{"id":516,"date":"2026-01-19T20:59:27","date_gmt":"2026-01-19T20:59:27","guid":{"rendered":"https:\/\/atolyer10.com\/?p=516"},"modified":"2026-01-20T18:29:41","modified_gmt":"2026-01-20T18:29:41","slug":"constant-nieuwenhuysun-uniter-sehir-deneyi-new-babylon-yeni-babil","status":"publish","type":"post","link":"https:\/\/atolyer10.com\/?p=516","title":{"rendered":"Constant Nieuwenhuys’un \u00dcniter \u015eehir Deneyi: New Babylon (Yeni Babil )"},"content":{"rendered":"\n

\u00dcniter \u015fehircilik kavram\u0131 1950\u2019lerin ortas\u0131nda 2. d\u00fcnya sava\u015f\u0131n\u0131n ard\u0131ndan yeniden kurgulanan d\u00fcnyan\u0131n dinamiklerinde Sit\u00fcasyonist(Durumcu)Enternasyonal \u00e7evresinde ortaya \u00e7\u0131kan, kenti yaln\u0131zca fiziksel bir planlama nesnesi olarak de\u011fil, ya\u015fant\u0131lar\u0131n, duygular\u0131n ve g\u00fcndelik pratiklerin b\u00fct\u00fcn\u00fc olarak ele alan radikal bir \u015fehircilik ele\u015ftirisi ve \u00f6nerisidir. \u0130\u00e7indeki \u00fcniterlik kavram\u0131- kaplad\u0131\u011f\u0131 kara par\u00e7as\u0131 \u00fczerinde, tek ba\u015f\u0131na b\u00f6l\u00fcnemezli\u011fin bi\u00e7imidir. 1950\u2019lerin ortas\u0131ndan itibaren, sanat nesnesinin s\u0131n\u0131rlar\u0131n\u0131 a\u015farak sanat\u0131n do\u011frudan ya\u015fam\u0131n \u00f6rg\u00fctlenmesine m\u00fcdahale etmesi gerekti\u011fi sanat\u00e7\u0131lar taraf\u0131ndan d\u00fc\u015f\u00fcn\u00fclmeye ba\u015flanm\u0131\u015ft\u0131r. Bu y\u00f6nelimle Yeni Babil’de \u00fcniterlik, \u00f6zg\u00fcrl\u00fck, yarat\u0131c\u0131l\u0131k, oyun, kaliteli serbest zamandan olu\u015fan bir \u00fctopya yaratmak i\u00e7in kullan\u0131c\u0131lar\u0131n \u00e7e\u015fitli mek\u00e2nlara \u00f6zellik y\u00fckledi\u011fi , s\u0131n\u0131rs\u0131z bo\u015fluk ve tek bi\u00e7imliliktir. <\/p>\n\n\n

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\"1968_ca_constant_tussen_zijn_constructies_en_maquettes_in_zijn_atelier-foto_nico_koster

Foto\u011fraf\u00e7\u0131
Nico Koster, 1968 Amsterdam , https:\/\/stichtingconstant.nl\/archive\/photos\/constant-amongst-his-models-ii<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n

Yeni Babil 1959-1974 tarihleri aras\u0131nda sehir \u00fczerine yap\u0131lm\u0131\u015f somut ele\u015ftirel bir denemedir. Constant, neredeyse sonsuz say\u0131da \u00f6l\u00e7ekli model, eskiz, grav\u00fcr ve kolajdan olu\u015fuyordu ve manifestolar, konferanslar, denemeler ve filmlerle daha da detayland\u0131rd\u0131\u011f\u0131 yirmi y\u0131l\u0131 a\u015fk\u0131n s\u00fcren vizyoner mimari projesi \u00fczerine \u00e7al\u0131\u015ft\u0131. Constant’\u0131n bu mimari giri\u015fimini sanatsal bir eylem olarak anlamland\u0131r\u0131yorum. Constant\u2019\u0131n teorisi, m\u00fclkiyetsiz ve zorunlu \u00fcretim y\u00fck\u00fcml\u00fcl\u00fc\u011f\u00fcnden azade bir toplumun sonsuz bo\u015f zaman\u0131nda \u015fehirle oyun oynayan Homo Ludens (oyun oynayan insan) mek\u00e2n\u0131 s\u00f6ker ve yeniden yapar, bu sayede yap\u0131lar\u0131 istedi\u011fi sebeple yeniden in\u015fa edebilir ve b\u00f6ylece s\u00fcrekli ak\u0131\u015fta olan bir \u015fehir olu\u015ftururmak ister. Bununla ama\u00e7lanan yeni bir t\u00fcr insan\u0131n, d\u00fc\u015f\u00fcncenin serpilebilece\u011fi kolektif fiziksel bir alan aray\u0131\u015f\u0131d\u0131r. Yeni Babil projesi, kent tasar\u0131m\u0131 \u00f6nerisi olman\u0131n haricinde; \u00e7al\u0131\u015fma, bo\u015f zaman, yarat\u0131c\u0131l\u0131k ve g\u00fcndelik hayat\u0131n yeniden \u00f6rg\u00fctlenmesine dair radikal bir toplumsal tahayy\u00fcll sunar. Bu sebeple ortaya koydu\u011fu d\u00fc\u015f\u00fcnsel k\u0131r\u0131lma ile \u00f6nem kazan\u0131r.<\/p>\n\n\n

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\"constant-nieuwenhuys-new-babylon-BAEM3-1024x870<\/figure>\n<\/div>\n\n
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\"1_hURSaH53AETsaMr-n0e3Vg
https:\/\/medium.com\/@jcheung\/constants-new-babylon-485e6a6592f9<\/a><\/figcaption><\/figure>\n<\/div>\n\n\n

Constant\u2019\u0131n kendi a\u00e7\u0131klamas\u0131ndan : \u201c\u2026bir \u00e7at\u0131 alt\u0131nda, hareketli elemanlar\u0131n yard\u0131m\u0131yla, payla\u015f\u0131lan bir mesken in\u015fa edilecek; ge\u00e7ici, s\u00fcrekli bi\u00e7im de\u011fi\u015ftiren bir ya\u015fama alan\u0131, gezginler i\u00e7in gezegen \u00f6l\u00e7e\u011finde bir kamp.” olaca\u011f\u0131d\u0131r.<\/p>\n\n\n\n

\u201cModern \u015fehir \u00f6ld\u00fc; faydac\u0131l\u0131k k\u00fclt\u00fcne kurban edildi. 
Yeni Babil , insanlar\u0131n ya\u015fayabilece\u011fi bir \u015fehir projesidir. \u00c7\u00fcnk\u00fc ya\u015famak, yarat\u0131c\u0131 olmak demektir. Yeni Babil, kitlelerin yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131n \u00fcr\u00fcn\u00fcd\u00fcr; \u015fu anda halkta at\u0131l ve kullan\u0131lmam\u0131\u015f olan muazzam yarat\u0131c\u0131 potansiyelin harekete ge\u00e7irilmesine dayanmaktad\u0131r. Yeni Babil, otomasyonun sonucu olarak yarat\u0131c\u0131 olmayan i\u015flerin ortadan kalkaca\u011f\u0131n\u0131, ahlak ve d\u00fc\u015f\u00fcncede bir d\u00f6n\u00fc\u015f\u00fcm ya\u015fanaca\u011f\u0131n\u0131, yeni bir toplum bi\u00e7iminin ortaya \u00e7\u0131kaca\u011f\u0131n\u0131 varsaymaktad\u0131r.\u201d <\/p>\n\n\n\n

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