Be\u015f \u015eehir, Ahmet Hamdi Tanp\u0131nar’\u0131n hayat\u0131n\u0131n tesad\u00fcfleri olan Ankara, Erzurum, Konya, Bursa ve \u0130stanbul \u015fehirlerini anlatt\u0131\u011f\u0131 1946 y\u0131l\u0131nda yay\u0131mlanan otobiyografik izlere sahip deneme t\u00fcr\u00fc eseridir. 1901’de \u0130stanbul’da do\u011fan Ahmet Hamdi Tanp\u0131nar, babas\u0131n\u0131n memuriyeti nedeniyle ilk \u00e7ocukluk ve gen\u00e7lik g\u00fcnlerini Anadolu’nun farkl\u0131 \u015fehirlerinde ge\u00e7irir. Yahya Kemal Beyatl\u0131’n\u0131n da \u00f6\u011fretmenleri aras\u0131nda yer ald\u0131\u011f\u0131 Dar\u00fclf\u00fcnun (\u0130stanbul \u00dcniversitesi) Edebiyat Fak\u00fcltesinden 1924 y\u0131l\u0131nda mezun olur. Ayn\u0131 y\u0131l Erzurum Lisesinde edebiyat ve felsefe \u00f6\u011fretmeni olarak ilk g\u00f6revine ba\u015flar. Bat\u0131 edebiyat\u0131ndan \u00e7eviriler yapar, \u015fiir ve hik\u00e2yeleri dergilerde yay\u0131mlan\u0131r. T\u00fcrk edebiyat\u0131n\u0131n en \u00f6nemli eserleri aras\u0131nda yer alan Huzur roman\u0131 1948’de yay\u0131mlan\u0131r. Saatleri Ayarlama Enstit\u00fcs\u00fc isimli roman\u0131 ise T\u00fcrk insan\u0131n\u0131n Do\u011fu ile Bat\u0131 aras\u0131ndaki bocalay\u0131\u015f\u0131n\u0131 insan\u0131n de\u011fi\u015fimi \u00fczerinden de\u011ferlendirir. \u015eiirlerinde sembolist bir dil kullanan Tanp\u0131nar, romanlar\u0131nda ger\u00e7ek\u00e7i ve sosyal sorunlara e\u011filen bir tarz\u0131 tercih eder. Hayat\u0131m\u0131n tesad\u00fcfleridir dedi\u011fi Ankara, Erzurum, Konya, Bursa ve \u0130stanbul’u anlatt\u0131\u011f\u0131 Be\u015f \u015eehir edebiyat\u0131m\u0131zda pek \u00f6rne\u011fi bulunmayan \u015fiirsel bir yolculuktur. Kendisi de her daim bir \u015fair olarak an\u0131lmak istedi\u011fini s\u00f6yler. Eserlerinde ge\u00e7mi\u015f ve gelecek bir olur, benzersiz bir dille \u00f6n\u00fcm\u00fcze serilir.<\/p>\n\n\n\n
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\nTanp\u0131nar’\u0131n 1945-1951 y\u0131llar\u0131 aras\u0131nda ikamet etti\u011fi, sanat\u00e7\u0131 ve yazar dostlar\u0131yla s\u0131k\u00e7a vakit ge\u00e7irdi\u011fi Beyo\u011flu’ndaki tarihi Narmanl\u0131 Han g\u00fcnlerine ait bir foto\u011fraf\u0131.<\/figcaption><\/figure>\n<\/div>\n\n\n
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\nAra G\u00fcler’in 1956’da \u00e7ekti\u011fi bir foto\u011fraf\u0131. 2020 y\u0131l\u0131nda Ara G\u00fcler M\u00fczesi ve Derg\u00e2h Yay\u0131nlar\u0131 i\u015f birli\u011fiyle, Ahmet Hamdi Tanp\u0131nar’\u0131n edebi metinleri ile Ara G\u00fcler’in \u0130stanbul foto\u011fraflar\u0131 bir araya getirilerek hem kapsaml\u0131 bir sergi d\u00fczenlenmi\u015f hem de ortak bir alb\u00fcm-kitap yay\u0131mlanm\u0131\u015ft\u0131r.<\/figcaption><\/figure>\n<\/div>\n\n\n
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Roman\u0131n \u00f6n s\u00f6z\u00fcnden ilk paragraf \u015fu \u015fekildedir:<\/p>\n\n\n\n
