaki \u00e7at\u0131\u015fmay\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lan \u00f6nemli bir fig\u00fcrd\u00fcr.<\/p>\n\n\n\n <\/p>\n\n\n\n “Ama asl\u0131nda neyim, kimim ben? \u00d6nce annemin, babam\u0131n k\u0131z\u0131yd\u0131m; sonra birtak\u0131m erkeklerin kad\u0131n\u0131 oldum. Yanl\u0131\u015f anlama l\u00fctfen, \u00f6zg\u00fcrl\u00fck, ba\u011f\u0131ms\u0131zl\u0131k pe\u015finde de\u011filim. Bu s\u00f6zc\u00fckler \u00f6yle \u00e7ok kullan\u0131ld\u0131 ki, tiksindim art\u0131k. \u0130stedi\u011fim yaln\u0131zca kendimi tan\u0131mak, y\u00fcz\u00fcme bir ba\u015fkas\u0131n\u0131n (bir erke\u011fin) tuttu\u011fu ayna olmadan..”<\/em> ‘Sel\u00e7uk Baran, Bozk\u0131r \u00c7i\u00e7ekleri<\/em><\/strong>‘<\/p>\n\n\n\n <\/p>\n\n\n\n Romanlar\u0131nda Bireysel \u00c7at\u0131\u015fma ve Toplumsal Yabanc\u0131la\u015fma<\/strong><\/p>\n\n\n\n Sel\u00e7uk Baran’\u0131n romanlar\u0131nda da \u00f6yk\u00fclerinde oldu\u011fu gibi yaln\u0131zl\u0131k, i\u00e7 s\u0131k\u0131nt\u0131s\u0131, \u00e7aresizlik, yabanc\u0131la\u015fma ve ya\u015fam m\u00fccadelesi temel izlekler olarak kar\u015f\u0131m\u0131za \u00e7\u0131kar.<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n G\u00fcnl\u00fck bi\u00e7iminde kurgulanan ilk roman\u0131 Bir Solgun Adam, bankac\u0131l\u0131ktan emekli Mehmet Ta\u015f\u00e7\u0131’n\u0131n ailesinden uzakta, bir \u00e7at\u0131 kat\u0131nda s\u00fcrd\u00fcrd\u00fc\u011f\u00fc yaln\u0131z ve karamsar ya\u015fam\u0131 konu edinir. Roman boyunca karakterin ge\u00e7mi\u015fi, g\u00fcndelik ya\u015fam\u0131 ve kendi i\u00e7 d\u00fcnyas\u0131nda ya\u015fad\u0131\u011f\u0131 \u00e7at\u0131\u015fmalar \u00fczerinden bireysel yaln\u0131zl\u0131k ve hayata kar\u015f\u0131 duyulan yabanc\u0131la\u015fma i\u015flenir. Mehmet Ta\u015f\u00e7\u0131’n\u0131n ya\u015fam\u0131, insan\u0131n kendi \u00e7evresinden ve ge\u00e7mi\u015finden giderek uzakla\u015fmas\u0131n\u0131n yaratt\u0131\u011f\u0131 ruhsal s\u0131k\u0131\u015fm\u0131\u015fl\u0131\u011f\u0131 yans\u0131t\u0131r.<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n Yazar\u0131n ikinci roman\u0131 Bozk\u0131r \u00c7i\u00e7ekleri, t\u0131p \u00f6\u011frenimi g\u00f6rmek amac\u0131yla annesi Vasfiye Han\u0131m ile Ankara’ya gelen Seyfi’nin ya\u015fam\u0131 \u00fczerinden kent-ta\u015fra \u00e7at\u0131\u015fmas\u0131n\u0131 ele al\u0131r. Seyfi’nin kent ya\u015fam\u0131nda kar\u015f\u0131la\u015ft\u0131\u011f\u0131 b\u00fcrokratik engeller, toplumsal uyumsuzluklar ve ya\u015fam g\u00fc\u00e7l\u00fckleri arac\u0131l\u0131\u011f\u0131yla k\u00fc\u00e7\u00fck insanlar\u0131n b\u00fcy\u00fck \u015fehir i\u00e7erisindeki var olma m\u00fccadelesi anlat\u0131l\u0131r. Roman, ta\u015fradan kente gelen bireyin yeni bir ya\u015fam kurma \u00e7abas\u0131n\u0131 