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\u201cBe\u015f \u015eehir’in as\u0131l konusu hayat\u0131m\u0131zda kaybolan \u015feylerin ard\u0131ndan duyulan \u00fcz\u00fcnt\u00fc ile yeniye kar\u015f\u0131 beslenen i\u015ftiyakt\u0131r. \u0130lk bak\u0131\u015fta birbiriyle \u00e7at\u0131\u015f\u0131r g\u00f6r\u00fcnen bu iki duyguyu sevgi kelimesinde birle\u015ftirebiliriz. Bu sevginin kendisine \u00e7er\u00e7eve olarak se\u00e7ti\u011fi \u015fehirler, benim hayat\u0131m\u0131n tesad\u00fcfleridir. Bu itibarla, onlar\u0131n arkas\u0131nda kendi insan\u0131m\u0131z\u0131 ve hayat\u0131m\u0131z\u0131, vatan\u0131n manevi \u00e7ehresi olan k\u00fclt\u00fcr\u00fcm\u00fcz\u00fc g\u00f6rmek daha do\u011fru olur.\u201d<\/p>\n<\/blockquote>\n\n\n\n
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Eser ayn\u0131 zamanda Ankara, Erzurum, Konya, Bursa ve \u0130stanbul \u015fehirlerini sadece co\u011frafi veya fiziksel mekanlar olarak de\u011fil, tarih, k\u00fclt\u00fcr, mimari, haf\u0131za ve insan ruhu s\u00fczgecinden ge\u00e7irerek de ele al\u0131r. Yazar\u0131n kendi deneyimleri, an\u0131lar\u0131 ve g\u00f6zlemleri Be\u015f \u015eehir’in en \u00f6nemli ta\u015f\u0131y\u0131c\u0131 unsurlar\u0131ndan biridir. Tanp\u0131nar bu eseri nesnel bir tarih veya co\u011frafya kitab\u0131 gibi de\u011fil, bizzat kendi hayat hikayesi, \u00f6\u011fretmenlik y\u0131llar\u0131 ve m\u00fcfetti\u015flik seyahatleri \u00fczerinden \u015fekillendirmi\u015ftir. Bu sebeple okuyucu hem \u015fehirleri tan\u0131rken hem de Tanp\u0131nar\u2019\u0131n kaleminde onu ve belki de kendisini g\u00f6rebilme f\u0131rsat\u0131 yakalar.<\/p>\n\n\n\n
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\nErzurum’da meydana gelen Pasinler depremi sonras\u0131, 9 Ekim 1924 tarihinde \u015fehri ziyarete gelen Mustafa Kemal Atat\u00fcrk’\u00fcn Erzurum Lisesini ziyaretinde \u00e7ekilen bir foto\u011fraf\u0131. \u00d6\u011fretmen kadrosunda arka sa\u011f \u00fcstte \u00fc\u00e7\u00fcnc\u00fc s\u0131rada Ahmet Hamdi Tanp\u0131nar yer almaktad\u0131r.<\/figcaption><\/figure>\n<\/div>\n\n\n
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Yukar\u0131daki foto\u011frafta hen\u00fcz 23-24 ya\u015flar\u0131nda gen\u00e7 bir edebiyat \u00f6\u011fretmeni olan Ahmet Hamdi Tanp\u0131nar, hayat\u0131nda Atat\u00fcrk’\u00fc ilk kez g\u00f6rd\u00fc\u011f\u00fc ve onunla konu\u015ftu\u011fu bu an\u0131 Be\u015f \u015eehir’de \u015fu s\u00f6zlerle anlat\u0131r:<\/p>\n\n\n\n
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“Atat\u00fcrk\u2019\u00fc ilk defa Erzurum\u2019da g\u00f6rd\u00fcm. Onunla tek konu\u015fmam da Erzurum Lisesinde oldu. \u0130ki g\u00fcn evvel Kars Kap\u0131s\u0131nda b\u00fct\u00fcn \u015fehir halk\u0131 ile beraber kar\u015f\u0131lad\u0131\u011f\u0131m\u0131z adam, liseye gelir gelmez beraberindeki ‘huzur-u mutad zevat\u0131n’ aras\u0131ndan adeta s\u0131yr\u0131larak aram\u0131za girdi. O g\u00fcn\u00fcn\u00fc, Erzurum Lisesindeki hocalara, yani bize vermi\u015fti…”<\/p>\n<\/blockquote>\n\n\n\n