ve bu s\u00fcre\u00e7te kar\u015f\u0131la\u015ft\u0131\u011f\u0131 g\u00fc\u00e7l\u00fckleri g\u00f6r\u00fcn\u00fcr k\u0131lar. <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n Baran’\u0131n \u00f6l\u00fcm\u00fcnden sonra, 2000 y\u0131l\u0131nda yay\u0131mlanan G\u00fcz Gelmeden adl\u0131 roman\u0131nda ise Avukat Suat Engin’in yaln\u0131zl\u0131\u011f\u0131, hayal k\u0131r\u0131kl\u0131klar\u0131 ve toplumdan giderek uzakla\u015fmas\u0131 \u00fczerinde durulur. Karakterin i\u00e7 d\u00fcnyas\u0131nda ya\u015fad\u0131\u011f\u0131 \u00e7at\u0131\u015fmalar, bireyin toplumla kurdu\u011fu ili\u015fkinin zay\u0131flamas\u0131n\u0131 ve yabanc\u0131la\u015fma s\u00fcrecini ortaya koyar. Bu roman, yazar\u0131n eserlerinde s\u0131k\u00e7a kar\u015f\u0131la\u015f\u0131lan bireysel yaln\u0131zl\u0131k ve toplumsal uyumsuzluk temalar\u0131n\u0131 s\u00fcrd\u00fcrmesi bak\u0131m\u0131ndan \u00f6nem ta\u015f\u0131r.<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n Tiyatro ve Radyo Oyunlar\u0131<\/strong><\/p>\n\n\n\n Sel\u00e7uk Baran’\u0131n kad\u0131n karakterlere verdi\u011fi \u00f6nem, \u00f6yk\u00fc ve romanlar\u0131n\u0131n yan\u0131 s\u0131ra tiyatro \u00e7al\u0131\u015fmalar\u0131nda da kendisini g\u00f6sterir. \u00dc\u00e7 perdelik T\u00fcrk\u00e2n Han\u0131m adl\u0131 oyunu Devlet Tiyatrolar\u0131’nda sahnelenmi\u015ftir. Oyunda k\u0131rkl\u0131 ya\u015flar\u0131ndaki T\u00fcrk\u00e2n Han\u0131m’\u0131n hayal k\u0131r\u0131kl\u0131klar\u0131, a\u015fktan bekledi\u011fini bulamay\u0131\u015f\u0131, ge\u00e7mi\u015fiyle hesapla\u015fmas\u0131 ve zaman i\u00e7erisinde d\u0131\u015f d\u00fcnyaya yabanc\u0131la\u015fmas\u0131 ele al\u0131n\u0131r. Karakterin ya\u015fad\u0131\u011f\u0131 duygusal k\u0131r\u0131lmalar ve kar\u015f\u0131lanmam\u0131\u015f beklentiler, bireyin ge\u00e7mi\u015fiyle kurdu\u011fu ili\u015fkinin bug\u00fcnk\u00fc ya\u015fam\u0131 \u00fczerindeki etkilerini ortaya koyar.<\/p>\n\n\n\n Baran, tiyatro \u00e7al\u0131\u015fmalar\u0131n\u0131n yan\u0131 s\u0131ra TRT \u0130stanbul Radyosu i\u00e7in \u00e7e\u015fitli radyo oyunlar\u0131 da kaleme alm\u0131\u015ft\u0131r. Melekler Kadar, Sat\u0131c\u0131, \u00d6\u011fle Saatleri, Lojman, Miras ve Bo\u015fa Gitmeyen Bo\u015f Zaman adl\u0131 eserleri, yazar\u0131n dramatik anlat\u0131m alan\u0131ndaki \u00fcretimlerini olu\u015fturur. Bu \u00e7al\u0131\u015fmalar\u0131nda da insan ili\u015fkileri, g\u00fcndelik ya\u015fam\u0131n \u00e7at\u0131\u015fmalar\u0131 ve bireyin kar\u015f\u0131 kar\u015f\u0131ya kald\u0131\u011f\u0131 sorunlar \u00f6n plana \u00e7\u0131kar.<\/p>\n\n\n\n Yazar\u0131n \u00e7eviri \u00e7al\u0131\u015fmalar\u0131 aras\u0131nda Roald Dahl’\u0131n \u00c7arli’nin B\u00fcy\u00fck Cam Asans\u00f6r\u00fc adl\u0131 \u00e7ocuk kitab\u0131 da bulunmaktad\u0131r. 1991 y\u0131l\u0131nda T\u00fcrk\u00e7eye kazand\u0131r\u0131lan bu eser, Dahl’\u0131n \u00c7arli’nin \u00c7ikolata Fabrikas\u0131 adl\u0131 kitab\u0131n\u0131n devam\u0131 niteli\u011findedir. Baran ayr\u0131ca \u00e7ocuk edebiyat\u0131 alan\u0131nda Porselen Bebek adl\u0131 eseri de kaleme alm\u0131\u015ft\u0131r.<\/p>\n\n\n\n <\/p>\n\n\n\n Sel\u00e7uk Baran’\u0131n Edebiyat\u0131m\u0131zdaki Yeri<\/strong><\/p>\n\n\n\n Sel\u00e7uk Baran’\u0131n edeb\u00ee \u00fcretimi genel olarak de\u011ferlendirildi\u011finde, bireyin i\u00e7 d\u00fcnyas\u0131 ile toplumsal ya\u015fam aras\u0131ndaki ili\u015fkinin eserlerinin temelini olu\u015fturdu\u011fu g\u00f6r\u00fcl\u00fcr. Yazar, \u00f6zellikle g\u00fcndelik hayat\u0131n i\u00e7erisinde g\u00f6r\u00fcnmez h\u00e2le gelen insanlar\u0131n ya\u015famlar\u0131na odaklan\u0131r. Yaln\u0131zl\u0131k, umutsuzluk, melankoli, yabanc\u0131la\u015fma ve hayal k\u0131r\u0131kl\u0131\u011f\u0131 gibi duygular\u0131 yal\u0131n fakat etkileyici bir anlat\u0131mla ele alarak s\u0131radan insanlar\u0131n ruhsal d\u00fcnyalar\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lar.<\/p>\n\n\n\n Baran’\u0131n eserlerinde dikkat \u00e7eken \u00f6nemli unsurlardan biri de karakterlerin ya\u015fad\u0131klar\u0131 duygusal \u00e7at\u0131\u015fmalar\u0131n \u00e7o\u011fu zaman sessizlik \u00fczerinden aktar\u0131lmas\u0131d\u0131r. Onun karakterleri b\u00fcy\u00fck ve \u00e7arp\u0131c\u0131 olaylardan ziyade, g\u00fcndelik ya\u015fam\u0131n i\u00e7erisinde biriken k\u0131rg\u0131nl\u0131klar, ertelenmi\u015f beklentiler ve \u00e7\u00f6z\u00fclemeyen sorunlarla m\u00fccadele eder. Bu nedenle eserlerinde bireyin i\u00e7 d\u00fcnyas\u0131na y\u00f6nelen psikolojik derinlik ile toplumsal ger\u00e7eklik i\u00e7 i\u00e7e ilerler.<\/p>\n\n\n\n \u00d6zellikle kad\u0131n karakterlerin ya\u015fam deneyimlerine, aile ili\u015fkilerine ve toplumsal beklentiler kar\u015f\u0131s\u0131ndaki konumlar\u0131na yer vermesi, Baran’\u0131n edeb\u00ee d\u00fcnyas\u0131n\u0131 belirleyen \u00f6nemli \u00f6zellikler aras\u0131ndad\u0131r. Kad\u0131nlar\u0131n i\u00e7sel m\u00fccadeleleri, dile getirilemeyen arzular\u0131 ve hayal k\u0131r\u0131kl\u0131klar\u0131, onun insan\u0131 anlama ve anlatma bi\u00e7iminin \u00f6nemli bir par\u00e7as\u0131n\u0131 olu\u015fturur.<\/p>\n\n\n\n Sade anlat\u0131m\u0131n\u0131n ard\u0131nda g\u00fc\u00e7l\u00fc bir duygusal atmosfer bar\u0131nd\u0131ran Sel\u00e7uk Baran, karakterlerinin sessizlikleri ve k\u0131r\u0131lganl\u0131klar\u0131 arac\u0131l\u0131\u011f\u0131yla insan\u0131n kendisiyle ve \u00e7evresiyle kurdu\u011fu ili\u015fkiyi sorgular. Eserleri, bireysel yaln\u0131zl\u0131\u011f\u0131n yaln\u0131zca ki\u015fisel bir duygu olmad\u0131\u011f\u0131n\u0131; toplumsal ko\u015fullar, aile ili\u015fkileri ve de\u011fi\u015fen ya\u015fam bi\u00e7imleriyle de \u015fekillendi\u011fini g\u00f6sterir. Bu y\u00f6n\u00fcyle Sel\u00e7uk Baran, T\u00fcrk \u00f6yk\u00fc ve roman\u0131nda insan\u0131n g\u00f6r\u00fcnmeyen i\u00e7 d\u00fcnyas\u0131na odaklanan, kendine \u00f6zg\u00fc anlat\u0131m\u0131yla \u00f6nemini koruyan yazarlardan biridir.