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\nYahya Kemal Beyatl\u0131’n\u0131n m\u00fctareke y\u0131llar\u0131nda, bir d\u00f6nem Edebiyat Fak\u00fcltesine ev sahipli\u011fi yapan Zeynep Han\u0131m Kona\u011f\u0131 \u00f6n\u00fcnde, i\u00e7lerinde Ahmet Hamdi Tanp\u0131nar’\u0131n da bulundu\u011fu \u00f6\u011frencilerle \u00e7ektirdi\u011fi bir foto\u011fraf.<\/figcaption><\/figure>\n<\/div>\n\n\n
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Tanp\u0131nar, Be\u015f \u015eehir\u2019i hocas\u0131 olan Yahya Kemal Beyatl\u0131\u2019ya ithaf ederken roman\u0131n \u0130stanbul b\u00f6l\u00fcm\u00fcnde Beyatl\u0131\u2019n\u0131n Koca Must\u00e2pa\u015fa adl\u0131 \u015fiirinden dizeler ili\u015ftirir.<\/p>\n\n\n\n
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\u201cDaha iyisi, bu semti \u0130stanbul peyzaj\u0131n\u0131n \u015fairinden dinleyelim:<\/p>\n\n\n\n
Ahiret \u00f6yle yak\u0131n seyredilen manzarada, O kadar kom\u015fu ki d\u00fcnyaya duvar yok arada Ge\u00e7er insan bir ad\u0131m atsa birinden birine, Kavu\u015fur kar\u015f\u0131da kaybetti\u011fi bir sevdi\u011fine. […] Sarma\u015f\u0131klar, yaz\u0131lar, ta\u015flar, a\u011fa\u00e7lar kar\u0131\u015f\u0131k, H\u00e2f\u0131z Osman gibi hattatla g\u00f6m\u00fclm\u00fc\u015f bir \u0131\u015f\u0131k, Bu mezarl\u0131kta siyah topra\u011f\u0131 ayd\u0131nlat\u0131yor, Belli, kabrinde o, bir nura sar\u0131lm\u0131\u015f yat\u0131yor. […] Ne led\u00fcnni gecedir! T\u00e2 a\u011faran vakte kadar, Bir m\u00fccevher gibi S\u00fcmb\u00fcl Sinan\u2019\u0131n ruhu yanar.\u201d<\/p>\n<\/blockquote>\n\n\n\n
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Yine \u0130stanbul b\u00f6l\u00fcm\u00fcnde yer alan kendi ifadelerinden birini buraya ekliyor, sizlerin de kitaba g\u00f6z gezdirmenizi tavsiye ediyorum.<\/p>\n\n\n\n
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\u0130stanbul gittik\u00e7e a\u011fa\u00e7s\u0131z kal\u0131yor. Bu h\u00e2l, aram\u0131zdan \u015fu veya bu \u00e2detin, gelene\u011fin kaybolmas\u0131na benzemez. Gelenekler arkas\u0131ndan ba\u015fkalar\u0131 geldi\u011fi i\u00e7in veya kendilerine ihtiya\u00e7 kalmad\u0131\u011f\u0131 i\u00e7in giderler. Fakat as\u0131rl\u0131k bir a\u011fac\u0131n gitmesi ba\u015fka \u015feydir. Yerine bir ba\u015fkas\u0131 dikilse bile o manzaray\u0131 alabilmesi i\u00e7in zaman ister. Alsa da evvelkisi, babalar\u0131m\u0131z\u0131n alt\u0131nda oturduklar\u0131 zaman kutlad\u0131\u011f\u0131 a\u011fa\u00e7 olamaz… Bir a\u011fac\u0131n \u00f6l\u00fcm\u00fc, b\u00fcy\u00fck bir mimari eserinin kayb\u0131 gibi bir \u015feydir. Ne \u00e7are ki biz bir as\u0131rdan beri, hatt\u00e2 biraz daha fazla, ikisine de al\u0131\u015ft\u0131k. G\u00f6z\u00fcm\u00fcz\u00fcn \u00f6n\u00fcnde \u015faheserler birbiri ard\u0131nca suya d\u00fc\u015fm\u00fc\u015f kaya tuzu gibi eriyor, k\u00fcl, toprak y\u0131\u011f\u0131n\u0131 oluyor, \u0130stanbul’un her semtinde s\u00fctunlar\u0131 devrilmi\u015f, \u00e7at\u0131s\u0131 harap, i\u00e7i