<\/p>\n\n\n\n <\/p>\n\n\n\n Baran\u2019\u0131n hayat kar\u015f\u0131s\u0131ndaki beklentilerinin olumsuz sonu\u00e7lanmas\u0131 onu karamsarl\u0131\u011fa ve bir umutsuzlu\u011fa s\u00fcr\u00fcklemi\u015ftir. Bu karamsarl\u0131kla birlikte yazmaya da k\u0131rg\u0131nl\u0131k besleyen yazar, \u201cBa\u015far\u0131s\u0131z bir yazar oldu\u011fumu kabullendi\u011fimden, 1994\u2019te yazmamaya karar verdim. O g\u00fcnden beri, herhangi biri olarak hayattan keyif al\u0131yorum.<\/strong>\u201d diyerek yazd\u0131klar\u0131n\u0131n okurda bir anlam kazanamamas\u0131n\u0131n kendisinde yaratt\u0131\u011f\u0131 vazge\u00e7i\u015fi ifade etmi\u015f, bir mektubunda ise, \u201cYazmam gerek. Dergiler i\u00e7in ya da kitap olarak bas\u0131ls\u0131n, ba\u015fkalar\u0131 okusun diye de\u011fil, ya\u015fam\u0131n bana hakl\u0131 ya da haks\u0131z \u00f6yle gelen sa\u00e7mal\u0131\u011f\u0131ndan, giderek ba\u015fkalar\u0131n\u0131n ya\u015fam\u0131nda buldu\u011fum ve bunal\u0131m\u0131n\u0131 duydu\u011fum anlams\u0131zl\u0131ktan kurtulmam i\u00e7in yazmam gerek.<\/strong>\u201d diyen yazar, hayat\u0131ndaki anlam bunal\u0131m\u0131ndan, ya\u015fad\u0131klar\u0131n\u0131 anlamland\u0131ramamaktan dolay\u0131 \u00e7ekti\u011fi s\u0131k\u0131nt\u0131n\u0131n yaln\u0131zca yazmakla giderebilece\u011fine inanmaktad\u0131r.<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n Sel\u00e7uk Baran\u2019\u0131n k\u0131rg\u0131nl\u0131klar\u0131n\u0131n ac\u0131s\u0131n\u0131 \u00e7\u0131karma yolu olarak se\u00e7ti\u011fi alkol, hayat\u0131n\u0131 b\u00fcsb\u00fct\u00fcn ele ge\u00e7irmi\u015ftir. \u0130lk alkol tedavisini \u0130stanbul\u2019da 1889-90 y\u0131llar\u0131 aras\u0131nda Anatem\u2019de g\u00f6rm\u00fc\u015ft\u00fcr; fakat olumlu sonu\u00e7lanamam\u0131\u015ft\u0131r. Sonras\u0131nda Ankara\u2019ya d\u00f6nd\u00fc\u011f\u00fcnde 1993\u2019te \u201canonim alkolikler\u201d adl\u0131 grupla tedaviye ba\u015flam\u0131\u015f belli bir s\u00fcre i\u015fe yarasa da sonras\u0131nda eskiye d\u00f6nm\u00fc\u015ft\u00fcr. Baran hayat\u0131n\u0131 kendi elleriyle yava\u015f yava\u015f t\u00fcketmi\u015ftir. Arkada\u015f\u0131 \u00dclk\u00fc Ulu\u0131rmak\u2019a yazd\u0131\u011f\u0131 bir mektupta bu durum hakk\u0131nda \u015funlar\u0131 kaleme al\u0131r:<\/p>\n\n\n\n \u201cS\u00f6yleyece\u011fim bir \u015fey daha var: Daha \u00f6nceleri rahats\u0131z de\u011fildim, alkol hem hi\u00e7bir \u015feyimi engellemiyordu, normal hayat\u0131m\u0131 ya\u015far gibiydim. Ama son \u00fc\u00e7 y\u0131ld\u0131r onun beni nas\u0131l t\u00fcketti\u011finin; ya\u015fama sevincimi, enerjimi, t\u00fcm motivasyonlar\u0131m\u0131, hareket yetene\u011fimi elimden ald\u0131\u011f\u0131n\u0131n iki \u00fc\u00e7 ayd\u0131r fark\u0131nday\u0131m.\u201d<\/em><\/p>\n\n\n\n Ya\u015fama sevincini tamamen t\u00fcketen Sel\u00e7uk Baran, bu ba\u011f\u0131ml\u0131l\u0131\u011f\u0131 y\u00fcz\u00fcnden bir ka\u00e7 kez mide kanamas\u0131 ge\u00e7irmi\u015f, siroz hastal\u0131\u011f\u0131na yakalanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n Hayat\u0131n\u0131n son d\u00f6nemlerinde kendisini, ailesini ve \u00e7evresini sorgulamaya ba\u015flayan Baran, bu sorgulay\u0131\u015ftan ma\u011flup bir \u015fekilde ayr\u0131lm\u0131\u015f olarak zihnimizde yer edinmi\u015ftir. Yazd\u0131\u011f\u0131 yaz\u0131lar\u0131n yay\u0131mlanmas\u0131nda destek g\u00f6rememesi, okurlar\u0131n\u0131n kendisine uzak oldu\u011funu d\u00fc\u015f\u00fcnmesi, hayat\u0131nda ya\u015fad\u0131\u011f\u0131 bitmek bilmeyen ini\u015f \u00e7\u0131k\u0131\u015flar d\u00fcnyaya k\u0131rg\u0131n olarak ayr\u0131lmas\u0131na neden olmu\u015ftur.<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n Kaynak\u00e7a<\/strong><\/p>\n\n\n\n https:\/\/web.archive.org\/web\/20210626133421\/https:\/\/www.soylentidergi.com\/selcuk-baran-bir-huznun-disa-vurusu\/<\/a><\/p>\n\n\n\n![\"analarin_hakki](\"http:\/\/atolyer10.com\/wp-content\/uploads\/2026\/11\/analarin_hakki.jpg\" "\\"\\"")
<\/p>\n\n\n\n![\"bir-solgun-adam](\"http:\/\/atolyer10.com\/wp-content\/uploads\/2026\/11\/bir-solgun-adam.webp\" "\\"\\"")
<\/p>\n\n\n\n![\"bozkircicekleri](\"http:\/\/atolyer10.com\/wp-content\/uploads\/2026\/11\/bozkircicekleri.jpg\" "\\"\\"")
<\/p>\n\n\n\n![\"Guz-Gelmeden](\"http:\/\/atolyer10.com\/wp-content\/uploads\/2026\/11\/Guz-Gelmeden.jpg\" "\\"\\"")
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\u201c(\u2026) Hem \u00e7aresizli\u011fin, anlayamaman\u0131n, \u00e7\u00f6z\u00fcmleyememenin, el yordam\u0131yla ya\u015faman\u0131n, korkuyu bast\u0131rmak i\u00e7in cinayetlere bile kay\u0131ts\u0131z kalman\u0131n, hayata duyulan g\u00fczelim gen\u00e7lik inanc\u0131n\u0131n \u00e7\u00f6k\u00fc\u015f\u00fcn\u00fcn do\u011furdu\u011fu bungunlu\u011fun, bir \u00f6m\u00fcr s\u00fcrece\u011fine inand\u0131\u011f\u0131n\u0131z b\u00fcy\u00fck bir suskunun \u00f6yk\u00fcs\u00fc m\u00fc olurmu\u015f?<\/em>\u201d \u2013 Sel\u00e7uk Baran, \u2018K\u0131\u015f Yolculu\u011fu\u2019<\/em><\/strong><\/p>\n\n\n\n![\"selcukbaran](\"http:\/\/atolyer10.com\/wp-content\/uploads\/2026\/11\/selcukbaran.jpeg\" "\\"\\"")
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