s\u00fcpr\u00fcnt\u00fc dolu medreseler, \u015firin, k\u00fc\u00e7\u00fck semt camileri, y\u0131k\u0131k \u00e7e\u015fmeler var. Ufak bir himmetle g\u00fcn\u00fcn emrine verilecek halde olan bu eserler her g\u00fcn biraz daha bozuluyor. \u00c2deta bir salg\u0131n\u0131n, art\u0131k kald\u0131rmaya ya\u015fayanlar\u0131n g\u00fcc\u00fc yetmeyen \u00f6l\u00fcleri gibi olduklar\u0131 yerde uzanm\u0131\u015f yat\u0131yorlar. Ger\u00e7ek yap\u0131c\u0131l\u0131\u011f\u0131n, mevcudu muhafaza ile ba\u015flad\u0131\u011f\u0131n\u0131 \u00f6\u011frendi\u011fimiz g\u00fcn mesut olaca\u011f\u0131z.<\/p>\n<\/blockquote>\n\n\n
\n25 Ocak 1962 tarihinde \u00e7ekilen bu foto\u011fraf, ge\u00e7irdi\u011fi kalp krizi sonucu vefat eden Yeni T\u00fcrk Edebiyat\u0131 Profes\u00f6r\u00fc Ahmet Hamdi Tanp\u0131nar\u2019\u0131n \u0130stanbul \u00dcniversitesi Rekt\u00f6rl\u00fck Binas\u0131 \u00f6n\u00fcndeki cenaze merasimindendir. Tanp\u0131nar’\u0131n cenazesi, A\u015fiyan Mezarl\u0131\u011f\u0131nda \u00e7ok sevdi\u011fi hocas\u0131 Yahya Kemal Beyatl\u0131’n\u0131n yan\u0131na defnedilmi\u015ftir.<\/figcaption><\/figure>\n<\/div>\n\n\n
Be\u015f \u015eehir, Ahmet Hamdi Tanp\u0131nar’\u0131n hayat\u0131n\u0131n tesad\u00fcfleri olan Ankara, Erzurum, Konya, Bursa ve \u0130stanbul \u015fehirlerini anlatt\u0131\u011f\u0131 1946 y\u0131l\u0131nda yay\u0131mlanan otobiyografik izlere sahip deneme t\u00fcr\u00fc eseridir.1901’de \u0130stanbul’da do\u011fan Ahmet Hamdi Tanp\u0131nar, babas\u0131n\u0131n memuriyeti nedeniyle ilk \u00e7ocukluk ve gen\u00e7lik g\u00fcnlerini Anadolu’nun farkl\u0131 \u015fehirlerinde ge\u00e7irir. Yahya Kemal Beyatl\u0131’n\u0131n da \u00f6\u011fretmenleri aras\u0131nda yer ald\u0131\u011f\u0131 Dar\u00fclf\u00fcnun (\u0130stanbul \u00dcniversitesi) Edebiyat Fak\u00fcltesinden […]<\/p>\n","protected":false},"author":7,"featured_media":1022,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[84,1],"tags":[8,185,22,76,98,186],"class_list":["post-990","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gorsel-sanatlar","category-uncategorized","tag-deneme","tag-edebiyat","tag-istanbul","tag-kitap","tag-sanat","tag-turk-edebiyati"],"_links":{"self":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/990","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=990"}],"version-history":[{"count":20,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/990\/revisions"}],"predecessor-version":[{"id":1026,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/posts\/990\/revisions\/1026"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=\/wp\/v2\/media\/1022"}],"wp:attachment":[{"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=990"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=990"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atolyer10.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=990"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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